ULYSSES
{u21, 476}
{u22, 408}
(Theº Mabbot street entrance of nighttown, before which stretches an uncobbled tramsiding set with skeleton tracks, red and green will-o'-the-wispsº and danger signals. Rows of grimyº houses with gaping doors. Rare lamps with faint rainbow fans. Round |10a Rabaiotti's10| halted ice gondola stunted men and women squabble. They grab wafers between which are wedged lumps of coralº and copper snow. Sucking, they scatter slowly, childrenº. The swancomb of the gondola, highreared, forges on through the murk, white and blue under a lighthouse. Whistles call and answer.)
THE CALLSº
Wait, my love, and I'll be with you.
THE ANSWERSº
Round behind the stable.
(|12An A deafmute12| idiot with goggle eyes, his shapeless mouth dribbling, jerks past, shaken in Saint Vitus' dance. A chain of children's hands imprisons him.)
THE CHILDREN
Kithogue! Salute!
{u22, 409}
THE IDIOT
(Lifts a
palsied
left arm and
gurgles.) Ghahuteº!
{u21, 477}
THE CHILDREN
Where's the great light?
THE IDIOT
(Gobbling.) Ghaghahest.
(They release him. He jerks on. A pigmy woman swings on a rope slung between twoº railings, counting. A form sprawled against a dustbin and muffled by its arm and hat snoresº|10,10| |7groans, grinding growling teeth, and snores again7|. On a step a gnome totting among |12rubbish a rubbishtip12| crouches to shoulder a sack of rags and bones. A crone standing by with a smoky oillampº rams herº last bottle in the maw of his sack. He heaves his booty, tugs askew his peaked cap and hobbles off mutely. The crone makes back for her lair,º swaying her lamp. A bandy child, asquat on the doorstep with a paper shuttlecockº , crawls sidling after her in spurts, clutches her skirt, scrambles up. A drunken navvy grips with both hands the railings of an area, lurching heavily. At a corner two night watch in |10shoulder capes shouldercapesº ,10| their hands upon their |10staff holsters, staffholsters,10| loom tall. A plate crashes:º a woman screams:º a child wails. Oaths of a man roar, mutter, cease. Figures wander, lurk, peer from warrens. In a room lit by a candle stuck in a bottleneck a slut combs out the tatts from the hair of a scrofulousº child. Cissy Caffrey's voice, still young, sings shrill from a lane.)
I gave it to Molly
Because she was jolly,
The leg of the duckº
The leg of the duck.
(Private Carr and Private Compton, swaggersticks tight in
their oxters, as they march
unsteadilyº rightaboutface and
burst together from their mouths a volleyed fart. Laughter of men from the lane.
A hoarse virago retorts.)
{u21, 478}
THE VIRAGO
Signs on you, hairy arse. More power the Cavan girl.
CISSY CAFFREY
More luck to me.
Cavan, Cootehill and Belturbet. (She sings.)
{u22, 410}
I gave it to Nelly
To stick in her belly,º
The leg of the duck
The leg of the duck.
(Private Carr and Private Compton turn and counterretort, their tunics bloodbright in a lampglow, black sockets of caps on their blond cropped polls. Stephen Dedalus (5& and5) Lynch pass through the crowd close to the redcoats.)
PRIVATE COMPTON
(Jerks his finger.) Way for the parson.
PRIVATE CARR
(Turns and calls.) What ho, parson!
CISSY CAFFREY
(Her voice soaring higher.)
She has it, she got it,
Wherever she put it,º
The leg of the duck.
(Stephen(err,ºerr)
flourishing the ashplant in his left hand,
chants with joy
the introit for paschal time. Lynch, his jockey
capº low on his brow, attends him,
a sneer of discontent wrinkling his face.)
{u21, 479}
STEPHEN
Vidi aquam egredientem de templo a latere dextro. Alleluia.
(The famished snaggletusks of an elderly bawd protrudeº from a doorway.)
THE BAWD
(Her voice whispering huskily.) Sst! Comeº here till I tell you. Maidenhead inside. Sst!º
STEPHEN
(Altius aliquantulum.) Et omnes ad quos pervenit aqua ista.
{u22, 411}
THE BAWD
(Spits in their trail her jet of venom.) Trinity medicals. Fallopian tube. All prick and no pence.
(Edy Boardman, sniffling, crouched with Bertha Supple, draws her shawl across her nostrils.)
EDY BOARDMAN
(Bickering.) And says the one: I seen you up Faithful place with your squarepusher|11, the greaser off the railway,11| in |11the his11| |10come-to-bed cometobed10| hat. Did you, says I. That's not for you to say, says I. You never seen me in the mantrap with a married highlander, says I. The likes of her! Stag that one is!º Stubborn as a mule! And her walking with two fellows the one time, Kilbride,º the enginedriver, and lancecorporal Oliphant.
STEPHEN
(Triumphaliter.) |7Salvi facti sunt. Salvi factiº sunt.7|
(He flourishes his ashplant,º shivering the lamp image, shattering light over the world.(5|10)10|5)
|10⇑10|
|10(A
A10|
|10retriever
liver and white
spaniel10|
on the prowl
slinks after
him, growling. Lynch scares it with a kick.)
{u21, 480}
(Looks behind.) So that gesture|6, not music not odourº,6| would be a universal language, the gift of tongues rendering visible not the lay sense but the first entelechy, the structural rhythm.
LYNCH
Pornosophical philotheology. Metaphysics in
Mecklenburghº
street!
{u22, 412}
STEPHEN
We have shrewridden Shakespeare and henpecked Socrates. Even the allwisest Stagyriteº was bitted, bridled and mounted by a light of love.
LYNCH
|10Bah Ba10|!
STEPHEN
Anyway, who wants two gestures to illustrate a loaf and a jug?º This movement illustrates the loaf and jug of bread orº wine in Omar. Hold my stick.
LYNCH
Damn your yellow stick. Where are we going?
STEPHEN
|7Lecherous lynx,7| |10To find to la belle dame sans merci,10| Georgina Johnson, |10light of love,10| |10ad deam qui laetificat juventutem meam ad deam qui laetificat juventutem meam10|.
(Stephen thrusts the ashplant on him and slowly
holds out his hands,
{u21, 481}
his head going back till both hands are a span from his breast, down
turned,º in planes intersecting,
the fingers about to part, the left being higher.)
LYNCH
Which is the jug of bread? It skills not. That or the customhouse. Illustrate thou. Here take your crutch and walk.
(They pass. Tommy Caffrey scrambles to a gaslamp and, clasping, climbs in spasms. From the top spur he slides down. Jacky Caffrey clasps to climb. The navvy lurches against the lamp. The twins scuttle off in the dark. The navvy, swaying, presses a forefinger against a wing of his nose and ejects from the farther nostril a long liquid jet of snot. Shoulderingº the lamp he staggers away through the crowd with his flaring cresset.
Snakes of river fog creep slowly. From drains, clefts,
cesspools,
middens(err,ºerr)
arise on all sides stagnant fumes. A glow leaps in the south beyond the
seaward reaches of the river. The navvy, staggering
forward,º cleaves the crowd and
lurches towards the tramsiding. On the farther side under the railway bridge
Bloom
appears,º flushed, panting,
cramming bread and chocolate into a
sidepocketº.
From Gillen's hairdresser's window a composite portrait shows him
gallant Nelson's image. A concave mirror
{u22, 413}
at the side presents to him lovelorn
|6long
lost
longlost6|
lugubru Booloohoom. Grave Gladstone sees him level, Bloom for Bloom. He
passes, struck by the stare of truculent Wellington but in the
convex mirror
grin unstruck the
bonham eyes and
fatchuck cheekchops of jollypoldyº the rixdix doldy.
At Antonio Rabaiotti's door Bloom halts, sweated under the bright arclampº. He disappears. In a moment he reappears and hurries on.)
BLOOM
Fish and taters. N.g. Ah!
(He disappears into
Olhausen'sº , the pork butcher's, under the downcoming
{u21, 482}
|10roll
shutter
rollshutter10|.
A few moments later he emerges from under the shutter, puffing Poldy, blowing
Bloohoom. In each hand he holds a parcel, one containing a lukewarm
pig's
crubeen, the
other a cold
sheep's
trotter, sprinkled with wholepepper. He gasps, standing upright. Then
bending to one side he presses a parcel against his
ribsº and groans.)
BLOOM
Stitch in my side. Why did I run?
(He takes breath with care and goes forward slowly towards the lampset siding. The glow leaps again.)
BLOOM
What is that? A flasher? Searchlight.
(He stands at Cormack's corner, watching.)
BLOOM
Aurora borealis or a steel foundry? Ah, the brigade, of course. South side anyhow. Big blaze. Might be his house. Beggar's bush. We're safe. (He hums cheerfully.) London's burning, London's burning! On fire, on fire! (He catches sight of the navvy lurching through the crowd at the farther side of Talbot street.) I'll miss him. Run. Quick. Better cross here.
(He darts to cross the road. Urchins shout.)
{u22, 414}
THE URCHINS
Mind out, mister!
(Two cyclists, with lighted paper lanterns aswingº , swim by him, grazing him, their bells rattling.)
THE BELLS
Haltyaltyaltyall.
{u21, 483}
BLOOM
(Halts erect,º stung by a spasm.) Ow!º
(He looks round, darts forward suddenly. Through rising fog a dragon sandstrewer|12, travelling at caution,12| slews heavily down upon him, its huge red headlight winking, its trolley hissing on the wire. The motorman bangs his footgong.)
THE GONG
Bang Bang Bla Bak Blud Bugg Bloo.
(The brake cracks violently. Bloom, raising a policeman's whitegloved hand, blunders,º stifflegged, out of the track. The motorman,º thrown forward, pugnosed, on the guidewheel, yells as he slides past |12over chains and keys12|.)
THE MOTORMAN
Hey, shitbreeches, are you doing the hat trick?º
(Bloom trickleaps to the curbstone and halts again. He brushes a mudflake from his cheek with a parcelled hand.)
BLOOMº
|12No
thoroughfare.º12|
Close shave that
but cured the stitch. Must take up Sandow's
exercisesº again. On the hands down.
Insure against street accident too. The Providential. (He feels his trouser
pocket.) Poor mamma's panacea.
Heel easily catch in
trackº
or bootlace in a
cog. Dayº the wheel of the
Blackº
Mariaº peeled off my shoe at
Leonard's corner. Third time is the charm. Shoe trick. Insolent driver. I
ought to report him. Tension makes them nervous. Might
{u22, 415}
be the fellow balked me this morning with that horsey woman.
Same style of
beauty. Quick of him all theº same.
The stiff walk. True word spoken in jest. That awful cramp in Lad lane.
Something poisonous I ate. Emblem of luck. Why? Probably lost cattle. Mark of
the beast. (He closes his eyes an instant.) Bit light in
{u21, 484}
the head. Monthly or effect of the other. Brainfogfag. That tired feeling. Too much for me now. Ow!
(A sinister figure leans on plaited legs against O'Beirne's wall, a visage unknown, injected with dark mercury. From under a |10wide leaved wideleaved10| sombrero the figure regards him with evil eye.)
BLOOM
(errBueñas Buenasºerr) noches, señorita |10Blanca10|. Queº calle es esta?
THE FIGURE
(Impassive, raises a signal arm.) |12Password.12| |10Sraid Mabbot Sraid Mabbot10|.
BLOOM
Haha. |10Merci Merci10|. Esperanto. |10Slan leath Slan leath10|. (He mutters.) Gaelic league spy, sent by that (7fire eater fireeaterº7).
(He steps forward. A sackshouldered ragman bars his path. He steps left, ragsackman left.)
(5BLOOM5)
(5I beg.5)
(5(He leaps right, sackragman right.)5)º
BLOOM
I beg.
(He swerves, sidles, stepaside, slips past and on.)
BLOOM
Keep to the right, right, right. If there is a fingerpost planted by the Touring Club at Stepaside who procured that public boon? I who lost my way and contributed to the columns of the Irish Cyclist the letter headedº In darkestº Stepaside. Keep, keep, keep to the right. Rags and bonesº at midnight. A fence more likely. First place murderer makes for. Wash off his sins of the world.
(Jacky Caffrey, hunted by Tommy Caffrey, runs full tilt against Bloom.)
{u21, 485}
{u22, 416}
BLOOM
O.
(Shocked, on weak hams, he halts. Tommy and Jacky vanish there, there. Bloom pats with parcelled hands watchfob, pocketbookpocket, pursepoke, sweets of sin, potatosoapº.)
BLOOM
Beware of pickpockets. Old thieves'º dodge. Collide. Then snatch your purse.
(The retriever approachesº sniffingº|12, nose to the ground12|. |12A sprawled form sneezes.12| A stooped bearded figure appears garbed in the long caftan of an elder in Zion and a smokingcapº with magenta tassels. Horned spectacles hang down at the wings of the nose. Yellow poison streaks are on the drawn face.)
RUDOLPH
Second halfcrown waste money today. I told you not go with drunken goy ever. |10|aSo.ºa| You catch no money.10|
BLOOM
(Hides the crubeen and trotter behind his back and, crestfallen, feels warm and cold feetmeat.) |10Ja, ich weiss, papachi Ja, ich weiss, papachi10|.
RUDOLPH
What you making down this place?
|10Have you no
soul?10| (With
feeble vulture talons he feels the silent face of Bloom.) Are you not my son
Leopold, the grandsonº of Leopold?
Are you not my dear
son Leopold who left the house of his father and left the god of his fathers Abraham and Jacob?
{u21, 486}
BLOOM
(With precaution.) I suppose so, father. Mosenthal. All that's left of him.
RUDOLPH
(Severely.) One night they bring you home drunk as dog
after spend your good money. What you call them running chaps?
{u22, 417}
BLOOM
(In youth's smart blue Oxford suit with white vestslips, |10narrow shouldered narrowshouldered,10| in brown Alpine hat, wearing gent's sterling silver Waterburyº keyless watch and double curb Albert with seal attached, one side of him coated with stiffening mud.) Harriers, father. Only that once.
RUDOLPH
Once|7.!7| Mud head to foot. Cut your hand open. Lockjaw. They make you |s12kaputt kaputs12||10.,10| |7Leopoldleben.7| You watch them chaps.
BLOOM
(Weakly.) They challenged me to a sprint. It was muddy. I slipped.
RUDOLPH
(With contempt.) |10Goim nachez! Goim nachez!º10| Nice spectacles for your poor mother!
|10BLOOM
Mamma!10|
|10ELLEN BLOOM10|
(|10Ellen
Bloom, in
In10|
pantomime
dame's stringed mobcap,
|7Widow
Twankey'sº7|
crinoline and
bustle,º
blouse with muttonleg sleeves buttoned behind, grey
mittens and cameo
brooch, her plaited hairº in a crispine net, appears over the staircase
{u21, 487}
banisters, a slanted candlestick in her
hand,º and cries out in shrill
alarm.) O blessed Redeemer, what have they done to him! My smelling salts!
(She hauls up a reef of skirt and ransacks the
pouch of her
striped
(5blaey
blayº5)
petticoat. A phial, an Agnus Dei, a shrivelled potato and a celluloid doll
fall out.) Sacred Heart of Mary, where were you at allº at all?
(Bloom, mumbling, his eyes downcast,º begins to bestow his parcels in his filled pockets but desists, muttering.)
A VOICE
(Sharply.) Poldy!
BLOOM
Who? (He |6ducks and6| wards off a blow clumsily.) At your service.
(He looks up. Beside her
mirage of
datepalms a handsome woman in Turkish costume stands before him. Opulent curves fill out her scarlet
{u22, 418}
trousers and
jacket|10,º
slashed with
gold10|.
|7A wide yellow
cummerbund girdles
her.7| A white
yashmak,º violet in the night,
covers her face, leaving free only her large dark eyes and raven hair.)
BLOOM
Molly!
Welly? Mrs Marion from this out, my dear man, when you speak to me. (Satirically.) Has poor little hubby cold feet waiting so long?
BLOOM
(Shifts from foot to foot.) No, no. Not the least little bit.
(He breathes in deep agitation, swallowing gulps of air,
questions, hopes, crubeens for her supper, things to tell her,
excuse,º desire, spellbound.
A coin gleams on her
forehead. |10On her feet are jewelled
{u21, 488}
toerings.10|
Her
ankletsº
are linked by a slender fetterchain. Beside her
a camel, hooded
with a turreting turban, waits. A silk ladder of innumerable rungs climbs to his
bobbing howdah. He ambles near with
disgruntled
hindquarters. Fiercely she slaps his haunch,
|10her
goldcurb
wristbangles
angriling,10| scolding him in Moorish.)
MARION
Nebrakada! Femininum!º
(The camel|10, ra lifting a foreleg|12,12| plucks from a tree a large mango fruit, offers it to his mistress, blinking, in his cloven hoof,º then10| droops his head and|7, grunting, with uplifted neck,7| fumbles to kneel. Bloom stoops his back for leapfrog.)
BLOOM
I can give you … I mean as your business menagerer … Mrs Marion … if you …
MARION
So you notice some change?
(|10Her hands passing
slowly over her trinketed
stomacher.10|
A slow friendly mockery in her eyes.) O Poldy, Poldy, you are a poor old
stick in the mud! Go and
see life. See
theº wide world.
{u22, 419}
BLOOM
I was just going back for that lotion whitewax, orangeflower water. Shop closes early on Thursday. But the first thing in the morning. |6(He pats divers pockets.) This moving kidney. Ah!6|
(He
points to the south, then to the east. A cake of new clean lemon soap arises, diffusing light and perfume.)
{u21, 489}
THE SOAP
We're a capital couple are Bloom and
I|6.6|(err,ºerr)
He brightens the earth, I polish the sky.
(The |6freckled6| face of Sweny, the druggist, appears in the disc of the soapsun.)
SWENY
Three and a penny, please.
BLOOM
Yes. For my wife(5,º5) Mrs Marion. Special recipe.
MARION
(Softly.) Poldy!
BLOOM
Yes|7, ma'am7|?
MARION
Ti trema un poco il cuore?
(In disdain she saunters away, plump as a pampered |10poulter pouter10| pigeon, humming the duet from Don Giovanniº.)
BLOOM
Are you sure about that Voglio? I mean the pronunciati …
(He follows, followed by the sniffing terrier. The elderly
bawd seizes his sleeve, the bristles of her
chinmole glittering.)
{u21, 490}
{u22, 420}
THE BAWD
Ten shillings a maidenhead. Fresh thing was never touched. Fifteen. |7There's no-one in it only her old father that's dead drunk.7|
(She points. In the gap of her dark den furtive, |10rain bedraggled rainbedraggled10|, Bridie Kelly stands.)
BRIDIE
Hatch street. Any good in your mind?
(With a squeak she flaps her bat shawl and runs. A burly rough pursues with booted strides. He stumbles on the steps, recovers, plunges into gloom. Weak squeaks of laughter are heard, weaker.)
THE BAWD
(Her wolfeyes shining.) He's getting his pleasure. You won't get a virgin in the flash houses. Ten shillings. Don't be all night before the polis in plain clothes sees us. Sixtyseven is a bitch.
(Leering, Gerty MacDowell limps forward. She draws from behind, ogling, and shows coyly her bloodied clout.)
GERTY
With all my worldly goods I thee and thou. (She murmurs.) You did that. I hate you.
BLOOM
I? When? |10You're dreaming.10| I never saw you.
THE BAWD
Leave the gentleman
alone|7,
you
cheat7|.
|7Writing the gentleman false
letters.7|
Streetwalking and
soliciting. Better
for your mother take
the strap to you
at the bedpost,
hussy like you.
{u21, 491}
GERTY
(To Bloom.) When you saw all the secrets of my bottom drawer. (She paws his sleeve, slobbering.) Dirty married man! I love you for doing that to me.
(She glidesº
away crookedly.
Mrs Breen
in man's frieze overcoat with loose
{u22, 421}
bellows pockets, stands in the causeway, her roguish eyes wideopen,
smiling in all her herbivorous buckteeth.)
MRS BREEN
Mr …
BLOOM
(Coughs gravely.) Madam, when we last had this pleasure |7on by letter dated7| the sixteenth instant …
MRS BREEN
Mr Bloom! You down here in the haunts of sin! |7I caught you nicely!7| |10Scamp!10|
BLOOM
(Hurriedly.) Not so loud my name. |12Whatever do you think ofº me?12| Don't give me away. Walls have earsº. How do you do? It's ages since I. |7You're looking splendid. Absolutely it.7| Seasonable weather we are having this time of year. Black refracts heat. Short cut home here. Interesting quarter. Rescue of fallen women.º |6Magdalen asylum|7.7|6| I am the secretary …
MRS BREEN
|10(Holds
up a
finger.)10|
Now,º don't tell a
|7story
big fib7|!
|10I
know somebody won't like
that.10| O just wait
till I see Molly! (Slily.) Account for yourself this very
(errsminute
minuteºerr) or woe betide you!
{u21, 492}
BLOOM
(Looks behind.) She often said she'd like to visit. |6Slumming.6| The exotic, you see. Negro servants |v7toov7| |6in liveryº6| |v7toov7| if she had money. Othello|10. Black black10| brute. Eugene Stratton. Even the bones and cornerman at the Livermore christies. Bohee brothers. Sweep for that matter.
(Tom
and Sam Bohee, coloured coons in white duck suits, scarlet socks, upstarched
Sambo chokers and large scarlet asters in their
buttonholes,º leap out. Each has
his banjo slung. Their paler smaller negroid hands jingle the twingtwang wires.
Flashing white
kaffirº
eyes and
tusks they rattle through a
breakdown in
clumsy
clogs, twinging,
singing, back to
back, toe heel, heel toe, with smackfatclacking nigger lips.)
{u22, 422}
TOM AND SAM
There's
someone in the house with Dina,º
There's someone in the house, I know,
There's someone in the house with Dina
Playing on the old banjo.
(They whisk black masks from raw babby faces: then, chuckling, chortling, trumming, twanging,º they diddle diddle cakewalk dance away.)
BLOOM
(With a sour tenderish smile.) A little frivol, shall we, if you are so inclined? Would you like me perhaps to embrace you just for a fraction of a second?
MRS BREEN
(Screams gaily.)
O, you ruck! You ought to see yourself!
{u21, 493}
BLOOM
For old sake' sake. I only meant |10a square party,10| a mixed marriage mingling of our different little conjugials. You know I had a soft corner for you. (Gloomily.) 'Twas I sent you that valentine of the dear gazelle.
MRS BREEN
Glory Alice, you do look a holy show! Killing simply. (She puts out her hand inquisitively.) What are you hiding behind your back? Tell us, there's a dear.
BLOOM
(Seizes her wrist with his free hand.) Josie Powell that was, prettiest deb in Dublin. How time flies by! Do you remember, harking back in a retrospective arrangement, Old Christmas night,º Georgina Simpson's housewarming while they were playing the Irving Bishop game, finding the pin blindfold and thoughtreading?º Subject, what is in this snuffbox?º
MRS BREEN
You were
the lion of the
night with your seriocomic recitation and you
looked the part.
|10You were always
a favourite with the
ladies.10|
{u22, 423}
BLOOM
(|10Squire of dames,10| in dinner jacket with watered silk facingsº , |7blue masonic badge in his buttonhole,7| black bow and mother-of-pearlº studs, a prismatic champagne glass tilted in his hand.) Ladies and gentlemen, I give you Ireland, home and beauty.
MRS BREEN
The dear dead days beyond recall.
Love's old sweet song.
{u21, 494}
BLOOM
(Meaningfully dropping his voice.) I confess I'm teapot with curiosity to find out whether some person's something is a little teapot at present.
MRS BREEN
(Gushingly.) Tremendously teapot! London's teapot and I'm simply teapot all over me!º (She rubs sides with him.) After the parlour mystery games and the crackers from the tree we sat on the staircase ottoman. Under the mistletoe. Two is company.
BLOOM
(Wearing a purple Napoleon hat with an amber halfmoon, his fingers and thumb passing slowly down to her soft moist meaty palm which she surrenders gently.) |10The witching hour of night.10| I took the splinter out of this hand, carefully, slowly. |7(Tenderly|10, as he slips on her finger a ruby ring10|.) Là ci darem la mano.7|
MRS BREEN
(In a onepiece evening frock executed in moonlight blue, a tinsel sylph's diadem on her brow with her dancecard fallen beside her moonblue satin slipper, curves her palm softly, breathing quickly.) |7Voglio e non …º7| You're hot! You're scalding! The left hand nearest the heart.
BLOOM
When you made your present choice they said it was beauty and the beast. |6I can never forgive you for that.6| |10(His clenched fist at his brow.) Think what it means. All you meant to me then.10| |6|v7(With choked sobs.)v7| |10(Hoarsely.)10| Woman, it's breaking me!6|
(Denis
Breen, whitetallhatted, with Wisdom Hely's
sandwichboardsº , shuffles past
them in carpet slippers, his dull beard thrust out, muttering to
{u22, 424}
right and left. Little
Alf Bergan,
cloaked in the pall of
the ace of
spades,º dogs him to left and right, doubled in laughter.)
{u21, 495}
ALF BERGAN
(Points jeering at the sandwich boards.) U. p: upº.
MRS BREEN
(To Bloom.) High jinks below stairs. (She gives him the glad eye.) Why didn't you kiss the spot to make it well?º You wanted to.
BLOOM
(Shocked.) Molly's best friend! Could you?
MRS BREEN
(Her pulpy tongue between her lips|7, offers a pigeon kiss7|.) Hnhn. The answer is a lemon. Have you a little present for me there?
BLOOM
(Offhandedly.) Kosher. A snack for supper. The home without potted meat is incomplete. I was at Leah, Mrs Bandmannº Palmer. Trenchant exponent of Shakespeare. Unfortunately threw away the programme. Rattling good place round there for pigs'º feet. Feel.
(Richie Goulding, three ladies' hats pinned on his head, appears weighted to one side by the black legal bag of |12Colles Collis12| and Ward on which a skull and crossbones are painted in white limewash. He opens it and shows it full of polonies, kippered |10herring herrings10|, Findon haddies and tightpacked pills.)
RICHIE
Best value in Dub.
(Bald Pat, bothered beetle, stands on the curbstone, folding his napkin, waiting to wait.)
{u21, 496}
PAT
|7(Advances
with a tilted dish
of spillspilling
gravy.)7|
Steak and kidney. Bottle of lager. Hee hee hee. Wait till I wait.
{u22, 425}
RICHIE
Goodgod. Inev erate inall …
(With hanging head he marches doggedly forward. The navvy, lurching by, gores him with his flaming pronghorn.)
RICHIE
(With a cry of pain, his hand to his back.) Ah! Bright's! Lights!
BLOOM
(Points to the navvy.) A spy. Don't attract attention. I hate stupid crowds. I am not on pleasure bent. I am in a grave predicament.
MRS BREEN
Humbuggingº and deluthering as per usual |7with your cock and bull story7|.
BLOOM
I want to tell you a little secret about how I came to be here. But you must never tell. Not even Molly. I have a most particular reason.
MRS BREEN
(All agog.) O, not for worlds.
BLOOM
Let's walk on.
|10Shall
us?10|
{u21, 497}
MRS BREEN
Let's.
(The (5blank bawdº5) makes an unheeded sign. Bloom walks on with Mrs Breen. The terrier follows, whining piteously, wagging his tail.)
THE (5blank BAWD5)
Jewman's melt!
BLOOM
(In an oatmeal sporting suit, a sprig of woodbine in the
lapel, tony buff shirt, shepherd's
plaid|10,10|
Saint Andrew's cross scarftie, white
spats, fawn dustcoat on his
{u22, 426}
arm, tawny red
brogues,
fieldglasses in bandolier and a grey billycock hat.)
Do you remember a
long long
time|12,12|
years and years
ago|12,12|
just after
Milly,º
Marionette we
called her, was weaned
when we all went
together to Fairyhouse races, was it?
MRS BREEN
(In smart Saxe tailormade, white velours hat and spider veil.) Leopardstown.
BLOOM
I mean, Leopardstown. And Molly won seven shillings on a three year old named Nevertell and coming home along by Foxrock in that old fiveseater shanderadan of a |12wagonette waggonette12||10. You you10| were in your heyday then and you had on that new hat of white velours with a surround of molefur that Mrs |10Galbraith Hayes10| advised you to buy because it was marked down to nineteen and eleven, a bit of wire and an old rag of velveteen, and I'll lay |10you10| what you like she did it on purpose …
MRS BREEN
She did, of course, the cat!
|7Don't
tell me!7| Nice adviser!
{u21, 498}
BLOOM
Because it didn't suit you one quarter as well as the other ducky little tammy toque with the bird of paradise wing in it that I admired on you and you honestly looked just too fetching in it though it was a pity to kill it, you cruel naughtyº creature, little mite of a thing with a heart the size of a fullstop.
MRS BREEN
(Squeezes his arm, simpers.) Naughty cruel I was!º
BLOOM
(Low, secretly, ever more rapidly.) And Molly was eating a sandwich of spiced beef out of Mrs Joe Gallaher's lunch basket. Frankly, though she had her advisers or admirers, I never cared much for her style. She was …
MRS BREEN
Too …
BLOOM
Yes. And Molly was laughing because Rogers and
Maggot O'Reilly were
{u22, 428}
mimicking a
cock as we passed a farmhouse and
Marcus Tertius
Moses, the tea merchant, drove past us in a gig with his daughter,
Dancer Moses was
her name, and the
poodle
in her lap
bridled up and you
asked me if I ever heard or read or knew or came across …
MRS BREEN
(Eagerly.) Yes, yes, yes, yes, yes, yes, yes.
(She fades from his side. Followed by the whining dog he
walks on towards
hellsgates. In an
archway a standing woman,
|7bendin
bent
forward,7|
her feet apart, pisses cowily. Outside a shuttered pub a bunch of
{u21, 499}
loiterers
listen to a tale which their
|10broken
snouted
brokensnoutedº10|
gaffer rasps out with raucous humour. An armless pair of them flop wrestling,
growling, in maimed
sodden
playfight.)
THE GAFFER
(Crouches, his voiceº twisted in his snout.) And when Cairns came down from the scaffolding in Beaver streetº what was he after doing it into only into the bucket of porter that was there waiting on the shavings for Derwan's plasterers.
(Guffaw |10with cleft palates10|.) O jays!
(Their paintspeckled hats wag. Spattered with size and lime of their lodges they frisk limblessly about him.)
BLOOM
Coincidence too. They think it funny |6anything. Anything6| but that.º Broad daylight. Trying to walk. Lucky no woman.
Jays, that's a good one. Glauber salts. O jays|12,12| into the men's porter.
(Bloom passes. Cheap whores, singly, coupled, shawled,
dishevelled, call from lanes, doors, corners.)
{u22, 428}
THE WHORES
Are you going far, queer fellow?
Got a match on you?
Eh|10? Come, come10| hereº till I stiffen it for you.
(He
plodges through
their sump towards the lighted street beyond. From a bulge of window curtains a gramophone rears a battered brazen
{u21, 500}
trunk. In the shadow a shebeenkeeper haggles with the navvy and the two redcoats.)
THE NAVVY
(Belching.) Where's the bloody house?
THE SHEBEENKEEPER
Purdon street. Shilling a bottle of stout. Respectable woman.
THE NAVVY
(Gripping the two redcoats, staggers forward with them.) Come on, you British army!
PRIVATE CARR
(Behind his back.) He aint half balmy.
PRIVATE COMPTON
(Laughs.) What ho!
PRIVATE CARR
(To the navvy.) Portobello barracks canteen. You ask for Carr. Just Carr.
THE NAVVY
(Shouts.)
We are the boys. Of Wexford.
PRIVATE COMPTON
Say! What price the sergeantmajor?
{u21, 501}
{u22, 429}
PRIVATE CARR
Bennett? He's my pal. I love old Bennett.
THE NAVVY
(Shouts.)
The galling chain.
And free our native land.
(He staggers forward, dragging them with him. Bloom stops|10,10| |6at fault6|. The dog approachesº|10, his tongue outlolling, panting10|.)
BLOOM
Wildgoose chase this. Disorderly houses. Lord knows where they are gone. Drunks cover distance double quick. Nice mixup. Scene at Westland row. Then jump in first class with thirdº ticket. Then too far. |10Train with engine behind.10| Might have taken me to Malahide or a siding for the night or collision. Second drink does it. Once is a dose. What am I following him for? Still, he's the best of that lot. If I hadn't heard about Mrs Beaufoy Purefoy I wouldn't have gone and wouldn't have met. Kismet. He'll lose that cash. Relieving office here. Good biz for cheapjacks, organs. What do ye lack? Soon got, soon gone. Might have lost my life too with that mangongwheeltracktrolleyglarejuggernaut only for presence of mind. Can't always save you, though. If I had passed Truelock's window that day two minutes |10late later10| would have been shot. Absence of body. Still if bullet only went through my coat get damages for shock, five hundred pounds. What was he? Kildare street club toff. God help his gamekeeper.
(He gazes ahead,º reading on the wall a scrawled chalk legend Wet Dream and a phallic design.)
Odd!º Molly drawing on the frosted carriagepane at Kingstown. What's that like?
(Gaudyº
dollwomen loll in the lighted doorways, in window embrasures,
{u21, 502}
smoking
birdseye
cigarettes. The odour of the
sicksweetº
weed floats
towards him in slow round ovalling wreaths.)
THE WREATHS
Sweet are the sweets. Sweets of sin.
BLOOM
My spine's a bit limp. Go or turn? And this food? Eat it and get all
{u22, 430}
pigsticky. Absurd I am. Waste of money. One and
eightpenceº too much. (The retriever
drives a cold snivelling muzzle against his hand,
wagging his
tail.) Strange how
they take to me.
Even that brute today. Better speak to him first. Like women they like
|11rencontres
rencontres11|.
Stinks like a
polecat.
|10Chacun
son goût Chacun son
goût10|.
He might be mad.
(5Dogdays
Fidoº5).
Uncertain in his
movements. Good fellow!
|7Fido!
Good fellow!
Garryowen!º7|
(The
|10retriever
wolfdog10|
sprawls on his back, wriggling obscenely with begging paws, his long
black tongue lolling out.) Influence of his surroundings. Give and have done
with it. Provided nobody. (Calling encouraging words he shambles back with a
furtive
poacher's
tread, dogged by the
|10retriever
setter10|
into a dark stalestunk corner. He unrolls one parcel and goes
to dump the
crubeen softly but holds back and feels the trotter.) Sizeable for
threepence. But then I
have it in my left hand.
Calls for more
effort. Why?
Smaller from want of use. O,
let it slide.
Two and six.
(With regret he lets theº unrolled crubeen and trotter slide. The |10retriever mastiff10| mauls the bundle clumsily and gluts (5blank himself5) with growling greed, crunching the bones. Two raincaped watch approach, silent, vigilant. They murmur together.)
THE WATCH
Bloom. Of Bloom. For Bloom. Bloom.
(Each lays hand on Bloom's shoulder.)
{u21, 503}
FIRST WATCH
Caught in the act. Commit no nuisance.
BLOOM
(Stammers.) I am doing good to others.
(A covey of gulls, storm petrels, |7rise rises7| hungrily from Liffey slime with Banbury cakes in their beaks.)
THE GULLS
|6Caw! Kaw kave kankury kake.6|
BLOOM
The friend of man. Trained by kindness.
(He points.
Bob Doran,
toppling from a high barstool, sways over the munching
|10retriever
spaniel10|.)
{u22, 431}
BOB DORAN
Towser. Give us the paw. Give the paw.
(The |10dog bulldog10| growls, his scruff standing, a gobbet of pig's knuckle between his molars |10through which rabid scumspittle dribbles10|. Bob Doran falls silently into an area.)
SECOND WATCH
Prevention of cruelty to animals.
BLOOM
(Enthusiastically.) A noble work! I scolded that
tramdriver on Harold's cross bridge for illusing the poor horse with his
harness scab. Bad
|6language
French6|
I got for my pains. Of course it was frosty and the last tram. All tales of circus life are highly demoralising.
{u21, 504}
(Signor Maffei, passionpaleº , in liontamer's costume with diamondº studs in his shirtfront(err,ºerr) steps forward, holding |10a circus paper hoop,10| a curling carriagewhip and a revolver with which he covers the gorging |10dog |abearcub |12cub boarhound12|a|10|.)º
SIGNOR MAFFEI
(With a sinister smile.) Ladies and gentlemen, my educated greyhound. It was I broke in the bucking broncho Ajax with my patent spiked saddle |10for carnivores10|. Lash under the belly with a knotted thong. Block tackle and a strangling pulleyº will bring your lion to heel, no matter how fractious, even |11Leo ferox Leo ferox11| there, the Libyan maneater. A redhot crowbar and some liniment rubbing on the burning part produced Fritz of Amsterdam, the thinking hyena. (He glares.) I possess the Indian sign. The glint of my eye does it with these breastsparklers. (With a bewitching smile.) I now introduce Mademoiselle Ruby, the pride of the ring.
FIRST WATCH
Come. Name and address.
BLOOM
(7I
have forgotten for the moment. Ah,
yes!7)
((7He7)
takes off his
high grade hat,
saluting.) Dr Bloom, Leopold, dental surgeon. You have heard of
|11von11|
Blumº
Pasha. Umpteen
millions.
|11Donnerwetter!11|
Owns half Austria. Egypt. Cousin.
{u22, 432}
FIRST WATCH
Proof.
(A card falls from inside the leather headband of Bloom's hat.)
BLOOM
(In red fez, cadi's dress coat with broad green
sash,
|11wearing
a false
{u21, 505}
badge of the Legion of
Honour,11|
picks up the card hastily and offers it.) Allow me.
(7My
club is the Junior Army and Navy.
Solicitors: Messrs
John Henry Menton, 27 Bachelor's Walk.7)
FIRST WATCH
(Reads.) Henry Flower. No fixed abode. Unlawfully watching and besetting.
SECOND WATCH
An alibi. You are cautioned.
BLOOM
(Produces from his heartpocket a crumpled yellow flower.) This is the flower in question. |10It was given me by a man I don't know his name.10| (Plausibly.) You know that old joke, rose of Castile. Bloom. The change of name. Virag. (He murmurs privately and confidentially.) We are engaged you see|7, sergeant7|. Lady in the case. Love entanglement. (He shoulders the second watch gently.) Dash it all. It's a way we |10gallants10| have in the navy. Uniform that does it. (He turns gravely to the first watch.) Still, of course, you do get your Waterloo sometimes. |10Drop in some evening and have a glass of old Burgundy.10| |7(To the second watchº gaily.) I'll introduce you, inspector. She's game. Do it in the shake of a lamb's tail.7|
(A dark mercurialised face appears, leading a veiled figure.)
|7THE DARK MERCURY7|
|7|11That man is Leopold M'intosh, wanted for wilful murder of Samuel Childs.11| |10The Castle is looking for him. He was drummed out of the army.10|7|
(Thickveiled, a crimson halter round her neck, a copy of
the Irish Times in her hand, in tone of reproach, pointing.) Henry!
Leopold!
(11Leopold!11)
Lionel, thou
lost one! Clear my name.
{u21, 506}
{u22, 433}
FIRST WATCH
(Sternly.) Come to the station.
BLOOM
(Scared, |13makes Masonic signs hats himself, steps back(err,ºerr) then, plucking at his heart and lifting his right forearm (18on18) |athea| square, he gives the sign and dueguard of fellowcraft13|.) No, no, |13worshipful master,13| light of love|13; mistaken. Mistaken13| identity. The Lyons mail. Lesurques and Dubosc. You remember the Childs fratricide case. We medical men. By striking him dead with a hatchet.º I am wrongfully accused. Better one guilty escape than ninetynine wrongfully condemned.
MARTHA
(Sobbing behind her veil.) Breach of promise. |7My real name is Peggy Griffin.7| He wrote to me that he was miserable. I'll tell my brother, the |7footballer Bective rugger fullback7|, on you, heartless flirt.
|7BLOOM7|
|7(Behind his hand.) She's drunk. The woman is |anot sober inebriateda|. (He |13hums carelessly murmurs vaguely the passº of Ephraim13|.) |13Shitbroleeth.13|7|
SECOND WATCH
(Tears in his eyes, to Bloom.) You ought to be thoroughly well ashamed of yourself.
BLOOM
Gentlemen
of the jury, let me explain. A pure
mare's
nest. I am a man misunderstood. I am being made a
scapegoat of. I
am a respectable married man,
without a stain on
my character. I live in Eccles street. My wife,
|6I
am6| the daughter
of a most distinguished commander,
|6a
gallant upstanding gentleman,
|7what
do you call
him,7|6|
|12Major
general
Majorgeneral12| Brian
Tweedy, one of Britain's fighting men who helped to win our battles.
|12Got
his majority for
the heroic defence of
Rorke's
Drift.12|
{u21, 507}
FIRST WATCH
Regiment.
BLOOM
(Turns to the gallery.) The royal Dublins, boys,
|13the
salt of the
earth,13|
known the world
over. |7I think I see some old comrades in arms up there
{u22, 434}
among you. The
R.D.F.º7|
With our own Metropolitan police, guardians of our homes, the pluckiest lads and
the finest body of men, as physique, in the service
|7of
our
sovereign7|.
A VOICE
Turncoat! Up the Boers! Who booed Joe Chamberlain?
BLOOM
(His hand on the shoulder of the first watch.) My old dad too was a J.P. I'm as staunch a Britisher as you are, sir. I fought |7with the colours7| for king and country |6|7and was disabled7|6| in the absentminded war |12under general Gough in the park12| |7and was disabled7| at Spion Kop and Bloemfontein|12,12| was mentioned in dispatches. I did all a white man could. (With quiet feeling.) Jim Bludso. Hold her nozzle again the bank.
FIRST WATCH
Profession or trade.
BLOOM
Well, I follow a literary occupation, author-journalistº. In fact we are just bringing out a collection of prize stories of which I am the inventor, something that is an entirely new departure. I am connected with the British and Irish press. If you ring up …
(Myles Crawford strides out jerkily, a quill between his
teeth. His scarlet beak blazes within the aureole of his straw hat. He dangles a hank
{u21, 508}
of Spanish onions in one hand and holds with the other hand a telephone receiver nozzle to his ear.)
MYLES CRAWFORD
|6(His cock's wattles wagging.)6| Hello, seventyseven eightfour. Hello. |13Freeman's Urinal Freeman's Urinal13| and |13Weekly Arsewiper Weekly Arsewiper13|º here. Paralyse Europe. You which? Bluebags? Who writes? Is it Bloom?
(Mr
Philip Beaufoy,
palefaced,
stands in the witnessbox, in accurate morning dress, outbreast pocket with peak
of handkerchief showing, creased lavender trousers and patent boots. He carries
a large portfolio labelled Matcham's Masterstrokes.)
{u22, 435}
BEAUFOY
(Drawls.) No, you aren't|7. Not, notº by a long shot7| if I know it. I don't see it, that's all. No born gentleman, no-oneº with the most rudimentary promptings of a gentleman would stoop to such |7perfectly particularly7| loathsome conduct. One of those, my lord. A plagiarist. A soapy sneak masquerading as a littérateurº. It's perfectly obvious that |7with the most inherent baseness7| he has cribbed some of my bestselling copyº, really gorgeous stuff, a perfect gem|12,12| |7the love passages in which are beneath suspicion7|. The Beaufoy books |12of love and great possessions|13,º13|12| with which your lordship is doubtless familiar|13,13| are a household word throughout the kingdom.
BLOOM
(Murmurs with hangdog meeknessº.) That bit about the laughing witch hand in hand I take exception to, if I may …
BEAUFOY
(His lip
upcurled|13,13|
smiles superciliously on the court.) You funny ass, you!
|7You're too
beastly awfully
|aamusing
weirda|
for words!7| I
don't think you need over excessively disincommodate yourself in that regard. My
{u21, 509}
literary agent Mr J.B. Pinker is in attendance. I presume, my lord, we
shall receive the usual witnesses' fees, shan't
we?º We are considerably out of pocket
over this bally pressman
johnny|7, this
jackdaw of
Rheims,7|
|6who has not
|aevena|
been to a university6|.
BLOOM
(Indistinctly.) |6University of life|7:.7|6| Bad art.
BEAUFOY
(Shouts.) It's a damnably foul lie |6showing the moral rottenness of the man6|! (He extends his portfolio.) We have here |6damning evidence,º6| the corpus delicti, my lord, a specimen of my maturer work disfigured by the hallmark of the beast.
A VOICE FROM THE GALLERY
Moses,
Moses, king of the
jews|13,13|
Wiped his arse in the
|13Daily
News Daily News13|.
{u22, 436}
BLOOM
(Bravely.)º Overdrawn.
BEAUFOY
You low cad! You ought to be ducked in the horsepond|7, you rotter7|! (To the court.) Why(err,ºerr) look at the man's private life! Leading a |7double quadruple7| existence! Street angel and house devil. |6Not fit to be mentioned in mixed society|7!.7|6| The archconspiratorº of the age!º
BLOOM
(To the court.) And he, a bachelor, how …
{u21, 510}
FIRST WATCH
|6The King versus Bloom.6| Call the woman Driscoll.
THE CRIER
Mary Driscoll, scullerymaid!
(Mary Driscoll, a slipshod servant girl(err,ºerr) approaches. She has a bucket on the crook of her arm and a scouringbrush in her hand.)
SECOND WATCH
Another! Are you of the unfortunate class?
MARY DRISCOLL
(Indignantly.) I'm not a bad one. I bear a respectable character |12and was four months in my last place12|. I was in a situation, six pounds a year and my chances with Fridays out(err,ºerr) and I had to leave owing to his carryings on.
FIRST WATCH
What do you tax him with?
MARY DRISCOLL
He made a certain suggestion but I thought more of myself as poor as I am.
BLOOM
(In housejacket of
ripplecloth,º flannel trousers,
heelless slippers,
unshaven|6,º6|
his hair rumpled:º softly.)
|6I
treated you
white.6| I gave
you mementos, smart emerald
{u22, 437}
garters far above your station. Incautiously I took your part when you were
accused of pilfering. There's a medium in all things. Play cricket.
{u21, 511}
MARY DRISCOLL
(Excitedly.) As God is looking down on me this night if ever I laid a hand to them oylsters!
FIRST WATCH
The offence complained of? |13Did something happen?13|
MARY DRISCOLL
He surprised me in the rere of the premises, yourº honour, when the missus was out shopping one morning with a request for a safety pin. He held me and I was discoloured in four places as a result. And he interfered |6twict6| with my clothing.
BLOOM
She counterassaulted.
MARY DRISCOLL
(Scornfully.) I had more respect for the scouringbrushº, so I had. I remonstrated with him, yourº lord, and he remarked: keepº it quiet.º
(General laughter.)
GEORGEº FOTTRELL
(Clerk of the crown and peace, resonantly.) Order in court! The accused will now make a |13bogus13| statement.
(Bloom,
pleading not
guilty and holding a fullblown waterlily, begins
a long
unintelligible speech. They would hear what counsel had to say in his
stirring address |6to
the grand
juryº6|.
He was down and out but, thoughº
branded as a
black sheep, if
he might say so, he meant to reform,
to retrieve
the |13memory of
the13| past
|13in
a purely sisterly
way13| and
return to nature as a purely domestic animal. A
|13sevenmonths'
seven
months'º13|
child,º he had been
carefully brought up
and nurtured by an aged
{u21, 512}
|7bedridden7|
parent. There
might have been lapses
|13of
an erring
father13|
but he wanted to
|7turn
over a new leaf
and7|
|13now, when at long last
in sight of the
whipping post,
to13| lead a
homely life
|7in
the evening of his
days7|,
permeated by
|12the12|
affectionate
{u22, 438}
surroundings
|12of the heaving
bosom of the
family12|.
|7An
acclimatised
Britisher7|
|12He,
he12| had seen
that
|7evening
summer eve |13from
the footplate of
an engine cab of
the Loop line railway
company13|
|12while
the rain refrained
from falling glimpses,
as it
were,12|7|
through the windows of loveful households in
Dublin
city|12,12|
and urban district
|12of12|
scenes
|7truly
rural7| of
happiness of the better land with
Dockrell's
wallpaper at one and ninepence a dozen,
|7innocent
|13Britishborn13|
bairns lisping
prayers to the Sacred
Infant,7|
youthful scholars grappling with their pensums
|12or,º12|
|7|abashful
virgins model young
ladiesa|
playing on
the
|13piano
pianoforte13|
or anon all with
fervour7|
reciting the family rosary round the crackling Yulelog while in the boreens
and green lanes the colleens with their swains strolled what times the strains
of the organtoned melodeon
|13(errBrittania
Britanniaº19)13|
metalbound with four acting stops
|7and
|13twelve
fold bellows twelvefold
bellows,13|7|
a sacrifice, greatest bargain
ever …(5)5)
(Renewed laughter. |7He mumbles incoherently.7| Reporters complain that they cannot hear.)
|7|12(Without looking up from their notebooks.)12| Loosen his boots.7|
(From the presstable, coughs and calls.) Coughº it up, man. Get it out in bits.
(The crossexamination proceeds re Bloom and the
bucket. A large bucket. Bloom himself. Bowel trouble. In Beaver street.
|13Gripe,
yes.13| Quite
bad. A plasterer's bucket. By walking
stifflegged.
|6Suffered
untold
misery.6|
Deadly agony. About noon. Love or burgundy. Yes, some spinach. Crucial
moment. He did not look in the bucket. Nobody. Rather a mess. Not completely. A Titbits back number.)
{u21, 513}
(Uproar and catcallsº. |12Bloom(err,ºerr) in a torn frockcoat stained with whitewash, dinged silk hat sideways on his head, a strip of stickingplaster across his nose, talks inaudibly.12|)
(In barrister's grey wig and stuffgown, speaking with
a voice of pained protest.) This is no place for indecent levity
|12at the
|13expensive
expense13| of an
erring mortal
disguised in
liquor12|. We are
not in a beargarden |7nor at
an Oxford
rag7|
nor is this
{u22, 439}
a travesty of justice. My client is
|7an
infant,7| a poor
foreign immigrant |7who
started scratch
|aas a
stowawaya|
and is now7| trying to
turn an honest penny. The
|6trumped
up6| misdemeanour
was due to a momentary aberration of heredity, brought on by
hallucination,
such familiarities |7as the
alleged guilty
occurrence7| being
quite permitted in
my client's native
place|12,12|
the land of the
Pharaoh.
|7Prima
facie|12,
|aI
put it to you thata|
there was no attempt at
carnally
knowing.12|7|
Intimacy did not
occur and the
offence complained of
|6by
Driscoll|7, that
her virtue was
|12attempted
solicited12|,7|6|
was not repeated.
|12I
would deal in especial with
atavism.12|
There have been cases of shipwreck and
(5sonambulism
somnambulismº5)
in my client's
family(5.5)
|12|aHis
story is
If the accused could
speak he could a
|13tail
tale13| unfold
—ºa|
one of the strangest that have ever been narrated
between the covers
of a book.12|
(5blank
He himself|12, my
lord,12|5) is a
physical wreck from
cobbler's weak
chest
|7|12and
is about to become a
mother12|7|.
His submission is that he is of Mongolian extraction and irresponsible for his actions. Not all there, in fact.
BLOOM
(Barefoot, pigeonbreasted, in lascar's vest and
trousers, apologetic toes turned in, opens his tiny mole's eyes and looks
about him dazedly, passing a slow hand across his forehead. Then he hitches his
belt sailor fashion and with a shrug of oriental obeisance salutes the court,
pointing one thumb heavenward.)
Him makee velly
muchee fine night. (He begins to lilt simply.)
{u21, 514}
Li li poo lil chile
Blingee pigfoot evly nightº
Payee two shilly …
(He is howled down.)
J.J. O'MOLLOY
(Hotly to the populace.) This is a lonehand fight.
|12By
Hades,12| I will
not have any client of mine
gagged and
badgered in this
fashion by a pack
of curs |12and
laughing
hyenas12|. The
Mosaic code has superseded the law of the jungle. I say it and I say it
emphatically|13,º
without wishing for
|aa
onea| moment
to defeat the ends
of justice,13|
|12he
accusedº12|
was not accessory
before the act and
|7the
girl
prosecutrixº7|
has not been
tampered with.
|7|12She
The young
person12| was
treated by defendant
as if she were his
|averya|
own daughter.
(Bloom takes J.J.
O'Molloy's hand and raises it to his
lips.)7| I
shall call rebutting evidence to prove up to the hilt that the hidden hand is
again at its old game.
When in doubt
persecute Bloom. My
client|7, an innately
bashful
man,7| would be
the last man in the world to
|12do anything
ungentlemanly
or to which
injured modesty could object to
{u22, 440}
or12| cast a
stone at
(5a5)
girl who took the wrong turning when some
dastard|7,
responsible for her
condition,7| had
worked his own sweet will on her. He wants to go straight.
|6I
regard him as the whitest man I
know.6| He is
down on his luck
at present owing to the mortgaging of his
extensive
property at Agendath
Netaim|7,
in
faraway7|
Asia Minor, slides of which will now be shown.
|6He
offers a penny in the pound. (To Bloom.)
I suggest
|7that7|
you will
|7now7|
do the handsome thing.
BLOOM
A penny in the pound.6|
(The imageº of
the lake of Kinnereth with blurred cattle cropping in silver haze is
projected
onº
the wall.
Moses Dlugacz,
ferreteyed
|7albino7|,
in blue
dungarees,
stands up in the gallery, holding in each hand an orange citron and a pork kidney.)
{u21, 515}
DLUGACZ
(Hoarsely.) Bleibtreustrasse, Berlin, (errW, W.ºerr) 13º.
(J.J. O'Molloy steps on to a low plinth and holds the lapel of his coat with solemnity. His face lengthens, grows pale and bearded, with sunken eyes, the blotches of phthisis and hectic cheekbones of John F. Taylor. He applies his handkerchief to his mouth and scrutinises the galloping tide of rosepink blood.)º
J.J. O'MOLLOY
(Almost voicelessly.) Excuse me, I am suffering from a severe chill|6, have recently come from a sickbed6|. A few wellchosen words. (He assumes the avine head, foxy moustache and |7nasal proboscidal7| eloquence of Seymour Bushe.) When the angel's book comes to be opened if aught that the pensive bosom has inaugurated of (5soul-transfigured |12soul transfigured soultransfigured12|5) and of (5soul-transfiguring |12soul transfiguring soultransfiguring12|5) deserves to live I say accord the prisoner at the bar the sacred benefit of the doubt.
|12(Aº paper with something written on it is handed into court.)12|
BLOOM
|6(In
court dress.)6|
Can give best references. Messrs Callan, Coleman. Mr Wisdom Hely J.P.
|7My
old chief Joe
Cuffe.7| Mr V.B.
Dillon,
|s13ex
lord
ex-lords13| mayor of
Dublin. I have moved in the
|6highest
circles
charmed circle
of the highest …
Queens of Dublin
societyº6|.
(Carelessly.) I was just chatting this afternoon at the viceregal lodge
to
|6my
old
|7friend
|13pal
pals13|7|,6|
sir Robert and lady
Ball, astronomer
royal|6, at the levee.
Sir Bob, I
said6| …
{u22, 441}
MRS YELVERTON BARRY
(In lowcorsaged opal balldress and elbowlength ivory
gloves, wearing a sabletrimmed brick quilted dolman, a comb of brilliants
|7and
panache of
osprey7| in her
hair.) Arrest him, constable. He wrote me
an anonymous
letter in prentice backhand when my husband was
|12on
the Leinster in
the North Riding of
Tipperary on the
Munster12| circuit, signed James Lovebirch. He
{u21, 516}
said that he had seen from the gods my peerless globes as I sat in a box of
the Theatre Royal at a command performance of La Cigale. I deeply
inflamed him, he said. He made improper overtures to me to misconduct myself at
half past four p.m. on the following Thursday, Dunsink time. He offered to send
me through the post a work of fiction by Monsieur
Paul de Kock,
entitled The Girl with the Three Pairs of Stays.
MRS BELLINGHAM
(In cap and seal |13coney13| mantle, wrapped up to the nose, steps out of her brougham and scans through tortoiseshell quizzing-glasses which she takes from inside her huge opossum muff.) Also to me. Yes, I believe it is the same objectionable person. Because he closed my carriage door outside sir Thornley Stoker's one sleety day during the cold snap of February |12ninetyfive ninetythree12| when even the grid of the wastepipe and theº ballstop in my bath cistern were frozen. Subsequently he enclosed a bloom of edelweiss culled on the heights, as he said, in my honour. I had it examined by a botanical expert and elicited the information that it was a blossom of the homegrown potato plant purloined from a forcingcase of the model farm.
MRS YELVERTON BARRY
Shame on him!
(A crowd of sluts and ragamuffins surges forward.)
THE SLUTS AND RAGAMUFFINS
(Screaming.) Stop thief! Hurrah there, Bluebeard! Three cheers for Ikey Mo!
SECOND WATCH
(Produces handcuffs.) Here are the darbies.
{u21, 517}
MRS BELLINGHAM
He addressed me in several handwritings with
fulsome compliments as a
{u22, 442}
Venus in furs and alleged profound pity for my frostbound coachman
Palmerº while in the same breath he
expressed himself as envious of his earflaps and
fleecyº
sheepskins and
of his fortunate proximity to my
person|12, when
standing behind my
chair wearing my livery and the
|13arms
armorial
bearings13| of the
Bellingham
escutcheon
garnished sable, a
buck's head couped
or12|. He lauded
almost extravagantly my nether
extremities, my
swelling calves in silk hose drawn up to the
limit(err,ºerr)
and eulogised glowingly my other hidden treasures in priceless lace which, he
said, he could conjure up. He urged
me|12,12|
(5(5)stating
that he felt it his mission in life to urge
me(5)5)|12,12|
to defile the marriage bed, to commit adultery at the earliest possible opportunity.
THE HONOURABLE MRS |12PAGET BUTLER MERVYN TALBOYS12|
(In amazon costume, hard hat, jackboots
cockspurred,
|13vermillion
vermilion13|
waistcoat, fawn musketeer gauntlets with braided drums, long train held up
and hunting crop with which she strikes her welt constantly.) Also me.
Because he saw me on the polo ground of the
Phoenixº park at the match
All Ireland versus
the Rest of Ireland. My eyes, I know, shone divinely as I watched Captain
Slogger Dennehy of the Inniskillings win the final
|6chukka
chukkar on his darling
cob
Centaur6|. This
plebeian Don
Juan observed me from behind a hackney car and sent me in double envelopes
an obscene
photograph, |7such as are
sold after dark
in on Paris
boulevards,7|
insulting to any lady. I have it still. It represents a partially nude
señorita, frail and lovely (his
wife,º as he solemnly assured
me|6,
taken by him from
nature6|)(err,ºerr)
practising illicit intercourse with a muscular torero, evidently a blackguard.
He urged me to do likewise, to misbehave, to sin with officers of the garrison.
He implored me to
|7soil
his letter in an unspeakable manner,
to7| chastise him as
he richly deserves, to bestride and ride him, to give him a most vicious horsewhipping.
{u21, 518}
MRS BELLINGHAM
Me too.
MRS YELVERTON BARRY
Me too.
|7(Several
highly respectable Dublin ladies hold up improper letters received from
Bloom.)7|
{u22, 443}
THE HONOURABLE MRS |12PAGET BUTLER MERVYN TALBOYS12|
(Stamps her jingling spurs in |7a7| sudden |7paroxysm ofº7| fury.) I will, by the God above me. I'll scourge the pigeonlivered cur |7as long as I can stand over him7|. I'll flay him alive.
BLOOM
(His eyes closing, quails expectantly.) Here? (He squirms.) Again! |12(He pants |acringinga|.) I love the danger.12|
THE HONOURABLE MRS |12PAGET BUTLER MERVYN TALBOYS12|
Very much so! I'll make it hot for you. I'll make you dance Jack Latten for that.
|12MRS BELLINGHAM
Tan his breech well, the upstart! |13Write the stars and stripes on it!13|12|
MRS YELVERTONº BARRY
Disgraceful! |6There's no excuse for him! A married man!6|
BLOOM
All these people. I meant only the spanking idea. A warm
tingling glow without effusion.
|6Refined
birching
|13to
stimulate the
circulation13|.6|
{u21, 519}
THE HONOURABLE MRS |12PAGET BUTLER MERVYN TALBOYS12|
(Laughs derisively.) O, did you, my fine fellow? Well, |6by the living God,6| you'll get the surprise of your life now, believe me, the most unmerciful hiding a man ever bargained for. You have lashed the dormant tigress in my nature into fury.
|12MRS YELVERTON BARRY
Shame!12|
MRS BELLINGHAM
(Shakes her muff and quizzing-glasses vindictively.) Make him smart|13, Hanna dear13|. |6Give him ginger|12.12|6| Thrash the mongrel within an inch of his life. |6The |7cat o' nine tails (errcat-o'-nine tails cat-o'-nine-tailsº19)7|.6| Geld him. Vivisect him.
BLOOM
(Shuddering, shrinking, joins his
hands:º with hangdog mien.)
|7O
cold! O shivery!7|
It was your ambrosial beauty. Forget, forgive. Kismet. Let me off this once. (He offers the other cheek.)
{u22, 444}
|13MRS YELVERTON BARRY
|a(Severely.)a| Don't do so on any account, Mrs Tallb Talboys! He should be soundly trounced!13|
THE HONOURABLE MRS |12PAGET BUTLER MERVYN TALBOYS12|
|7(Unbuttoning her gauntlet |13violently13|.)7| I'll do no such thing. Pigdogº |6, to and always was ever since he was pupped! To6| dare address me! I'll flog him black and blue in the public streets. I'll dig my spurs in him up to the rowel. He is a wellknown cuckold. (She swishes her huntingcrop savagely in the air.) Take down his trousers without loss of time. |7Come here, sir!7| Quick! |7Ready?
BLOOM
(Trembling, beginning to obey.) The weather |12is has been12| so warm.7|
|7(Davy
Stephens, ringletted, passes with a bevy of barefoot
newsboys.)
{u21, 520}
|12|13Messenger of the Sacred Heart Messenger of the Sacred Heart13| and12| |13Evening Telegraph Evening Telegraph13| with Saint Patrick's Day supplementº. Containing the new |12address addresses12| of all the cuckolds in Dublin.7|
(The very reverend Canon O'Hanlon in cloth of gold cope elevates and exposes a marble timepiece. Before him Father Conroy and the reverend John Hughes S.J. bend low.)
THE TIMEPIECE
(Unportalling.)
(The brass quoits of a bed are heard to jingle.)
THE QUOITS
(A
panel of fog rolls back rapidly, revealing rapidly in the
(5jury
box
juryboxº5)
the faces of
Martin
Cunningham, foreman, silkhatted,
Jack Power,
Simon Dedalus,
Tom Kernan,
Ned Lambert,
John Henry
Menton, Myles
Crawford,
Lenehan,
Paddy Leonard,
Nosey Flynn,
M'Coy and
the featureless face of a Nameless One.)
{u22, 445}
Bareback riding. Weight for age. Gob, he organised her.
THE JURORS
(All their heads turned to his voice.) Really?
{u21, 521}
(Snarls.) Arse over tip. Hundred shillings to five.
THE JURORS
(All their heads |6bowed lowered6| in assent.) Most of us thought as much.
FIRST WATCH
He is a marked man. Another girl's plait cut. Wanted: Jack the Ripper. A thousand pounds reward.
SECOND WATCH
(Awed, whispers.) And in black. A mormon. Anarchist.
THE CRIER
(Loudly.) Whereas Leopold Bloom of no fixed abode is a wellknown dynamitard, forger, bigamist, bawd and cuckold and a public nuisance to the citizens of Dublin and whereas at this commission of assizes the most honourable …
(His Honour, sir Frederick Falkiner, recorder of Dublin,º in judicial garb of grey stone rises from the bench, stonebearded. He bears in his arms an umbrella sceptre. From his forehead arise starkly the Mosaic ramshorns.)
THE RECORDER
I will put an end to this
white slave
traffic |7and
rid Dublin of this
|aodiousa|
pest7|.
Scandalous! |7(He
dons the black
cap.)7| Let
him be taken|6, Mr
Subsheriff,º6|
from the dock where he now stands and
detained in custody
in Mountjoy prison during His Majesty's pleasure and there be hanged by the neck until he
{u22, 446}
is dead and
therein fail not at
your peril |13or may the
Lord have mercy on your
soul13|.
|7Remove
him.7| (A black skullcap descends upon his head.)
{u21, 522}
|7⇒7| |6|7(7|The subsheriff Long John Fanning appears |7holding, smoking7| a pungent Henry Clay.|7)7|
LONG JOHN FANNING
(Scowls and calls with rich rolling utterance.) Who'll hang Judas Iscariot?6|
(H. Rumbold, master barber, in a bloodcoloured jerkin and tanner's apron, a rope coiled over his shoulder,º mounts the block. A life preserver and a nailstudded bludgeon are stuck in his belt. He rubs grimly his grappling hands, knobbed with knuckledusters.)
RUMBOLD
(To the recorder with sinister familiarity.) Hanging Harry, your Majesty, the Mersey terror. Five guineas a jugular. |6Neck or nothing.6|
(The bells of George's church toll slowly, loud dark iron.)
THE BELLS
Heigho! Heigho!
BLOOM
(Desperately.) Wait. Stop. Gulls. Good heart. I saw. Innocence. Girl in the monkeyhouse. Zoo. Lewd chimpanzeeº. (Breathlessly.) Pelvic basin. Her artless blush|13. Unmanned unmanned13| me. (Overcome with emotion.) I left the precincts. |7(He turns to a figure in the crowd, appealing.) Hynes, may I speak to you? You know me. That three shillings you can keep. If you want a little more …7|
|7HYNES
(Coldly.)
You are a perfect
stranger.7|
{u21, 523}
SECOND WATCH
(Points to the corner.) The bomb is here.
FIRST WATCH
Infernal machine with a time fuse.
{u22, 447}
BLOOM
No, no. Pig's feet. I was at a funeral.
FIRST WATCH
(Draws his truncheon.) Liar!
(The |12dog beagle12| liftsº his snout, showing the grey scorbutic face of Paddy Dignam. He has gnawed all. |7He exhales a putrid carcasefed breath.7| He grows to human size and shape. His |12retriever dachshund12| coat becomes a brown mortuary habit. His green eye flashes bloodshot. Half of one ear, all the nose and both thumbs are ghouleaten.)
PADDY DIGNAM
(In a hollow voice.) It is true. Itº was my funeral. Doctor Finucane pronounced life extinct when I succumbed to the disease from natural causes.
(He lifts his mutilated ashen face moonwards and bays lugubriously.)
BLOOM
(In triumph.) You hear?
PADDY DIGNAM
Bloom, I am Paddy Dignam's spirit(5.5) List, list, O list!
BLOOM
The voice is the voice of Esau.
{u21, 524}
SECOND WATCH
(Blesses himself.) How is that possible(5?5)
FIRST WATCH
It is not in the penny catechism.
PADDY DIGNAM
By metempsychosis. Spooks.
A VOICE
O rocks.
{u22, 448}
PADDY DIGNAM
(Earnestly.) Once I was in the employ of Mr J.H. Menton,º solicitor, commissioner for oaths and affidavits, of 27 Bachelor's Walk. Now I am defunct, the wall of the heart hypertrophied. Hard lines. The poor wife was awfully cut up. How is she bearing it? Keep her off that bottle of sherry. (He looks round him.) A lamp. I must satisfy an animal need. That buttermilk didn't agree with me.
(The portly figure of John O'Connell, caretaker, stands forth, holding a bunch of keys tied with crape. Beside him stands Father Coffey, chaplain, toadbellied, wrynecked, in a surplice and bandanna nightcap, holding sleepily a staff of twisted poppies.)
FATHER COFFEY
(Yawns(5:,5) then chants with a hoarse croak.) Namine. Jacobs.º Vobiscuits. Amen.
JOHN O'CONNELL
(Foghorns stormily through his megaphone.) Dignam, Patrick T, deceased.
{u21, 525}
PADDY DIGNAM
(With pricked up ears, winces.) Overtones. (He wriggles forward andº places an ear to the ground.) My master's voice!
JOHN O'CONNELL
Burial docket letter number U.P. eightyfiveº thousand. Field seventeen. House of Keys.º Plot, one hundred and one.
(Paddy Dignam listens with visible effort, thinking, his tail stiffpointed, his ears cocked.)
PADDY DIGNAM
Pray for the repose of his soul.
(He worms down through a coalhole, his brown habit
trailing its
tether over rattling pebbles. After him toddles an obese grandfather rat on
fungus turtle
paws under a grey
carapace.
Dignam's voice, muffled, is heard baying under ground:
Dignam's dead and
gone below.
Tom Rochford,
robinredbreasted, in cap and breeches, jumps from his twocolumned machine.)
{u22, 449}
TOM ROCHFORD
(A hand to his breastbone, bows.) Reuben J. A florin I find him. (He fixes the manhole with a resolute stare.) My turn now on. Follow me up to Carlow.
(He executes a daredevil salmon leap in the air and is
engulfed in the coalhole. Two discs on the columns wobble eyes of nought. All
recedes. Bloom
plodges forward
again
(5through
the sump. Kisses chirp amid the rifts of fog. A piano
sounds5).º
He stands before a lighted house, listening. The kisses, winging from their
bowers,º fly about him, twittering, warbling, cooing.)
{u21, 526}
THE KISSES
(Warbling.) Leo! (Twittering.) Icky licky micky sticky for Leo! (Cooing.) Coo coocoo! Yummyyum womwomº! (Warbling.) Big comebig! Pirouette! Leopopold! (Twittering.) Leeolee! (Warbling.) O Leo!
(They rustle, flutter upon his garments, alight, brightº giddy flecks, silvery sequins.)
BLOOM
A man's touch. Sad music. Church music. Perhaps here.
(Zoe Higgins, a young whore in a sapphire slip, closed with three bronze buckles, a slim black velvet fillet round her throat(5,5) nods, trips down the steps and accosts him.)
ZOE
Are you looking for someone? He's inside with his friend.
BLOOM
Is this Mrs Mack's?
ZOE
No, eightyone. Mrs Cohen's.
You might go farther
and fare worse.
Mother
Slipperslapper. (Familiarly.) She's
on the job herself
tonight with the
vet|12,12|
her
tipster|12,12|
that gives her all the winners and pays for her son in Oxford.
(5working
Working5) overtime
but her luck's
turned today. (Suspiciously.)
You're not his
father(5,5)
are you?
{u22, 450}
BLOOM
Not I!
{u21, 523}
ZOE
You both in black. |13Has little mousey13| |13Any any13| tickles tonight?
(His skin, alert, feels her fingertips approach. A hand slides over his left thigh.)
ZOE
How's the nuts?
BLOOM
Off side. Curiously they are on the right. Heavier,º I suppose. One in a million my tailor, |12Messias Mesias12|, says.
ZOE
(In sudden alarm.) You've a hard chancre.
BLOOM
Not likely.
ZOE
I feel it.
(Her hand slides into his left trouser pocket and brings out a hard black shrivelled potato. She regards it and Bloom with dumb moist lips.)
BLOOM
A talisman. Heirloom.
ZOE
|7May I? For Zoe?7| For keeps? |7For being so nice|a, eha|?7|
(She puts the potato greedily into a
pocket,º then links his arm,
cuddling him
|12supply
with supple
warmth12|. He smiles uneasily. Slowly, note by note,
{u21, 528}
oriental music is played. He
gazes in the tawny
crystal of her eyes, ringed with
kohol. His smile softens.)
ZOE
You'll know me the next time.
{u22, 451}
BLOOM
(Forlornly.) I never loved a dear gazelle but it was sure to …
(Gazelles are leaping, feeding on the mountains. Near are lakes. Round their shores file shadows black of cedargroves. Aroma rises, a strong hairgrowth of resin. It burns, the orient, a sky of sapphire, cleft by the bronze flight of eagles. Under it lies the womancity, nude, white, still, cool, in luxury. A fountain murmurs among damask roses. Mammoth roses murmur of scarlet winegrapes. A wine of shame, lust, blood exudes, strangely murmuring.)
ZOE
(Murmuring singsong with the music, her |12odalisk12| lips lusciously smeared with salve of swinefat and rosewater.) |12Schorach ani wenowach, benoith Hierushaloim Schorachº ani wenowach, benoith Hierushaloim12|.
BLOOM
(Fascinated.) I thought you were of good stock by your accent.
ZOE
And you know what thought did?
(She
bites his ear
gently with little
goldstopped
teeth,º sending on him a
cloying breath of stale garlic. The roses draw apart, disclose a sepulchre of
the gold of kings and their mouldering bones.)
{u21, 529}
BLOOM
(Draws back, mechanically caressing her right bub with a flat awkward hand.) Are you a Dublin girl?
ZOE
(Catches a stray hair deftly and twists it to her coil.) No bloody fear. I'm English. Have you a swaggerroot?
BLOOM
(As before.) Rarely smoke, dear. Cigar now and then.
Childish device. (Lewdly.)
The mouth can be
better engaged than with a cylinder of rank weed.
{u22, 452}
ZOE
Go on. Make a stump speech out of it.
BLOOM
(In workman's corduroy overalls, black gansy with red floating tie and apache cap.) Mankind is incorrigible. Sir Walter Raleighº brought from the new world that potato and that weed, the one a killer of pestilence by absorption, the other a poisoner of the ear, eye, heart, memory, will, understanding, all. That is to say(5, he brought5) the poison a hundred years before another person whose name I forget brought the food. Suicide. Lies. All our habits. Why, look at our public life|13?!13|
(Midnight chimes from distant steeples.)
THE CHIMES
Turn again, Leopold! Lord mayor of Dublin!
{u21, 530}
BLOOM
(In alderman's gown and chain.) Electors of Arran Quay, Inns Quay, Rotunda, Mountjoy and North Dock(err,ºerr) better run a tramline, I say, from the |13cattle markets cattlemarket13| to the river. That's the music of the future. That's my programme. |12Cui bono? Cui bono?12| But our (errbucaneering buccaneeringºerr) Vanderdeckens in their phantom ship of finance …
AN ELECTOR
(5Three cheers Three times three5) for our future chief magistrate!
(The aurora borealis of the torchlight procession leaps.)
THE TORCHBEARERS
Hooray!
(Several wellknown burgesses, city magnates and freemen of
the city shake hands with Bloom and congratulate him.
(5Timothy Harrington,
|12late12|
thrice Lord Mayor of Dublin, imposing in mayoral scarlet,
gold
chain and white silk tie, confers with councillor Lorcan Sherlock,
locum tenens. They nod vigorously in agreement.5))
{u22, 453}
(5|12LATE12| LORD MAYOR HARRINGTON
|7(In scarlet robe with mace, gold mayoral chain and large white silk scarf.)7| That aldermanº |6sir |7Leopold Leo7|6| Bloom's speech be printed at the expense of the ratepayers|12. That the house in which he was born be ornamented with a commemorative tablet12| |7and that the thoroughfare hitherto known as Cow Parlour off Cork street be henceforth designated Boulevard Bloom7|.
COUNCILLOR LORCAN SHERLOCK
Carried unanimously.5)
{u21, 531}
BLOOM
(Impassionedly.) These flying Dutchmen or lying Dutchmen as they recline in their upholstered poop, casting dice, what reck they? Machines is their cry, |13their chimera,13| their panacea. Laboursaving apparatuses, supplanters, |13bugbears,13| manufactured monsters for mutual murder, hideous hobgoblins produced by a horde of capitalistic lusts upon our prostituted labour. |13The poor man starves while they are grassing their |aroyala| mountain stags or shooting peasants and phartridges in their purblind pomp of pelf and power.13| |7But their reign is |13over for ever. rover for rever and ever and ev …13|7|
|6(Prolongedº
applause.
Venetian masts,
maypoles and festal arches spring up. A streamer bearing the legends
Cead Mile Failte
and Mah Ttob Melek Israel spans the street. All the windows are
thronged with sightseers, chiefly
ladies, who fling
down. Along the route the regiments of the Royal Dublin
Fusiliers, the King's Own Scottish
Borderers,º the Cameron
Highlanders and the Welsh Fusiliers, standing to attention, keep back the crowd.
Boys from High school are perched on the lampposts, telegraph poles,
windowsills, cornices, gutters, chimneypots, railings, rainspouts, whistling and
cheering. |7The pillar
of the cloud
appears.7| A
fife and drum
band is heard in the distance playing the Kol
|14Nidra
Nidre14|.
The beaters approach with
imperial eagles
hoisted, trailing banners and waving oriental palms.
|10The chryselephantine
papal standard
rises high, surrounded by pennons of the
civic
flagº.10|
The
|13van
of the13|
procession appears headed by
John Howard Parnell,
city marshal, in a chessboard tabard, the
Athlone
|7poursuivant
Poursuivant7|
and Ulster King of Arms. They are followed by the Right Honourable Joseph
Hutchinson, lord mayor
of Dublin, his lordshipº
the lord mayor of
Cork, their worships the mayors of Limerick, Galway,
{u22, 454}
Sligo and Waterford, twentyeight Irish representative peers,
|8sirdars,
grandees and
maharajahs
bearing the cloth of
estate, the Dublin Metropolitan Fire Brigade, the
chapter of the
saints
of
Irel
finance in
their plutocratic order of
precedence,8|
the bishop of
Down and Connor, His Eminence Michael cardinal
Logue,º |7archbishop of
{u21, 532}
Armagh|8,8|7|
primate of all
Ireland, His Grace, the most reverend Dr William Alexander, archbishop of
Armagh, primate of all Ireland, the chief rabbi, the presbyterian moderator, the
heads of the baptist, anabaptist, methodist and Moravian chapels and the
honorary secretary of the society of friends.
|13After them march
the guilds and
trades and trainbands
|awitha|
flying colours: coopers, bird
|adealers
fanciersa|,
millwrights, newspaper canvassers, law scriveners, masseurs, vintners,
trussmakers, chimneysweepsº , lard
refiners, tabinet and poplin weavers, farriers, Italian warehousemen, church
decorators, bootjack manufacturers,
undertakersº , silk mercers,
lapidaries, salesmasters, corkcutters, assessors of fire losses, dyers and
cleaners, export bottlers, fellmongers, ticketwriters, heraldic seal engravers,
horse repository hands, bullion brokers, cricket and archery outfitters,
riddlemakers, egg and potato factors, hosiers and glovers, plumbing
contractors.13|
After
|7them7|
march gentlemen
of the bedchamber,
Black Rod, Deputy
Garter,
|aGold
Stick, the master of
horse,a|
the lord great
chamberlain, the
earl marshal, the high constable carrying the sword of state,
saint Stephen's
iron crown, the
chalice and
bible. Four buglers on foot blow a sennet.
|9Beefeaters reply,
winding clarions of
welcome.9|
Under an arch of
triumph Bloom appears,º
bareheaded, in a
crimson velvet mantle
trimmedº
with ermine,
bearing Saint
Edward's staff, the orb and sceptre with the dove, the curtana. He is
seated on a milkwhite horse with long flowing
crimson
tail|11,11|
|8richly caparisoned, with
golden
headstall8|.
Wild excitement.
The ladies from
their balconies throw down rosepetals. The air is perfumed with essences.
The men cheer.
|11Bloom's
boys run amid the bystanders with branches of hawthorn and
wrenbushes.11|)
|11BLOOM'S BOYS
The wren, the wren,
The king of all birds,
Saint Stephen's his day,
Was caught in the furze.11|
{u21, 533}
{u22, 455}
A BLACKSMITH
(Murmurs.) |13For the honour of God!13| And is that Bloom? He scarcely looks |7thirty thirtyone7|.
That's the famous Bloom now, the world's greatest reformer. |8Hats off!
(All uncover their heads. |10Women whisper eagerly.10|)8|
|10A MILLIONAIRESS
(|aAdoringly Enth Richlya|.) Isn't he simply wonderful?
A NOBLEWOMAN
(Nobly.) All that man has seen!
A FEMINIST
(Masculinely.) And done!10|
A classic face! |9He has the forehead of a thinker.9|a|
|7(Bloom's weather. A sunburst appears in the northwest.)7|
I here present your undoubted |9emperor and king emperor-president and king-chairmanº|13, the most serene and potent and very puissant ruler of this realm13|9|. God save |9King9| Leopold the First!
ALL
God save Leopold the First!
{u21, 534}
|13BLOOM
(|aIn dalmatic and purple mantle,a| to the bishop of Down and Connor, with dignity.) Thanks, somewhat eminent sir.13|
|aTHE WILLIAM,a| ARCHBISHOP OF ARMAGH
|7(In
purple stock and
shovel hat.)7|
Will you to your power cause law and mercy to be executed in all your judgments
in Ireland and territories thereunto belonging?
{u22, 456}
BLOOM
(Placing his right hand on his testicles, swears.) So may the |7creator Creator7| deal with me. All this I promise to do.
|aTHE CARDINAL MICHAEL, ARCHBISHOP OF ARMAGHa|
(Pours a |acruce crusea| of hairoil over Bloom's head.) |7Gaudium magnum annuntio vobis. Habemus carneficem. Leopold, Patrick, Andrew, David, George,7| |7Be be7| thou anointed!6|
|6(Bloom assumes a mantle of cloth of gold and puts on a ruby ring. |13He ascends and stands on the stone of destiny.13| The representative peers put on at the same time their twentyeight crowns. Joybells ring in Christ church, Saint Patrick's, George's and gay Malahide. |8Mirus bazaar fireworks go up from all sides with symbolical |13pyrotechnic phallopyrotechnic13| designs.8| The peers do homage, one by one, approaching |aanda| |13and genuflecting13|.)
THE PEERS
I do become your liege man of life and limb to earthly worship.6|
|6(Bloom
holds up his right hand on which sparkles the
Koh-i-Noor
diamond.
|11His
palfrey
neighs.11|
Immediate silence.
|9Wireless
intercontinental and interplanetary transmitters are set for reception of
message.9|)
{u21, 535}
BLOOM
My subjects! |8|aI Wea| hereby nominate |amy oura| faithful charger |9Henry Copula Felix9| hereditary Grand Vizier and announce that we have this day repudiated our former spouse and have bestowed our royal hand upon the princess Selene, the splendour of night.8|6|
|6(|8The former |10morganatic10| spouse of Bloom is hastily removed in the Black Maria. The princess Selene, in moonblue robes, a silver crescent on her head, descends from a Sedan chair, borne by two giants.8| An outburst of cheering.)
JOHN HOWARD PARNELL
|8(Raises the royal standard.)8| Illustrious Bloom! |10Successor to my famous brother!10|
BLOOM
|7(Embraces
John Howard
Parnell.)7| We
thank youº
|afrom our
heart|11,
John,11|a|
{u22, 457}
forº this right royal welcome
|7to
green
Erin|9, the promised land
of our common ancestors9|7|.
|9⇒9| |7(|9The freedom of the city is presented to him embodied in a charter. The keys of Dublin, crossed on a crimson cushion, are given to him.9| He shows all that he is wearing green socks.)7|
TOM KERNAN
You deserve it|13, your honour13|.
BLOOM
On
this day twenty years ago we overcame the hereditary enemy
|7at
Ladysmith7|.
Our howitzers
and camel swivel
guns played
on
|athe
enemy his
linesa| with telling effect.
|7Half
a league onward! They charge! All is lost now! Do we yield? No! We drive
them headlong! Lo! We
charge!7|
Deploying to the
left our light horse swept across the heights of Plevna and,
{u21, 536}
uttering theirº
warcry|11,11|
Bonafide Sabaoth,
sabred the Saracen gunners to a man.
|13THE CHAPEL OF FREEMAN TYPESETTERS
Hear! Hear!
JOHN WYSE NOLAN
There's the man that |agot |14spirited got14|a| away James Stephens.13|
|aA BLUECOAT SCHOOLBOY
Bravo!a|
|aBravo!a| You're a credit to your country, sir, that's what you are.
AN APPLEWOMAN
He's a man like Ireland wants.
BLOOM
My beloved subjects, a new era is about to dawn. I, Bloom, tell you verily it is even now at hand. Yea, on the word of a Bloom, ye shall ere long enter into the golden city which is to be, the new Bloomusalem |7in the Nova Hibernia of the future7|.6|
|6(|8Thirtytwoº
workmen,º
|10wearing
rosettes,10|
from all the counties of Ireland,
{u22, 458}
under the guidance of Derwan the builder, construct the new Bloomusalem.
It is a colossal edifice,
|10with
crystal
roof,10|
built in the shape of a huge pork kidney, containing forty thousand rooms. In
the course of its extension several buildings and monuments are demolished.
Government offices are temporarily transferred to railway sheds.
|aall
the
Numerousa| houses
are razed to the ground. The
inhabitantsº are lodged in barrels
and boxes, all marked in red
|awith the
letters:a|
L.B.8|
|9Several paupers fall from
{u21, 537}
a ladder.9|
|aPart
A parta| of the
walls of
Dublin(err,ºerr)
crowded with loyal sightseers, collapses.)
THE SIGHTSEERS
(Dying.) Morituri te salutant. (They die.)6|
|6(A man in a brown macintosh springs up through a trapdoor. He points an elongated (errfigure fingerºerr) at Bloom.)
THE MAN IN THE MACINTOSH
Don't you believe a word he says. That man is Leopold M'Intosh, the notorious fireraiser. His real name is Higgins.
BLOOM
Shoot him! Dog of a christian! |7So much for |13Macintosh M'Intosh13|!7|6|
|6(A
cannonshot. The
|8Man
man8| in
the
|7M'Intosh
macintosh7|
disappearsº.
|10Bloom
with his sceptre strikes down poppies. The instantaneous deaths of many
powerful enemies|a,
graziers, members of parliament,
members of standing
committees,a| are
reported.10|
Bloom's
bodyguard distribute
Maundy money,
commemoration
medals, loaves
and fishes,
b
temperance badges,
|8expensive Henry Clay
cigars, free cowbones for soup, rubber preservatives
|11inº
|asealeda|
envelopes tied with gold
thread11|,
butter scotch, pineapple rock, billets doux in the form of cocked hats,
readymade suits, porringers of
toad in the hole,
bottles of
Jeyes'
Fluid,8|
purchase stamps,
|940 days'
indulgences, spurious coins, dairyfed pork
sauc
sausages,9|
theatre passes, season tickets available for all
|7lines
tramlinesº7|,
coupons of the royal and privilegedº
Hungarian lottery, penny dinner
counters|9, cheap
reprints of the World's Twelve
|13Greatest
Worst13|
Books: Froggy and Fritz (politic), Care of the Baby
(infantilic), 50
Meals for 7/6 (culinic), Was Jesus a Sun Myth? (historic), Expel that Pain (medic), Infant's Compendium of the
{u22, 459}
Universe (cosmic), Let's All Chortle (hilaric),
The
Canvasser's Vade Mecum (journalic), Loveletters of Mother Assistant
(erotic), Who's Who in Space (astric), Songs
{u21, 538}
that Reached Ourº Heart
(melodic), Pennywise's Way to Wealth
(parsimonic)9|.
A general rush and scramble.
Women press forward
to touch the hem of Bloom's robe.
The lady
Gwendolen Dubedat bursts through the throng, leaps on his horse and kisses
him on both cheeks amid great
acclamation.
|aA
magnesium flashlight photograph is
taken.a|
Babes and sucklings are held up.)
THE WOMEN
Little father! Little father!º
THE BABES AND SUCKLINGS
|7Clap
clap hands till Poldy comes home, Clap clap hands till Poldy
comes home,7|
|7Cakes
in his pocket for Leo alone Cakes in his pocket for Leo
alone7|.6|
|6(Bloom, bending down, pokes Baby Boardman gently in the stomach.)
BABY BOARDMAN
(Hiccups, curdled milk flowing from his mouth.) Hajajaja.
|8BLOOM
(Shaking hands with a blind stripling.)
|aBrother
My
|13More
more13| than
Brothera|! (Placing
his arms round the shoulders of an old couple.) Dear old friends! (He
playsº
pussy
fourcorners with ragged boys and girls.)
|aBeep
Peepa|!
Bopeep!
|10(He wheels twins in a
perambulator.)
Ticktacktwo
wouldyousetashoe?
|13(He performs
juggler's
tricks, draws
red, orange, yellow, green, blue, indigo and violet silk
handkerchiefsº from his
mouth.) Roygbiv. 32 feet per
second.13| (He
consoles a widow.) Absence makes the heart grow younger. (He dances
the
|asailor's
hornpipe Highland fling with grotesque
anticsa|.)
Leg it, ye devils!
(He kisses the
bedsores of a palsied veteran.) Honourable wounds!
(He trips up a fat
policeman.) U. p: up. U. p:
up.10|
|9(He whispers in the ear
of a blushing waitress and laughs kindly.) Ah,
|13I
know naughty,
naughty13|! (He eats a raw turnip offered
{u21, 539}
him by Maurice Butterly, farmer.) Fine! Splendid! (He refuses to
accept three shillings offered
to him by
Joseph Hynes, journalist.)
My dear fellow,
not at all! (He
gives his coat to a beggar.) Please accept. (He takes part in a
stomach race with elderly male and female cripples.) Come on, boys! Wriggle
it, girls!9|8|
{u22, 460}
THE CITIZEN
(|13Choked with emotion,13| brushes aside a tear |7in his emerald muffler|13, choked with emotion13|7|.) May the good God bless him!6|
|6(The |9bugles (errram's rams'ºerr) horns9| sound for silence. |10The standard of Zion is hoisted.10|)
(Uncloaks impressively, |7revealing obesity,7| unrolls a paper and reads solemnly.) Aleph Beth Ghimel Daleth Hagadah Tephilim Kosher Yom Kippur Hanukah Roschaschana Beni Brith Bar Mitzvah Mazzoth Askenazim |7Mezuzah Meshuggah7| Talith.6|
|6(An official translation is read by Jimmy Henry, assistant town clerk.)
|7JIMMY HENRY
The Court of Conscience is now open. His Most Catholic Majesty will now administer open air justice. |8Free medical and legal advice, solution of doubles and other problems.8| All cordially invited. |9Given at this our loyal city of Dublin in the year 1 of the Paradisiacal Era.9|7|
PADDY LEONARD
What am I to do about my rates and taxes|8?8|
BLOOM
Pay them|8, my friend.8|
PADDY LEONARD
|aThanks
Thank youa|.
{u21, 540}
NOSEY FLYNN
Can I raise a mortgage on my fire insurance|13?13|
BLOOM
|7(Obdurately.)7| Sirs, take notice that |10by the law of torts10| you are bound over in your own recognisances for six months in the sum of five pounds.
|8J.J. O'MOLLOY
A Daniel did I say? Nay! A Peter O'Brien!8|
NOSEY FLYNN
Where do I draw the five pounds?
{u22, 461}
|8PISSER BURKE
For bladder trouble?
BLOOM
Acid. nit.
hydrochlor.º dil,º 20 minims
Tinct. nux.º
vom,º 5 minims
Extr. taraxel. liq,º 30 minims.
Aq. dis. ter in die.8|
What is the parallax of the subsolar ecliptic of Aldebaran?
BLOOM
|10Pleased
to hear from you, Chris.10| K. 11.
{u21, 541}
JOE HYNES
Why aren't you in uniform?
BLOOM
When my progenitor of sainted memory wore the uniform of the Austrian despot in a dank prison where was yours?7|
|8BEN DOLLARD
Pansies?
BLOOM
Embellish |14(beautify)14| unread suburban gardens.
BEN DOLLARD
When twins arrive?
BLOOM
Father |14(pater, dad)14| starts thinking.8|
LARRY O'ROURKE
|8A
sevenday An
eightdayº8|
licence for my new premises. You remember me,
sir Leo, when you
were in number seven.
I'm sending around a dozen of stout for the missus.
{u22, 462}
BLOOM
(Coldly.) You have the advantage of me. Lady Bloom accepts no presents.
|8|aJOE CUFFE CROFTONa|
This is indeed a festivity.
{u21, 542}
BLOOM
(Solemnly.) You call it a festivity. I call it a sacrament.8|
ALEXANDER KEYES
When will we have our own house of keys?
BLOOM
I stand for the reform of municipal morals and the plain ten commandments. |9New worlds for old.9| |11Union of all, jew, moslem and gentile.11| Three acres and a cow for all |10children of nature10|. |8Saloon motor hearses. |9Compulsory manual labour for all. All parks open to |13the13| public day and night.9| Electric dishscrubbers.8| Tuberculosis, lunacy, war and mendicancy must now cease. General amnesty, |9weekly carnival |11withº masked licence11|,9| |8bonuses for all,8| esperanto(err,ºerr) the |~7universal language with~|7|º universal brotherhood. No more patriotism of barspongers and dropsical impostors. Free money, |~7free rent,~|7|º free love and a free lay church in a free lay state.
|8DAVY BYRNE
(Yawning.) Iiiiiiiiiaaaaaaach!8|
BLOOM
Mixed races and mixed marriage.
LENEHAN
|6(Bloom
explains to
those near him
his schemes for
social regeneration. All agree with him.
The keeper of the
Kildare streetº
museum appears,
dragging a lorry on which are the shaking statues of several
{u21, 543}
naked
{u22, 463}
goddesses,
Venus Callipyge,
Venus Pandemos, Venus Metempsychosis, and plaster figures, also naked,
representing the new nine muses,
Commerce, Operatic
Music, Amor, Publicity, Manufacture, Liberty of Speech,
Plural Voting,
Gastronomy, Private Hygiene,
|7Seaside7|
Concert Entertainments,
|8Painless8|
Obstetrics and Astronomy for the People.)
FATHER FARLEY
He is |7an episcopalian,7| an agnostic|8, an anythingarian8| seeking to overthrow our holy faith.
|10MRS RIORDAN
(Tears up her will.) I'm disappointed in you! You bad man!10|
(Removes her boot to throw it at Bloom.) You beast! |10You abominable person!10|
|7NOSEY FLYNN
Give us a |13song tune13|, Bloom. One of the old |13ones sweet songs13|.
BLOOM
(With rollicking humour.)
I vowed that I never would leave her,
She turned out a cruel deceiver.
With my tooraloom tooraloom tooraloom tooraloom.
|8HOPPY HOLOHAN
Good old Bloom! There's nobody like him after
all.8|
{u21, 544}
PADDY LEONARD
Stage Irishman!
BLOOM
What railway opera is like a tramline in Gibraltar? The Rows of Casteele.º
(Laughter.)
LENEHAN
Plagiarist! Down with Bloom!7|
{u22, 464}
ALEXANDER |aA THEa| VEILED SIBYL
(Enthusiastically.) I'm a Bloomite |8and I glory in it8|. |aI believe in him in spite of all.a| I'd give my life for him, the funniest man on earth.
|8BLOOM
(Winks at the bystanders.) I bet she's a bonny |alass lassiea|.8|
THEODORE PUREFOY
|13(In fishingcap and oilskin jacket.)13| He employs a mechanical device to frustrate the |8sacred8| ends of nature.
THE VEILED SIBYL
(Stabs herself.) My hero god! (She dies.)6|
|6(Many
|8most attractive
and8|
enthusiastic women also commit suicide by stabbing, drowning,
|8poison,
drinking prussic acid, aconite,
arsenic,8|
opening their veins, refusing food,
|8casting themselves under
steamrollers, from the top of
Nelson's
Pillar, into the great vat of Guinness's brewery, asphyxiating
themselves by placing their heads in gas ovens, hanging themselves in stylish
garters,º8|
leaping from windows of different storeys.)
{u21, 545}
ALEXANDER J.º DOWIE
(Violently.) Fellowchristians |8and antiBloomites8|, the man called Bloom is from the roots of hell, a disgrace to christian men. A fiendish libertine from his earliest years this stinking goat of Mendes gave precocious signs of infantile debauchery|8,º8| recalling the cities of the plain|8,8| with a dissolute granddam. |7He This |13vile13| hypocrite|10, bronzed with infamy,10|7| is the white bull mentioned in the Apocalypse. |7A worshipper of the Scarlet Woman|8.,8|7| |8Intrigue intrigue8| is the very breath of his nostrils. The stake faggots and the caldron of boiling oil are for him. |10Caliban!10|
THE MOB
Lynch him! Roast him! |10He's as bad as Parnell was. |13Mr Fox!13|10|6|
|6(Mother
Grogan throws her boot at Bloom. Several shopkeepers from upper and lower
Dorset street throw objects of
|alittle
ora| no commercial
value, hambones,
condensed milk tins, unsaleable cabbage, stale bread, sheeps'
tailsº , odd pieces of fat.)
{u22, 465}
BLOOM
(Excitedly.) This is midsummer madness, some ghastly joke again. |8By heaven, I am guiltless |10as the unsunned snow10|! |10It was my brother Henry. He is my double. He lives in number 2 Dolphin's Barn.10|8| Slander, the viper|9,9| has wrongfully accused me. Fellowcountrymen, sgeulº i mbarrº bata coisde gan capall. I call on my old friend|13,13| Dr Malachi Mulligan|7, sex specialist,7| to give medical testimony on my behalf.
DR MULLIGAN
(In
motor jerkin,
green motorgoggles on
his brow.)
Dr Bloom is
bisexually abnormal. He has recently
escaped from Dr
Eustace's private asylum for demented gentlemen.
Born out of
bedlock hereditary
epilepsy is
present, the consequence of
unbridled lust.
Traces of
elephantiasis have
been discovered among his
ascendants.
There are marked symptoms of chronic exhibitionism.
(7Ambidexterity
|8and
bisexuality
are is8| also
{u21, 546}
latent. He is prematurely bald
|8|10from
selfabuse10|,
|10perversely
idealistic in
consequence,10| a
reformed rake,8| and
has metal
teeth.7) In
consequence of a family complex he has temporarily
lost his memory
and I believe him to be more sinned against than sinning. I have made a
pervaginal examination
and|10,
after
ex application of
the acid test to 5427 anal,
axillary, pectoral
and pubic hairs,
I10| declare him to be
virgo
intacta.6|
|6(Bloom holds his high grade hat over his genital organs.)
DR MADDEN
Hypsospadiaº is also marked. In the interest of coming generations I suggest that the parts affected should be preserved in spirits of wine in the national teratological museum.
DR CROTTHERS
I have examined |10his the patient's10| urine. It is albuminoid. Salivation is insufficient, the patellar reflex intermittent.
DR PUNCH COSTELLO
Theº fetor judaicus is most perceptible.
DR DIXON
(Reads
a bill of
health.) Professor Bloom is a finished
example of the new
womanly man. His
moral nature is simple
and lovable. |10Many have found
{u22, 466}
him a dear man, a
dear person.10|
|8He is a rather quaint
fellow on the
whole,|10,
coy10|
though not feebleminded in the medical
sense.8|
|10He
has written me a
really beautiful
letter|a,
a poem in
itself,a| to the
court missionary
of the Reformed
(errPriests
Priests'ºerr)
Protection Society which clears up
everything.10|
|7He is practically a total
abstainer and I can affirm that
he sleeps on a straw
litter and eats
the most Spartan food, cold dried grocer's peas.
He wears a
hairshirt
|14'|~of
pure Irish
manufacture~|14'|º
winter and summer and
scourges himself
every Saturday.7|
|8He was, I understand, at
one time a firstclass misdemeanant in Glencree reformatory. Another report states that he
{u21, 547}
was a very
posthumous
child.8| I appeal
for clemency |7in the name of
the most sacred word
our vocal organs
have ever been called upon to
speak.7|
|7as
he He7|
is about to have a baby.6|
|6(General commotion and compassion. |aWomen faint.a| A wealthy American makes a street collection for Bloom. Gold and silver coins, blank cheques, banknotes, jewels, treasury bonds, maturing bills of exchange, I.O.U's, wedding rings, watchchains, lockets, necklaces and bracelets are rapidly collected.)
|7BLOOM
O, I so want to be a mother.7|
|8A NURSETENDER MRS THORNTON8|
|8(In nursetender's gown.)8| Embrace me tight, dear. You'll be soon over it. Tight, dear.6|
|6(Bloom embraces her tightly and bears |10several eight10| male |10yellow and white10| children. |7They appear on a redcarpeted staircase adorned with expensive plants.7| All |14'|~the octuplets~|14'|º are handsome, |10with expensive valuable metallic faces,10| wellmade, respectably dressed and wellconducted, speaking five modern languages |8fluently8| and interested in various arts and sciences. |10Each has his name printed in legible letters on his shirtfront: Nasodoro, Goldfinger, Chrysostomos, Maindorée, Silversmile, Silberselber, Vifargent, Panargyros.10| They are immediately appointed to positions of high public trust |7in several different countries7| as managing directors of banks, traffic managers of railways, chairmen of limited liability companies, vicechairmenº of hotel syndicates.)
A VOICE
Bloom, are you the
Messiah|7!
ben Joseph or ben
David?7|
{u21, 548}
{u22, 467}
BLOOM
(Darkly.) You have said it.
|8A LAYBROTHER BROTHER BUZZ8|
Then perform a miracle |14'|~like Father Charles~|14'|.º6|
Prophesy who will win the Saint Leger.7|
|6(Bloom walks on a net, covers his left eye with his left ear, |8passes through several walls, climbs Nelson's Pillar, hangs from the top ledge by his eyelids, eats twelve dozen oysters (shells included),8| |7heals several sufferers from king's evil,7| contracts his face so as to resemble many historical personages, |7Lord Beaconsfield, Lord Byron, Wat Tyler, |13Moses of Egypt,13| Moses Maimonides, |13Moses Mendelssohn,13| Henry Irving, Rip van Winkle, Kossuth, Jean Jacques Rousseau, Baron Leopold Rothschild, |8Robinson Crusoe,8| Sherlock Holmes, Pasteur,7| turnsº each foot simultaneously in different directions, |7bids the tide turn back,7| eclipses the sun by extending his little finger.)
|7|8RINUCCINI BRINI8|, PAPAL NUNCIO
|13(In
papal zouave's uniform, steel cuirasses as breastplate, armplates,
thighplates, legplates, large profane moustaches and brown paper
mitre.)13|
Leopoldiº autem
generatio.
Moses begat Noah and Noah begat
|8Eunoch
Eunuch8| and
|8Eunoch
Eunuch8| begat
O'Halloran and
O'Halloran begat Guggenheim and Guggenheim
|8begat Agendath
and Agendath begat
Netaim and
Netaim8| begat Le
Hirsch and Le Hirsch begat Jesurum and Jesurum begat MacKay and MacKay begat
Ostrolopsky and Ostrolopsky begat Smerdoz and Smerdoz begat Weiss and Weiss
begat Schwarz and Schwarz begat Adrianopoli and Adrianopoli begat Aranjuez and
Aranjuez begat Lewy Lawson
|aand Lewy
Lawsona| begat Ichabudonosor
and Ichabudonosor begat O'Donnell Magnus and O'Donnell Magnus begat Christbaum and Christbaum begat ben
{u21, 549}
Maimun and ben Maimun begat Dusty Rhodes and Dusty Rhodes begat Benamor and
Benamor begat Jones-Smith and Jones-Smith begat Savorgnanovich and
Savorgnanovich begat
|8Poe
Jasperstone8| and
|8Poe
Jasperstone8| begat
Vingtetunieme and Vingtetunieme begat Szombathely and Szombathely begat Virag
and Virag begat Bloom et vocabitur nomen eius
Emmanuel.7|
{u22, 468}
A DEADHAND
(Writes on the wall.) Bloom is a cod.
|8A BUSHRANGER CRAB8|
|8(In bushranger's kit.)8| What did you do in the cattlecreep behind Kilbarrack?
A FEMALE INFANT
|8(Shakes a rattle.)8| And under Ballybough bridge?
|7A HOLLYBUSH
And in the devil's glen?7|
BLOOM
(|7Blushes |10furiously10| all over from frons to nates,7| three tears falling from his left eye.) Spare my past.
THE IRISH EVICTED TENANTS
|8(In bodycoats, kneebreeches, with Donnybrook fair shillelaghs.)8| Sjambok him!6|
|6(Bloom
|10with
asses'
ears10|
seats himself in the
pillory with
crossed arms, his feet protruding.
|8He
whistles Don
Giovanni, a cenar
teco.8|
|10Artane orphans, joining
hands, caper round him.
|aGirls of the Prison Gate
Mission, joining hands, caper round in the opposite
direction.a|10|)
{u21, 550}
|10THE ARTANE ORPHANS
You hig, you hog, you dirty dog!
You think the ladies love you!
THE PRISON GATE GIRLS
If
you see Kayº
Tell him he may
See you in tea
Tell him from me.10|
(In ephod and huntingcap, announces.)
And he shall carry
the sins of the people to Azazel, the spirit which is in the wilderness, and to Lilith, the
{u22, 469}
nighthag. And they shall
stone him and
defile him, yea,
all from Agendath
Netaim and from Mizraim, the land of Ham.6|
|6(All the people cast soft |apantomimea| stones at Bloom. Many bonafide travellers and ownerless dogs come near him and defile him. Mastiansky and Citron approach in gaberdines, wearing long earlocks.º They wag their beards at Bloom.)
MASTIANSKY AND CITRON
Belial! Laemlein of Istria|a,º the false Messiaha|! Abulafia! |14'|~Recant!~|14'|º6|
|6(George R.º Mesias, Bloom's tailor, appears, |7a tailor's goose under his arm,7| presenting a bill.)
MESIAS
To alteration one pair trousers eleven shillings.
{u21, 551}
BLOOM
(Rubs his hands cheerfully.) Just like old times. |11Poor Bloom! |14'|~DON EMILE PATRIZIO FRANZ RUPERT POPE HENNESSY (In medieval hauberk, two wild geese volant on his helm, appears and, with noble indignation, disowns Bloom.) Put down your eyes to footboden, big grand pig of Juda all covered with gravy!~|14'|º11|6|
|6(Reuben J.º Dodd, |ablackbearded Iscariot,a| |7bad shepherd,7| bearing on his shoulders the drowned corpse of his son, approaches the pillory.)
REUBEN J.
(Whispers hoarsely.) The squeak is out. A split is gone for the flatties. Nip the first rattler.6|
|13(The THE FIRE BRIGADE
Pflaap!13|
|9BROTHER BUZZ
(Invests Bloom in a yellow habit with |aembroidery ofa| painted flames and high pointed hat. He places a bag of gunpowder round his neck and hands him over to the civil power, sayingº.) Forgive him his trespasses.9|
|6|a(Lieutenant Myers of the Dublin Fire Brigade by general request sets fire to Bloom. |bLamentationsb|.)a|
|7THE CITIZEN
Thank
heaven!7|
{u22, 470}
BLOOM
(In a seamless garment marked I.H.S. stands upright amid phoenix flames.) Weep not for me, O daughters of Erin.
|a(Heº
exhibits to Dublin reporters traces of
burning.|7)7|a|
|v7(v7|Theº
daughters of
Erin, in black garments,º with
large
prayerbooks and
long lighted candles in their
hands|13,13|
kneel down and pray.)
{u21, 552}
THE DAUGHTERS OF ERIN
Kidney of Bloom, pray for us.
Flower of the Bath, pray for us.
Mentor of Menton, pray for us.
Canvasser for the Freeman, pray for us.
Charitable Mason, pray for us.
Wandering Soap, pray for us.
Sweets of Sin, pray for us.
Music without Words, pray for us.
Reprover of the Citizen, pray for us.
Friend of all Frillies, pray for us.
Midwife Most Merciful, pray for us.
Potato Preservative against
|13plague
Plague13| and
|13pestilence
Pestilence13|, pray
for us.º
(A choir of six hundred voices, conducted by |8Mr8|º Vincent O'Brien, sings the Alleluia chorus |14'|~from Handel's Messiah Alleluia for the Lord God Omnipotent reigneth~|14'||8,º accompanied on the organ by Joseph Glynn8|. |13Bloom becomes mute, shrunken, carbonised.13|)º6|
ZOE
Talk away till you're black in the face.
BLOOM
(In
caubeen with clay
pipe stuck in the band, dustyº
brogues, an
emigrant's red
handkerchief bundle in his
hand(err,ºerr)
|12leading a black bogoak
pig by a
sugaun|14,14|
|13with a smile in his
eye13|12|.)
|13Let me be going now,
woman of the
house, for by all the goats in Connemara I'm after having the father
and mother of a bating. (With a tear in his
eye.)13| All
|14is
vanity
insanityº14|.
Patriotism, sorrow for the dead, music, future of the race. To be or not to be.
|12Life's
dream is
o'er.12| End
it peacefully. They can live on. (He gazes far away mournfully.)
|7I
am ruined.7| A few
pastilles of
|12veronal
aconite12|.
The blinds drawn. A letter. Then lie back to rest. (He breathes softly.)
No more. I have lived. Fare. Farewell.
{u21, 553}
{u22, 471}
ZOE
(Stiffly|12,12| her finger in her neckfillet.) Honest? Till the next time. (She sneers.) Suppose you got up the wrong side of the bed or came too quick with your best girl. O, I can read your thoughts!º
BLOOM
(Bitterly.) Man and woman, love, what is it? A cork |v12and a bottle. I'm sick of it. Let everything rip. and bottle.ºv12|
ZOE
(In sudden sulks.) I hate a rotter that's insincere. Give a bleeding whore a chance.
BLOOM
(Repentantly.) I am very disagreeableº. You are a necessary evil. Where are you from? London?
ZOE
(Glibly.) Hog's Norton where the pigs playsº the organs. I'm Yorkshire born(err.ºerr) (She holds his hand which is feeling for her nipple.) I say, Tommy Tittlemouse. Stop that and begin worse. Have you cash for a short time? Ten shillings?
BLOOM
(Smiles, nods slowly.) More, houri, more.
ZOE
And
more's mother?
(She pats him
offhandedly with
velvet paws.)
Are you coming into the musicroom to seeº
our new pianola? Come and I'll peel off.
{u21, 554}
BLOOM
(Feeling his occiput dubiously with the unparalleled embarrassment of a harassed pedlar gauging the symmetry of her peeled pears.) Somebody would be dreadfully jealous if she knew. The greeneyed monster(err.ºerr) (Earnestly.) You know how difficult it is. I needn't tell you.
ZOE
(Flattered.) What the eye can't see the heart can't grieve for.º (She pats him.) Come.
BLOOM
Laughing witch! The hand that rocks the cradle.
{u22, 472}
ZOE
Babby!
BLOOM
(In babylinen and pelisse, bigheaded, with a caul of dark hair|12,12| fixes big eyes on her fluid slip and counts its bronze buckles with a chubby finger, his moist tongue lolling and lisping.) One two tlee: tlee tlwo tlone.
THE BUCKLES
Love me. Love me not. Love me.
ZOE
|7⇑7| (With little parted talons she captures his hand, |13her forefinger giving to his palm the passtouch of secret monitor,13| luring him to doom.|7) Hot hands cold gizzard.7|
|7⇒
(7|He hesitates
amid scents, music,
temptations. She
leads him towards the steps, drawing him by
the odour of her
armpits, the vice of her painted eyes, the rustle of
her slip in
whose sinuous folds lurks
the lion reek of
all the male brutes that have possessed her.)
{u21, 554}
THE MALE BRUTES
(Exhaling sulphur of rut and dung and ramping in their loosebox, faintly roaring, their drugged heads swaying to and fro.) Good!
(Zoe and Bloom reach the doorway where two sister whores are seated. They examine him curiously from under their pencilled brows and smile to his hasty bow. He trips awkwardly.)
ZOE
(Her lucky hand instantly saving him.) Hoopsa! Don't fall upstairs.
BLOOM
The just man falls seven times(err.ºerr) (He stands aside at the threshold.) After you is good manners.
ZOE
Ladies first, gentlemen after.
(She crosses the threshold. He hesitates. She turns and, holding out her hands,
{u22, 473}
draws
him over.
|6He
hops.6| On
the antlered rack of the hall hang a man's hat and
waterproof.º Bloom uncovers
himself but, seeing them,
frowns(err,ºerr)
then smiles,
preoccupied. A
door on the return landing is
(5flung
thrownº5)
open. A man in purple shirt and grey
trousers,º brownsocked, passes
with an ape's gait, his bald head and goatee beard upheld, hugging a full
waterjugjar, his
twotailed black braces dangling at heels.
Averting his face
quickly Bloom bends to examine on the halltable the spaniel eyes of a running
fox:
(5then
blank
then, his lifted head
sniffing,5)
follows Zoe into the musicroom. A shade of mauve tissuepaper dims the light
of the chandelier. Round and round a moth flies, colliding, escaping. The floor
is
|12stamped
covered12|
with an oilcloth
mosaic of jade and
azure and cinnabar rhomboids.
Footmarks are
stamped over it in all senses, heel to heel, heel to hollow, toe to toe, feet
locked, a morris
of shuffling feetº without body
phantoms, all in a scrimmage
higgledypiggledy. The walls are tapestried with a
{u21, 556}
paper of yewfronds and clear glades. In the grate is spread a screen of
peacock feathers. Lynch squats crosslegged on the hearthrug of matted hair, his
cap back to the front. With a wand he beats time slowly. Kitty Ricketts, a bony
pallid whore in navy costume, doeskin gloves rolled back from a coral wristlet,
a chain purse in
her hand, sits
perched on the
edge of the table swinging her leg and glancing at herself in the gilt mirror
over the mantelpieceº. A tag of
her corsetlaceº hangs slightly
below her jacket. Lynch indicates mockingly the couple at the piano.)
KITTY
(Coughs behind her hand.) She's a bit imbecillic. (She signs with a waggling forefinger.) Blemblem. (Lynch lifts up her skirt and white petticoat with hisº wand. She settles them down quickly.) Respect yourself. (She hiccups, then bends quickly her sailor hat under which her hair glows, red with henna.) O, excuse!
ZOE
More limelight, Charley. (She goes to the chandelier and turns the gas full cock.)
KITTY
(Peers at the gasjet.) What ails it tonight?
{u22, 474}
LYNCH
(Deeply.) Enter a ghost and |13Hobgoblins hobgoblins13|.
ZOE
(The
wand in Lynch's hand flashes: a brass poker. Stephen stands at the
pianola on which sprawl his hat and ashplant. With two fingers he repeats once
more the series of empty fifths.
|14Florrie
Florry14|
{u21, 557}
Talbot,
a blond feeble goosefat whore in a
tatterdemalion
gown of mildewed strawberry,º
lolls
spreadeagle in the
sofacornerº , her limp forearm
pendent over the bolster, listening.
A heavy stye droops over her sleepy eyelid.)
KITTY
(Hiccups again with a kick of her horsed foot.) O, excuse!
ZOE
(Promptly.) Your boy's thinking of you. Tie a knot on your shift.
(Kitty Ricketts bends her head. Her boa uncoils, slides, glides over her shoulder, back, arm, chair to the ground. Lynch lifts the curled (errcatterpillar caterpillarºerr) on his wand. She snakes her neck, nestling. Stephen glances behind at the squatted figure with its cap back to the front.)
STEPHEN
As a matter of fact it is of no importance whether Benedetto Marcello found it or made it. The rite is the poet's rest. It may be an old hymn to Demeter or also illustrate |12Coeli Cœlaº12| enarrant gloriam Domini. It is susceptible of nodes or modes as far apart as hyperphrygian and mixolydian and of texts so divergent as priests haihooping round David's that is Circe's or what am I saying Ceres' altar and David's tip from the stable to his chief bassoonist about the alrightnessº of his almightiness. Mais,º nom |12d'un de12| nom, that is another pair of trousers. Jetez la gourme. Faut que jeunesse se passe. (He stops, points at Lynch's cap, smiles, laughs.) Which side is your knowledge bump?
THE CAP
(With saturnine spleen.) Bah! It is because it is.
Woman's reason. Jewgreek is greekjew. Extremes meet. Death is the highest form of life. Bah!
{u21, 558}
{u22, 475}
STEPHEN
You remember fairly accurately all my errors, boasts, mistakes. How long shall I continue to close my eyes to disloyalty? Whetstone!
THE CAP
Bah!
STEPHEN
Here's another for you. (He frowns.) The reason is because the fundamental and the dominant are separated by the greatest possible interval which …
THE CAP
STEPHEN
(With an effort.) Interval which. Is the greatest possible (errelipse ellipseºerr). Consistent with. The ultimate return. The octave. Which.
THE CAP
Which?
(Outside the gramophone begins to blare The Holy City.)
STEPHEN
(Abruptly.) What went forth to the ends of the world to
traverse not itself, God, the sun, Shakespeare, a commercial traveller, having
itself traversed in reality itself becomes that self. Wait a moment. Wait a
second. Damn that fellow's noise in the street. Self which it itself was
ineluctably preconditioned to become. Ecco!
{u21, 559}
LYNCH
(With a mocking whinny of laughter grins at Bloom and Zoe Higgins.) What a learned speech, eh?
ZOE
(Briskly.) God help your head, he knows more than you have forgotten.
(With obese stupidity |14Florrie Florry14| Talbot regards Stephen.)
|14FLORRIE FLORRY14|
They say the last day is coming this summer.
KITTY
ZOE
(Explodes in laughter.) Great unjust God|13.!13|
|14FLORRIE FLORRY14|
(Offended.) Well, it was in the papers about Antichrist. O, my foot's tickling.
(Ragged barefoot newsboys(err,ºerr) jogging a wagtail kite, patter past, yelling.)
THE NEWSBOYS
Stop press edition. Result of the |12rocking horse rockinghorse12| races. Sea serpent in the royal canal. Safe arrival of Antichrist.
(Stephen turns and sees Bloom.)
{u21, 560}
STEPHEN
A time, times and half a time.
(Reuben J(5.º5) Antichrist, wandering jew, a clutching hand open on his spine, stumps forward. Across his loins is slung a pilgrim's wallet from which protrude promissory notes and dishonoured bills. Aloft over his shoulder he bears a long boatpole from the hook of which the sodden huddled mass of his only son, saved from Liffey waters,º hangs from the slack of its breeches. A hobgoblin in the image of Punch Costello, hipshot, |12crook backed crookbacked12|, hydrocephalic, (errprognatic prognathicºerr) with receding forehead and Ally Sloper nose(err,ºerr) tumbles in somersaults through the gathering darkness.)
ALL
What?
THE HOBGOBLIN
(His jaws
chattering,
capers to and
fro, goggling his eyes, squeaking,
kangaroohopping,º
with outstretched clutching
arms(err,ºerr)
then all at
once thrusts his
lipless face
through the fork of his thighs.) Il vient! C'est moi!
L'homme qui rit!
{u22, 477}
L'homme primigène!
(He whirls round
and round with dervish howls.) Sieurs et dames,
faites vos
jeux! (He crouches
juggling. Tiny
roulette planets
fly from his hands.)
Les jeux sont
faits! (The planets rush together, uttering crepitant cracks.)
Rien
(5va
n'vaº5)
plus. (The planets, buoyant
balloons, sail
swollen up and away. He springs off
(5in
to into5) vacuum.)
|14FLORRIE FLORRY14|
(Sinking into torpor|12,12| (5crossing crossesº5) herself secretly.) The end of the world!
(A female tepid effluvium leaks out from her. Nebulous
obscurity occupies space. Through the drifting fog without the gramophone blares over coughs and feetshuffling.)
{u21, 561}
THE GRAMOPHONE
Jerusalem!
Open your gates and sing
Hosanna …
(A rocket rushes up the sky and bursts. A white star falls from it, proclaiming the consummation of all things and second coming of Elijah. Along an infinite invisible tightrope taut from zenith to nadir the End of the World, a twoheaded octopus in gillie's kilts, busby and tartan filibegs(err,ºerr) whirls through the murk, head over heels, in the form of the Three Legs of Man.)
(With a Scotch accent.) Wha'll dance the keel row, the keel row, the keel row?
(Over the possingº drift and choking breathcoughs, Elijah's voice, harsh as a corncrake's, jars on high. Perspiring in a loose lawn surplice with funnel sleeves he is seen, vergerfaced, above a rostrum about which the banner of old glory is draped. He thumps the parapet.)
ELIJAH
No yapping, if you please, in this booth. Jake Crane, Creole
Sue, Daveº Campbell, Abe Kirschner,
do your coughing with
your mouths shut. Say, I am operating all this trunk line. Boys,
do it now.
|7God's
time is 12.25.7|
Tell mother you'll be there. Rush your order and you play a slick ace. Join
on right here.º
{u22, 478}
Book through to
eternity
junction|13,13|
the nonstop run. Just
one word more. Are you
a god or a
|7|13dog-gone
doggone13|7|
clod? If the
second advent came to Coney Island are we ready?
|14Florrie
Florry14| Christ,
Stephen Christ, Zoe Christ, Bloom Christ, Kitty Christ, Lynch Christ, it's
up to you to sense
that cosmic force.
|7Have
we cold feet about the cosmos?
No.7| Be on the side
of the angels. Be a
prism. You have that
something within,
the higher self. You can rub shoulders
{u21, 562}
with a Jesus,
a Gautama, an Ingersoll. Are you all
in this vibration?
I say you are.
|7I
say you
are.7|
You once nobble that,
congregation, and
a buck joyride to
heaven becomes a back
number.
|6You
got me?6|
It's a lifebrightener, sure.
|6The
hottest stuff ever
was.6| It's
the whole pie with jam in. It's just the cutest snappiest line out.
It is immense,
supersumptuous.
It restores. It vibrates. I know and
I am some
vibrator. Joking
apart and,º getting down to bedrock,
A.J. Christ Dowie and the
harmonial
philosophy(err,ºerr)
have you got that? O.K. Seventyseven west sixtyninth street.
|7Got
me?7| That's
it. You call me up by
sunphone any old time.
|7Bumboosers,
save your
stamps.7| (He
shouts.) Now then our glory song. All join heartily in the singing. Encore!
(He sings.) Jeru …
THE GRAMOPHONE
(Drowning his voice.) Whorusalaminyourhighhohhhh …º (The disc rasps gratingly against the needle.)
THE THREE WHORES
(Covering their ears, squawk.) Ahhkkk!
ELIJAH
(In rolledup shirtsleeves, black in the face, shouts at the top of his voice, his arms uplifted.) Big Brother up there, Mr President, you hear what I |7done7| just been saying to you. Certainly, I sort of believe strong in you, Mr President. I certainly am thinking now Miss Higgins and Miss Ricketts got religion way inside them. Certainly seems to me I don't never see no wusser scared female than the way you been, Miss |14Florrie Florry14|, just now as I |7seen done seed7| you. Mr President, you come long and help me save our sisters dear. (He winks at his audience.) Our Mr President, he twig the whole lot and he aintº saying nothing.
KITTY-KATE
|12I
forgot myself.12|
In a weak moment I
|6erred
and6|
did what I did on
{u22, 479}
Constitution hill. I was confirmed by the bishop
|6|v7and
enrolled in the
brown scapularv7|6|. My mother's sister
{u21, 563}
married a Montmorency. It was a working
plumber was my
ruination |6when I was
pure6|.
ZOE-FANNY
I let him |6do it to |12slip larrup12| it into6| me for the fun of it.
|14FLORRIE-TERESA FLORRY-TERESA14|
It was in consequence of a portwine beverage on top of Hennessy's three star.º |6I was guilty with Whelan |12when he slipped it up into the bed12|.6|
STEPHEN
In the beginning was the word, in the end the world without end. Blessed be the eight beatitudes.
(The beatitudes, Dixon, Madden, Crotthers, Costello, Lenehan, Bannon, Mulligan and Lynch(err,ºerr) in white surgical students' gowns, four abreast, goosestepping, tramp fast past in noisy marching.)
THE BEATITUDES
(Incoherently.) Beer beef battledog buybull businum barnum buggerum bishop.
(In quakergrey kneebreeches and broadbrimmed hat, says discreetly.) He is our friend. I need not mention names. Seek thou the light.
(|6He corantos by.6| Best enters in hairdresser'sº attire, shinily laundered, his locks in curlpapers. He leads John Eglinton who wears a mandarin's kimono of Nankeen yellow, lizardlettered, and a high pagoda hat.)
BEST
(Smiling, lifts the hat and displays a
shaven poll from
the crown of which bristles a
pigtail
toupee tied with
an orange topknot.) I was just
{u21, 564}
beautifying him, don't you know. A thing of beauty, don't you
know, Yeats says, or I mean, Keats says.
JOHN EGLINTON
(Produces a greencapped dark lantern and flashes it towards
a corner:º with carping
accent.) Esthetics and cosmetics are for the boudoir. I am out for truth.
{u22, 480}
Plain truth for a plain man. Tanderagee wants the facts and means to get them.
(In the cone of the searchlight behind the coalscuttle|12,12| ollave, holyeyed, the bearded figure of (errMananaun Mananaanºerr) MacLirº broods, chin on knees. He rises slowly. A cold seawind blows from his druid mantle. About his head writhe eels and elvers. He is encrusted with weeds and shells.º His right hand holds a bicycle pump. His left hand grasps a huge crayfish by its two talons.)
(errMANANAUN MANANAANºerr) MACLIRº
(With a voice of waves.) Aum! Hek! Wal! Ak! Lub! Mor! Ma! White yoghin of the godsº. Occult pimander of Hermes Trismegistos. (With a voice of whistling seawind.) Punarjanam patsypunjaub! I won't have my leg pulled. It has been said by one: |7hum7| beware the left, the cult of Shakti. (With a cry of stormbirds.) Shakti,º Shiva|13,!º13| |13dark Dark13| hidden Father! (He smites with his bicycle pump the crayfish in his left hand. On its cooperative dial glow the |1212 twelve12| signs of the zodiac. He wails with the vehemence of the ocean.) Aum! Baum! Pyjaum! I am the light of the homestead!º I am the dreamery creamery butter.
(A skeleton judashand strangles the light. The green light wanes to mauve. The gasjet wails whistling.)
THE GASJET
Pooah! Pfuiiiiiii!º
(Zoe runs to the chandelier and, crooking her leg, adjusts the mantle.)
{u21, 565}
ZOE
Who has a fag as I'm here?
LYNCH
(Tossing a cigarette on to the table.) Here.
ZOE
(Her
head perched aside in mock pride.) Is that the way to hand the
pot to a lady? (She stretches up to light the cigarette over the
flame, twirling it slowly, showing the brown tufts of her armpits. Lynch with
his poker lifts boldly a side of her slip. Bare from her garters up her flesh
appears under the sapphire a nixie's green. She puffs calmly at her
cigarette.) Can you see the beauty spot of my behind?
{u22, 481}
LYNCH
I'm not looking.
ZOE
(Makes sheep's eyes.) No? You wouldn't do a less thing. Would you suck a lemon?
(Squinting
in mock shame she glances with sidelong meaning at
Bloom,º then twists round towards
him, pulling her slip free of the poker. Blue fluid again flows over her flesh.
Bloom stands, smiling desirously, twirling his thumbs. Kitty Ricketts
licks her middle
finger with her spittle and,º
gazing in the mirror,
smooths both
eyebrows. Lipoti Virag,
basilicogrammate,
chutes rapidly down through the chimneyflue and
struts two steps
to the left on gawky
pink stilts. He is
sausaged into several overcoats and wears a brown macintosh under which he holds
a roll of parchment. In his left eye flashes the
monocle of Cashel
Boyle O'Connor Fitzmaurice
Tisdall Farrell.
On his head is perched an Egyptian pshent. Two quills project over his ears.)
{u21, 566}
VIRAG
(Heels together, bows.) My name is Virag,º Lipoti, of Szombathely. (He coughs thoughtfully, drily.) Promiscuous nakedness is much in evidence hereabouts, eh? Inadvertently her backview revealed the fact that she is not wearing those rather intimate garments of which you are a particular devotee. The injection mark on the thigh I hope you perceived? Good.
BLOOM
Granpapachi. But …
VIRAG
Number two on the other hand, she of the cherry rouge and coiffeuse white, whose hair owes not a little to our tribal elixir of gopherwood,º is in walking costume and tightly staysed by her sit, I should |v12say opinev12|. Backbone in front, so to say. Correct me but I always understood that the act so performed |7by |12skittish12| humans7| with glimpses of lingerie appealed to you in virtue of its exhibitionististicicity. In a word. Hippogriff. Am I right?
BLOOM
She is rather lean.
{u22, 482}
VIRAG
(Not unpleasantly.)
|7Absolutely!7|
Well observed and those pannier pockets of the skirt and slightly pegtop effect
are devised to suggest bunchiness of hip. A new purchase at some
monster sale for
which a gull has been mulcted.
Meretricious
finery to deceive the eye. Observe the attention to details of dustspecks.
Never put on
|12you12|
tomorrow what you can wear today.º
Parallax|13!º13|
(With a nervous twitch of his head.)
Did you hear my brain go snap? Pollysyllabax!
{u21, 567}
BLOOM
(An elbow resting in a hand, a forefinger against his cheek.) She seems sad.
VIRAG
(Cynically, his weasel teeth bared yellow, |6draws down his left eye withº a finger and6| barks hoarsely.) Hoax! Beware of the flapper and bogus mournful. Lily of the alley. |12All possess bachelor's button discovered by Rualdus Columbus. Tumble her. |13Tumble Columble13| her.12| Chameleon. (More genially.) Well then, permit me to draw your attention to item number three. |6|12We stock all brands, mild, medium and strong.12|6| There is plenty of her |12visible to the naked eye12|. Observe the mass of oxygenated vegetable matter on her skull. What ho, she bumps! The ugly duckling of the party|12 …, longcasted and deep in keel.12|
BLOOM
(Regretfully.) When you come out without your gun.
VIRAG
We can do you all brands(err,ºerr) mildº, medium and strong. |14Pay your money, take your choice.14| How happy couldº you be with either …
BLOOM
With …?º
VIRAG
|7(His
tongue upcurling.)
Lyum!7| Look.
Her beam is
broad. Sheº is coated with quite a
considerable layer of fat. Obviously mammal
|7in
weight of
bosom7| you remark
that she has in front well to the fore two protuberances of very respectable
dimensions|12,12|
|7inclined
to fall in the noonday
soupplate,7| while
on her rere lower down are two additional
protuberances|12, suggestive
of potent rectum
and12|
|7tumescent
for
palpation7|
which leave nothing to be desired save compactness.
{u22, 483}
Such fleshy parts
{u21, 568}
are the product of careful nurture. When
coopfattened
their livers reach an
elephantine size.
Pellets of new bread with fennygreek and
gumbenjamin
swamped down by potions of green tea endow them during their brief existence
with natural pincushions of quite colossal blubber. That suits your book, eh?
|14Fleshhotpots of Egypt to
hanker
after.14| Wallow
in it. Lycopodium. (His throat twitches.)
|6Slapbang!6|
There he goes again.
BLOOM
The stye I dislike.
VIRAG
(Arches his eyebrows.) Contact with a goldring, they say. |7Argumentum ad feminam, as we said in old Rome and ancient Greece |12in the consulship of Diplodocus and Ichthyosaurosº12|.7| For the rest Eve's sovereign remedy. Not for sale. Hire only. Huguenot. (He twitches.) It is a funny sound. (He coughs encouragingly.) But possibly it is only a wart. I presume you |12remember shall have remembered12| what I will |12teach have taught12| you on that head? Wheatenmeal with honey and nutmeg.
BLOOM
(Reflecting.) |12Wheatenmeal with lycopodium and syllabax.12| This searching ordeal. It has been an unusually fatiguing day, a chapter of accidents. Wait. I mean, wartsblood spreads warts, you said …
VIRAG
(Severely, his nose
hardhumped,º his side eye
winking.) Stop twirling your thumbs and have a good old thunk.
|7See,
you have
forgotten.7|
Exercise your mnemotechnic.
|6La
causa è santa. La causa è
santa.6| Tara.
Tara.
|12(Aside.)12|
He will surely remember.
{u21, 569}
BLOOM
Rosemary also did I understand you to say or willpower over parasitic tissues. Then nay no I have an inkling. |12The touch of a deadhand cures.12| Mnemo?
VIRAG
(Excitedly.) I say so. I say so. E'en so. Technic.
(He taps his parchment roll energetically.)
This book tells
you how to act with all
descriptive
particulars. |12Consult
index for agitated
fear of aconite, melancholy of muriatic,
priapic
pulsatilla.12|
|7I
am Virag
is7|
going to talk
about
amputation.
Our old friend
caustic.
{u22, 484}
They must be starved. Snip off with horsehair under the denned neck.
But|12,12|
to change the venue to the
Bulgar and the
Basque,º have you made up your mind
whether you like or dislike women in male
habiliments(err?ºerr)
(With a dry snigger.) You intended
to devote an entire
year to the study of the religious problem and the summer months of
|err1882
1886ºerr|
to square the circle and win that million.
Pomegranate!
From the sublime to
the ridiculous is but a step. Pyjamas, let us say?
|6Or
stockingette
gussetted knickers,
closed?6|
Or|7,
put
|14we14|
the case,7| those
complicated combinations,
camiknickers?
(He crows derisively.) Keekeereekee!
(Bloom surveys uncertainlyº the three whores,º then gazes at the veiled mauve light, hearing the everflying moth.)
BLOOM
I wanted then to have now concluded. |6Nightdress was never.6| Hence this. But tomorrow is a new day will be. Past was is today. What now is will then morrowº as now was be past yester.
VIRAG
(Prompts into his ear
inº
a pig's
whisper.)
Insects of the day
spend their brief existence in reiterated coition, lured by the smell of the
|7inferiorly
pulchritudinous7|
|7female
fumaleº
more than by her
pulchritude7|
|12possessing
extendified
pudendal
nerveº in
{u21, 570}
dorsal region12|.
Pretty Poll! (His
yellow parrotbeak
gabbles nasally.) They had a proverb in the Carpathians in or about the
year five thousand
|12six
five12| hundred
|12and
fifty12| of our era.
One tablespoonful of honey will attract friend
Bruin more than
half a dozen barrels of first choice malt vinegar.
|12Bear's
buzz bothers
bees.12| But of
this apart. At another time we may resume. We were very
pleased|6.,6|
we others. (He
coughs
and|13,º13|
bending his
brow|13,13|
rubs his nose thoughtfully with a scooping hand.) You shall find that
these night insects
follow the light. An illusion for remember their complex unadjustable eye.
|7|aAll
For alla| these knotty points
see the seventeenth
book of my Fundamentals of
Sexology or
the Love Passion
which Doctor L.B.
says is the book sensation of the
year.7|
Some|6,
to
example,6| there
are again whose movements are automatic. Perceive. That is his appropriate sun.
Nightbird nightsun nighttown. Chase me, Charley!
(5(He
blows into
Bloom's
ear.)5)
Buzz!º
BLOOM
Bee or
bluebottle too
other day butting shadow on wall dazed self then me wandered dazed down shirt good job I …
{u22, 485}
VIRAG
(His face impassive, laughs in a rich feminine key.)
Splendid! Spanish
fly in his fly or mustard plaster
|12put
some life in it on his
dibble12|.
(He gobblesº gluttonously with
turkey wattles.) Bubbly jock! Bubbly jock! Where are we? Open Sesame! Cometh
forth! (He unrolls his parchment rapidly and
reads|6,6|
his glowworm's nose running backwards over the letters which he
claws.) Stay, good friend.
|12I
bring thee thy
answer.12| Redbank
oysters will shortly
be upon us.
|7I'm
the best
o'cook.7|
Those succulent
bivalves may help us and the
truffles of
Perigord, tubers dislodged
|14by
the through
mister14| omnivorous
porker, were unsurpassed in cases of nervous debility
|12or
viragitis12|.
Though they stink yet they sting. (He wags his head with
cackling
raillery.) Jocular. With my eyeglass in my ocular.
(5(He
sneezes.)
Amen!5)º
{u21, 571}
BLOOM
(Absently.) |12Ocularly12| |12Woman's woman's bivalve12| case is worse. Always open |12sesame12|. |7The cloven sex.7| Why they fear vermin, creeping things. Yet Eve and the serpent contradictsº. Not a historical fact. Obvious analogy |7to my idea7|. Serpents too are gluttons for woman's milk. Wind their way through miles of |12omnivorous12| forest to |12suck sucksucculent12| her breast dry. Like those |12bubblyjocular12| Roman matrons one reads of in |12Elephantulus Elephantuliasis12|.
VIRAG
(His mouth projected in hard wrinkles, eyes stonily forlornly closed, psalms in outlandish monotone.) That the cowsº with |12the their12| those distended udders that they have been the |14the14| known …
BLOOM
I am going to scream. I beg your pardon. Ah? So.º (He repeats.) Spontaneously to seek out the saurian's lair in order to entrust their teats to his avid suction. Ant milks aphis. (Profoundly.) Instinct rules the world. In life. In death.
VIRAG
(Head askew, arches his back and
hunched
wingshoulders|12,12|
peers at the moth out of blear bulged
eyes|12,12|
points a
|6horning6|
claw and
cries.)
|12Who's
moth moth? Who's Ger
Ger?º12|
Who's dear Gerald?
(5Dear
Ger, that you? O dear, he is
Gerald.5)º
O, I
|12much12|
fear he shall be
|12most12|
badly burned.º
|7Will some
|13pleashe13|
pershon not now
impediment so
|13catastrophe
catastrophics13|
mit agitation of
firstclass
tablenumpkin?
|14(He
mews.)14|
Pussº
puss puss
puss!7| (He
sighs,º
draws back and
stares sideways down with dropping underjaw.) Well, well. He doth rest
anon.
(5(He
snaps his jaws suddenly on the
air.)5)º
{u22, 486}
THE MOTH
I'm a tiny tiny thing
Ever flying in the spring
{u21, 572}
Round and round a ringaring.
Long ago I was a
king|12,º12|
Now I do this kind of thing
On the wing, on the wing!
Bing!
(He rushes against the mauve shade,º flapping noisily.)
Prettyº pretty pretty pretty pretty pretty petticoats.
(From left upper entrance with two glidingº steps Henry Flower comes forward to left front centre. He wears a dark mantle and drooping plumed sombrero. He carries a silverstringed inlaid dulcimer and a longstemmed bamboo Jacob's pipe, its clay bowl fashioned as a female head. He wears dark velvet hose and silverbuckled pumps. He has the romantic Saviour's face with flowing locks, thin beard and moustache. His spindlelegs and sparrow feet are those of the tenor Mario, prince of Candia. He settles down his |14goffered14| ruffs and moistens his lips with a passage of his amorous tongue.)
HENRY
(In a low dulcet voice, touching the strings of his guitar.) There is a flower that bloometh.
(Virag truculent|12,12| his jowl set|12,12| stares at the lamp. Grave Bloom regards Zoe's neck. Henry gallant turns with (errpendant pendentºerr) dewlap to the piano.)
STEPHEN
(To himself.)
Play with your eyes
shut. Imitate
pa. Filling my
belly with husks of swine. Too much of this.
I will arise and go
to my. Expect this
is the. Steve,
thou art in a parlous way.
Must visit
old Deasy or
|12write
telegraph12|.
Our interview of this morning has left on me a deep impression. Though our ages.
|7Will
write fully
tomorrow.7|
I'm partially
drunk, by the way.º (He touches
the keys again.) Minor chord comes now. Yes. Not much however.
{u21, 573}
(Almidano
Artifoni holds
out a batonroll of music with vigorous
|12moustacework
moustachework12|.)
{u22, 487}
ARTIFONI
|12Ci refletta. Lei rovina tutto. Ci rifletta. Lei rovina tutto.12|
|14FLORRIE FLORRY14|
Sing us something. Love's old sweet song.
STEPHEN
No voice. I am a most finished artist. Lynch, did I show you the letter about the lute?
|14FLORRIE FLORRY14|
(Smirking.) The bird that can sing and won't sing.
(The Siamese twins, Philip Drunk and Philip Sober, two Oxford dons with lawnmowers, appear in the window embrasure. Both are masked with Matthew Arnold's face.)
PHILIP SOBER
Take a fool's advice. All is not well. Work it out with the buttend of a pencil, like a good young idiot. Three poundsº twelve you got, two notes, one sovereign, two crowns, if youth but knew. Mooney's en ville, Mooney's sur mer, the Moira, Larchet's, Holles street hospital, Burke's. Eh? I am watching you.
PHILIP DRUNK
(Impatiently.) Ah, bosh, man.
Go to
hell|12.!12|
I paid my way.
If I could only find out about octaves. Reduplication of personality.
Who was it told me
his name? (His lawnmower begins to purr.) Aha, yes. Zoe mou sas
agapo. Have a
notion I was here before.
When was it not
Atkinson his card I have somewhere. Mac somebody.
Unmackº
I have it. He told me
about, hold on, Swinburne, was it, no?
{u21, 574}
|14FLORRIE FLORRY14|
And the song?
STEPHEN
Spirit is willing but the flesh is weak.
|14FLORRIE FLORRY14|
Are
you out of Maynooth?
You're like someone I knew once.
{u22, 488}
STEPHEN
Out of it now.º (To himself.) Clever.
PHILIP DRUNK AND PHILIP SOBER
(Their lawnmowers purring with a rigadoon of grasshalms.) Clever ever. Out of it|12.12| |12out Out12| of it.º By the (errbye byºerr) have you the book, the thing, the ashplant? Yes, there it, yes. Cleverever outofitnow. Keep in condition. Do like us.
ZOE
There was a priest down here |12on Monday two nights ago12| to do his bit of business with his coat buttoned up. You needn't try to hide, I says to him. I know you've a Roman collar.
VIRAG
Perfectly logical from his standpoint.
|12Fall
of man.12|
(Harshly, his pupils waxing.) To hell with the
pope|13.!13|
Nothing new under the sun.
I am the Virag
who disclosed the
Sex
Secretsº of Monks and
Maidensº. Why I left the
churchº of Rome. Read the Priest, the
Woman and the Confessional. Penrose.
Flipperty Jippert.
(6(He wriggles.)
Woman|12,
undoing12|
with sweet pudor
|12her
belt of
rushrope,12|
offers her allmoist
yoni to man's
|7linga
lingam7|.
Short time after man
presents woman with pieces of
|14jungle14|
meat. Woman shows joy and covers herself with featherskins.
{u21, 575}
Man loves her yoni fiercely with big
|7linga
lingam, the stiff
one7|. (He
cries.)
|7Coactus
volui. Coactus
volui.7|
Then giddy woman
will run about. Strong man graspsº
woman's wrist.
Woman squeals, bites, spucks. Man, now
|12fierce12|
angry, strikes
woman's fat yadgana.
(He chases his
tail.)
Piffpaff!
Popo! (He
stops, sneezes.) Pchp!
|12(He
worries his
butt.) Prrrrrht!12|6)
LYNCH
I hope you gave the good father a penance. Nine glorias for shooting a bishop.
ZOE
(Spouts walrus smoke through her nostrils.) He couldn't get |12a12| connection. Only, you know, sensation. A dry rush.
BLOOM
Poor man!
{u22, 489}
ZOE
(Lightly.) Only for what happened him.
BLOOM
How?
VIRAG
(A diabolic rictus of black luminosity contracting his
visage|13,13|
cranes his
scraggy neck forward. He lifts a mooncalf nozzle and howls.)
|12Verfluchte
Goim! Verfluchte
Goim!12| He had a
father, forty fathers. He never existed.
|12Pig
God!12| He had two
left feet. He was Judas Iacchiaº,
|12the
a12|
Libyanº eunuch, the pope's bastard.
(He leans out on tortured forepaws, elbows bent rigid, his eye agonising in
his flat
|13skull
neck
skullneck13|
and yelps over the mute world.)
A son of a whore. Apocalypse.
{u21, 576}
KITTY
And Mary Shortall that was in the lock with the pox she got from Jimmy Pidgeon in the blue caps had a child off him that couldn't swallow and was smothered |7with the convulsions7| in the mattress and we all subscribedº for the funeral.
|14PHILIP DRUNK
|a(Gravely.)a| Qui vous a mis dans cette fichue position, Philippe?
PHILIP SOBER
(Gaily.) C'était le sacré pigeon, Philippe.14|
(|14She Kitty14| unpins her hat and sets it down calmly, patting her henna hair. And a prettier, a daintier head of winsome curls was never seen on a whore's shoulders. Lynch puts on her hat. She whips it off.)
LYNCH
(Laughs.) And to such delights has Metchnikoff inoculated anthropoid apes.
|14FLORRIE FLORRY14|
(Nods.) Locomotor ataxy.
ZOE
(Gaily.) O, my dictionary.
{u22, 490}
LYNCH
Three wise virgins.
VIRAG
(|12Profuse
Agueshakenº,
profuse12|
yellow spawn
foaming over his
bony epileptic
lips.) She
sold
lovephiltres,
whitewax,
orangeflowerº.
Panther, the
{u21, 577}
Roman centurion, polluted her
|7with
his
genitories7|.
(He sticks out a flickering phosphorescent scorpion
tongue|12,12|
|6his hand on his
fork6|.)
|6Messiah!6|
He burst her tympanum.
|14(With
gibbering
baboon's cries he jerks his hips in the
cynical
spasm.) Hik! Hek! Hak! Hok! Huk! Kok! Kuk!14|
(Ben Jumbo Dollard, rubicund, musclebound, hairynostrilled, hugebearded,º cabbageeared, shaggychested, shockmaned, fatpapped, stands forth, his loins and genitals tightened into a pair of black bathing bagslops.)
BEN DOLLARD
(Nakkering |12castagnette castanet12| bones in his huge padded paws|12,12| yodels jovially in base barreltone.) When love absorbs my ardent soul.
(Theº virgins,º Nurse Callan and Nurse Quigley,º burst through the ringkeepers and the ropes and mob him with open arms.)
THE VIRGINS
(Gushingly.) Big Ben! Ben |v5my Macv5| Chree!º
A VOICE
Hold that fellow with the bad breeches.
BEN DOLLARD
(Smites his thigh in abundant laughter.) Hold him now.
HENRY
(Caressing on his breast a severed female head, murmurs.) Thine heart, mine love. |14(He plucksº his lutestrings.) When first I saw …14|
VIRAG
(Sloughing
his skins, his multitudinous plumage
moulting.)
Rats! (He
yawnsº showing a coalblack
throat and closes his jaws by an upward push
{u21, 578}
of his parchment
{u22, 491}
rollº.) After having said
which I took my departure. Farewell. Fare thee well.
|7|12Dreck!
Dreck!12|7|
(Henry Flower combs his moustache and beard rapidly with a pocketcomb and givesº a cow's lick to his hair. Steered by his rapierº he glides to the door|14, his wild harp slung behind him14|. Virag reaches the door in two ungainly stilthops|14, his tail cocked,14| and deftly claps sideways on the wall a pusyellow flybill|14, butting it with his head14|.)
THE FLYBILL
K. 11. Post No Bills.º Strictly |12Confidential confidential12|. Dr Hy Franks.
HENRY
All is lost now.
(Virag unscrews his head in aº trice and holds it under his arm.)
VIRAG'S HEAD
(Exeunt severally.)
STEPHEN
(Over his shoulder to Zoe.) You would have preferred the fighting parson who founded the protestant error. But beware Antisthenes, the dog sage, and the last end of Arius Heresiarchus. The agony in the closet.
LYNCH
All one and the same God to her.
STEPHEN
(Devoutly.) And
sovereignº
Lord of all things.
{u21, 579}
|14FLORRIE FLORRY14|
(To Stephen.) I'm sure you'reº a spoiled priest. |13Or a monk.13|
LYNCH
He is. A cardinal's son.
{u22, 492}
STEPHEN
Cardinal sin.º |13Monks of the screw.13|
(His Eminenceº Simon Stephen cardinalº Dedalus,º primateº of allº Ireland,º appears in the doorway, dressed in red soutane, sandals and socks. Seven dwarf simian acolytes|12,12| also in red|12,12| cardinal sins, uphold his train, peeping under it. He wears a battered silk hat sideways on his head. His thumbs are stuck in his armpits and his palms outspread. Round his neck hangs a rosary of corks ending on his breast in a corkscrew cross. Releasing his thumbs,º he invokes grace from on high with large wave gestures and proclaims with bloated pomp.)º
THE CARDINAL
Conservio lies captured
He lies in the
lowest
|6dungeons
dungeon6|
With manacles and chains around his limbs
Weighing upwards of three tons.
(He looks at all for a moment,º his right eye closed tight, his left cheek puffed out. Then, unable to repress his merriment, he rocks to and fro, arms akimbo, and sings with broad rollicking humour.)º
O, the poor little fellow
Hi-hi-hi-hi-hisº legs they were yellow
He was plump, fat and heavy and brisk as a snake
But some bloody savage
{u21, 580}
To graize his white cabbage
He murdered Nell Flaherty's duckloving drake.
(A multitude of midges swarms whiteº over his robe|s5.s5| He scratches himself with crossed arms at his ribs, grimacing, and exclaims.)º
I'm suffering the agony of the damned. By the hoky fiddle,º thanks be to Jesus those funny little chaps are not unanimous. If they were they'd walk me off the face of the bloody globe.
(His head
aslantº he blesses curtly with
fore and middle
fingers|5, imparts
the Easter
kiss5| and
doubleshuffles off comically, swaying his hat from side to side, shrinking
quickly to the size of his trainbearers. The dwarf
acolytes,º
giggling,
peeping, nudging, ogling,
|5easterkissingº
,5|
{u22, 493}
zigzag
behind him. His voice is heard mellow from afar,
merciful,º male, melodious.)
|12Shall
carry my heart to thee,12|
Shall carry my heart to thee,
And the breath of the balmy night
Shall carry my heart to thee!º
(The |7doorlock trick doorhandle7| turns.)
THE |7DOORLOCK DOORHANDLE7|
Theeee!º
ZOE
(A male form passes down the creaking staircase and is heard
taking the waterproof and hat from the rack. Bloom starts forward involuntarily
and, half closing the door as he passes, takes the chocolate from his pocket and offers it nervously to Zoe.)
{u21, 581}
ZOE
(Sniffs his hair briskly.) Hmmm!º Thank your mother for the rabbits. I'm very fond of what I like.
BLOOM
(Hearing a male voice in talk with the whores on the doorstep, pricks his ears.) If it were he? After? Or because not? Or the double event?
ZOE
(Tears open the silverfoil.) Fingers was made before forks.º (She breaks off and nibbles a piece, gives a piece to Kitty Ricketts and then turns kittenishly to Lynch.) No objection to French lozenges? (He nods. She taunts him.) Have it now or wait till you get it? (He opens his mouth, his head cocked|s5.s5| She whirls the prize in left circle. His head follows. She whirls it back in right circle. He eyes her.) Catch!º
(She tosses a piece. With an adroit snap he catches it and bites it through with a crack.)
{u22, 494}
KITTY
(Chewing.) The engineer I was with at the bazaar does have lovely ones. Full of the best liqueurs. And the viceroy was there with his lady. The gas we had on the Toft's hobbyhorses. I'm giddy still.
BLOOM
(|14In Svengali's fur overcoat,14| with folded arms and Napoleonic forelock,º frowns |14in ventriloquial exorcism14| with piercing eagle glance towards the door. Then rigid with left foot advancedº he makes a swift pass with impelling fingers |14and gives the sign of past master,º drawing his right arm downwards from his left shoulder14|.) Go, go, go, |5I conjure you,5| whoever you are!º
(A male cough and tread are heard passing through the mist outside.
{u21, 582}
Bloom's features relax. He places a hand in his waistcoat
openingº calmly. Zoe offers him chocolate.)
BLOOM
(Solemnly.) Thanks.
ZOE
Do as you're bid. Here!º
(A firm heelclacking |~5tread~|5|º is heard on the stairs.)
BLOOM
(Takes the chocolate.) Aphrodisiac? |v5Tansy and pennyroyal.v5|º But I bought it. Vanilla calms|12. or?12| Mnemo. Confused light confuses memory. Red influences lupus. Colours affect women's characters, any they have. This black makes me sad. Eat and be merry for tomorrow.º (He eats.) Influence taste too, mauve. But it is so long since I. Seems new. Aphro. That priest. Must come. Better late than never. Try truffles at Andrews.
(The door opens.
Bella Cohen, a
massive whoremistress,º enters.
She is dressed in a threequarter ivory
gownº fringed round the hem with
tasselled selvedge and cools herselfº
flirting a black horn fan like
Minnie Hauck
in Carmen.
|5On her left hand are
wedding and keeper
rings.5|
Her eyes are deeply carboned. She has a sprouting moustache. Her olive face
is heavy, slightly sweated and
fullnosedº with orangetainted
nostrils. She has large pendentº beryl eardrops.)
{u22, 495}
BELLA
My word! I'm all of a mucksweat.
(She glances
roundº her at the couples. Then
her eyes rest on Bloom with hard insistence. Her large fan winnows wind towards
her heated
|~5faceneck
face,
neckº~|5|
and embonpoint. Her falcon eyes glitter.)
{u21, 583}
(Flirting quickly, then slowly.) Married, I see.
BLOOM
Yes.º Partly, I have mislaid …
THE FAN
(Half opening, then closing.) And the missus is master. Petticoat government.
BLOOM
(Looks down with a sheepish grin.) That is so.
(Folding together, rests against her leftº eardrop.) Have you forgotten me?
BLOOM
Nes. Yo.
THE FAN
(Folded akimbo against her waist.) Is me her was you dreamed before? Was then she him you us since knew? Am all them and the same now meº?
(Bella approaches, gently tapping with the fan.)
BLOOM
(Wincing.) Powerful being.
In my eyes read that slumber which women love.
{u21, 584}
THE FAN
(Tapping.) We have met. You are mine. It is fate.
{u22, 496}
BLOOM
(Cowed.) Exuberant female. Enormously I desiderate your domination. I am exhausted, abandoned, no more young. I stand, so to speak, with an unposted letter bearing the extra regulation fee before the too late box of the general |12post office postoffice12| of human life. The door and window open at a right angle cause a draught of thirtytwo feet per second according to the law of falling bodies. I have felt this instant a twinge of sciatica in my left glutear muscle. It runs in our family. Poor dear papa, a widower, was a regular barometer from it. He believed in animal heat. A skin of tabby lined his winter waistcoat. Near the end, remembering king David and the Sunamite, he shared his bed with Athos|14,14| faithful after death. A dog's spittleº as you probably … (He winces.) Ah!
(Bagweighted, passes the door.) Mocking is catch. Best value in Dub. Fit for a prince's. Liverº and kidney.
THE FAN
(Tapping.) All things end. Be mine. Now.
BLOOM
(Undecided.) All now? I should not have parted with my talisman. Rain, exposure at dewfall on the searocksº, a peccadillo at my time of life. Every phenomenon has a natural cause.
THE FAN
(Points downwards slowly.) You may.
{u21, 585}
BLOOM
(Looks downwards and perceives her unfastened bootlace.) We are observed.
THE FAN
(Points downwards quickly.) You must.
BLOOM
(With desire, with reluctance.) I can make
a true
black knot.
Learned when
{u22, 497}
I
|6served
my time and6|
worked the mail
order line for Kellett's. Experienced hand. Every knot says a lot. Let
me. In
courtesy|s5.s5|
|7I
knelt once before today. Ah!7|
(Bella raises her gown slightly and, steadying her pose, lifts to the edge of a chair a plump buskined hoof and a full pastern|13,13| silksocked. Bloom, stifflegged, (erraging ageingºerr), bends over her hoof and with gentle fingers draws out and in her laces.)
BLOOM
(Murmurs lovingly.) To be a shoefitter in Manfield'sº was my love's young dream, the darling joys of sweet buttonhooking, to lace up crisscrossed to kneelength the dressy kid footwear satinlined, so incredibly (5impossibly5)º small|13,13| of Clyde Road ladies. Even their wax model Raymonde I visited daily to admire her cobweb hose and stick of rhubarb toe, as worn in Paris.
THE HOOF
Smell my hot goathide. Feel my royal weight.
BLOOM
(Crosslacing.) Too tight?
{u21, 586}
THE HOOF
If you bungle, Handy Andy, I'll kick your football for you.
BLOOM
Not to lace the wrong eyelet as I did the night of the bazaar dance. Bad luck. Hookº in wrong tache of her|v5.v5||6|15, …15|6| person you mentioned|s5.s5| That night she met|15. …15| Now!
(He knots the lace. Bella places her foot on the floor. Bloom raises his head. Her heavy face, her eyes strike him in midbrow. His eyes grow |15dull, darker and15| pouched, his nose thickens.)
BLOOM
(Mumbles.) Awaiting your further ordersº we remain, gentlemen, …º
|13BELLA BELLO13|
(With a hard basilisk stare, in a baritone voice.) Hound of dishonour!
BLOOM
(Infatuated.) Empress!
{u22, 498}
|13BELLA BELLO13|
(His heavy cheekchops sagging.) Adorer of the adulterous rump!
BLOOM
(Plaintively.) Hugeness!
|13BELLA BELLO13|
Dungdevourer!
BLOOM
|5(With
sinews
semiflexed.)5|
|~5Magmagnificence!
Magnificence!º~|5|
{u21, 587}
|13BELLA BELLO13|
Down! (He taps her on the shoulder with his fan.) Incline feet forward! Slide left foot one pace back.º You will fall|s5.s5| You are falling. On the hands down!
BLOOM
(Her eyes upturned |15in the sign of admiration,15| closing, yapsº.) Truffles!
(With a piercing epileptic cry she sinks on all fours, grunting, snuffling, rooting at his feet:º then lies, shamming dead,º with eyes shut tight,º trembling eyelids|15, bowed upon the ground in the attitude of most excellent master15|.)
BELLO
(With bobbed hair,º |5purple gills, fat moustache rings roundº his shaven mouth,5| in mountaineer's puttees, green silverbuttoned coat |15and,15| sport skirt and alpine hat |12with moorcock's feather12|, his hands stuck deep in his breeches pockets, places his heel on her neck and grinds it in.) (6Footstool!6)º Feel my entire weight. Bow, bondslave, before the throne of your despot's glorious heels,º so glistening in their proud erectness.
BLOOM
(Enthralled|5, bleats5|.) I promise never to disobey.
BELLO
(Laughs loudly.) Holy smoke! |7You little know what's in store for you.7| I'm the Tartarº to settle your little lot |5and break you in|15.!15|5| I'll bet |16Kentucky16| cocktails all round I shame it out of you, old son. Cheek me, I dare you. If you do tremble in |s5ins5| anticipation of heel discipline to be inflicted in gym costume.
(Bloom
creeps under the sofa and peers out through the fringe.)
{u21, 588}
{u22, 499}
ZOE
(Widening her slip to screen |12him her12|.) |12He's She's12| not here.
|7BLOOM
(Closing |12his her12| eyes.) |12He's She's12| not here.7|
|15FLORRIE FLORRY15|
(Hiding |12him her12| with her gown.) |12He She12| didn't mean it, |s5Mrs Mrs5| Bello. |12He'll She'll12| be good, ma'amsirº.
|12KITTY
Don't be too hard on her, Mr Bello. Sure you won't, |asir ma'amsira|.12|
BELLO
(Coaxingly.) Come, ducky dear. |6I want a word with you|12, darling, just to administer correction12|.6| Just a little heart to heart talk, sweety|s5.s5| (Bloom puts out her timid head.) There's a good |15fellow girly15| now.º (Bello grabs her hair violently and drags her forward.) I only want to correct you for your own good on a soft safe spot. |5How's that tender behind?5| O, ever so gently|5, pet5|. |12Begin to get ready.12|
BLOOM
|7(Fainting.)7| Don't tear my …
BELLO
(Savagely.)
The nosering, |7the
pliers,7|
|5the
bastinado,5|
the hanging hook,
the knout
|7I'll
make you kiss while
the flutes
play7| like
the Nubian slave of
old|5.5|
|5You're
in for it this
time!º5|
|7I'll make you remember
me for the balance
of your
|15natural15|
life.7|
(His forehead veins swollen, his face congested.) I shall sit on your
ottoman
|5back
|12saddle-back
saddlebackº12|5|
every morning after my thumping good breakfast of Matterson's fat
hamrashersº and a bottle of
Guinness's porter.
(He belches.) And suck my thumping good
{u21, 589}
Stock Exchange cigar while I read the
|15Licensed
Victualler's Gazette Licensed Victualler's
Gazette15|.
Very possibly I shall have you slaughtered
|7and
skewered7|
in my stables and
enjoy a slice of you
|12|15with crisp crackling
from the baking tin15|
basted
and12| baked
|15like sucking
|16pin
pig16|15| with rice
and lemon |15or currant
sauce15|.
It will hurt you.
|16⇒16| (He twists her arm. Bloom |~5squeals, squeaks,º~|5| turning turtle.)
BLOOM
Don't be cruel, nurse! Don't!
{u22, 500}
|12BELLO
(Twisting.) Another!
BLOOM
(Screams.) O, it's |alike hell hell itselfa|! Every nerve in my body aches like mad!12|
BELLO
|12(Shouts.) Good, by the rumping jumping general! That's the best bit of news I heard these six weeks.12| Here, don't keep me waiting, damn you!º (He slaps her face.)
BLOOM
(Whimpers.) You're after hitting me. |5I'll tell …5|
BELLO
Hold him down, girls, till I squat on him.
ZOE
Yes.
Walk on
him|12.!12|
I will.
{u21, 590}
|15FLORRIE FLORRY15|
I will. Don't be greedy.
KITTY
No, me. Lend him to me.
(The brothel cook, Mrs Keogh, wrinkled, greybearded|s5,s5| in a greasy bib|7, men's grey and green socks|16,16|7| and brogues, floursmeared, a |12rolling pin rollingpin12| stuck with raw pastry in her bare red arm and hand, appears at the door.)
MRS KEOGH
(Ferociously.) Can I help?
(Theyº hold and pinion Bloom.)
BELLO
(Squatsº with
a grunt on Bloom's upturned face, puffing cigarsmoke, nursing a fat
leg.) I see
Keating Clay is elected vicechairmanº
of the Richmond
asylumº and by the
byº Guinness's preference shares are
at sixteen three quarters. Curse me for a fool
thatº didn't buy
that lot Craig
and Gardner told me about. Just my
infernal luck,
curse it. And that
|15God
damned
Goddamned15| outsider Throwaway at twenty
{u22, 501}
to one.º (He quenches his cigar
angrily on Bloom's ear.) Where's that
|15God
damned
Goddamned15| cursed
ashtray|5?5|
BLOOM
(Goaded, |12buttock smothered buttocksmothered12|.) O! O! Monsters! Cruel one!
BELLO
Ask
for that every ten
minutes|5.
Beg.
Prayº
for it as you never
prayed before.5|
(He thrusts out a figged fist and foul cigar.) Here, kiss that. Both.
Kiss. |12(He throws a leg
astride and,
|15squeezing
pressing15|
with horseman's
knees, calls in
a hard
voice.) Gee
up! A
cockhorse to Banbury cross. I'll ride him for
{u21, 591}
the Eclipse stakes.
|15(He bends sideways and
squeezes his
mount's
testicles
roughly, shouting.º) Ho!
Offº we pop! I'll nurse you in
proper fashion.15|
(He horserides
cockhorse, leaping in the, in the saddle.) The lady goes a pace a pace
and the coachman goes a trot a trot and the gentleman goes a gallop a gallop a
gallop a gallop.12|
|15FLORRIE FLORRY15|
(Pulls at Bello.) Let me on him now. You had enough|s5.s5| |7I asked before you.7|
|12BLOOM12|
|12(Stifling.) Can't.12|
ZOE
(Pulling at |16Florrie Florry16|.) Me.º Me. Are you not finished with him |7yet, suckeress7|?
|12BLOOM
(Stifling.) Can't.12|
BELLO
Well, I'm not. Wait. (He holds in his breath.) Curse it. Here. |12This bung's about burst.12| (|12He uncorks himself behind|15:15| then,12| contorting his features,º |12he12| farts |~5stoutly loudlyº~|5|.) Take that! |12(He recorks himself.)12| Yes, by Jingo, sixteen three quarters.
BLOOM
(A sweat breaking out over him.) Not man. |5(He sniffs.)5| Woman.
BELLO
(Stands up.) No more blow hot and cold. What you longed
for has come |15to
pass15|. Henceforth
you are unmanned and mine in earnest, a thing under the
yoke. Now for your
punishment frock.
You will shed your
male garments,
|15you15|
understand|5, Ruby
|12Cohen12|5|?
and don the shot
silk luxuriously rustling over head and shoulders.
|5Andº
quickly
too!º5|
{u21, 592}
{u22, 502}
BLOOM
(Shrinks.) Silk|12, mistress said12|! O crinkly|6!6| scrapy! Must I tiptouch it with my nails?
BELLO
(Points to his whores.) As they are now|5|~,º~|5| so will you be, wigged, |12singed,12| perfumesprayed, ricepowdered|12,12| |5with smoothshaven armpits5|. Tape measurements will be taken next your skin. You will be laced with cruel force |s5in to intos5| vicelike corsets |5of soft dove coutilleº5| with whalebone buskº to the |5diamondtrimmedº5| pelvis, the absolute outside edge, while your figure, plumper than when at large, will be restrained in nettight frocks, pretty |15two ounce15| petticoats (7and fringes7) and things stamped, of course, with my houseflag, creations of lovely lingerie (7for Alice and nice scent for Alice7). (7You Alice7) will feel the pullpull. (7Martha and Mary will be a little chilly at first in such delicate thighcasing but7) (7The the7) frilly flimsiness of lace round your bare knees will remind you …
BLOOM
(|5|~Aº~|5| charming soubrette with dauby cheeks, mustard hair and large male hands |5and nose, leering mouth5|.) I tried her things on only |~5twice onceº~|5|, a small prank, in Holles street. When we were hard upº I washed them to save the laundry bill. My own shirts I turned. It was |15pure the purest15| thrift.
BELLO
(Jeers.) Little jobs that make mother pleased, eh?
Andº showed off coquettishly
|15in your
domino15|
at the mirror behind closedrawn blinds your unskirted thighs and hegoat's
uddersº in various poses of surrender,
eh? Ho! ho!º I have to laugh! That
secondhand black
|15|16opera
top
operatop16|15|
shift
|15and short trunk
leg naughties
|16all16|15|
split
|15in
up15| the stitches at
her last rape that Mrs
Miriam Dandrade sold you from the Shelbourne hotelº, eh?
{u21, 593}
BLOOM
Miriam. Black. Demimondaine.
BELLO
(Guffaws.) Christ
Almighty|5|~,º~|5|
it's too tickling, this! You were a nicelooking
Miriam when you
|7clipped
off your backgate hairs
and7| lay swooning in
the thing across the bed
as Mrs
Dandradeº
about to be
violated by
|5lieutant
lieutenantº5|
{u22, 503}
Smythe-Smythe, Mr
Philip Augustus
Blockwell|12,12|
|~5M.P,
M.P.,º~|5|
signorº Laci Daremo, the robust tenor,
blueeyed Bert, the liftboy, Henriº Fleury
of Gordon Bennett fame,
Sheridan, the
quadroon Croesusº, the
varsity
|15wetbob15|
eight from old
Trinity,
|16Ponto,16|
her splendid Newfoundland and
Bobs,
dowager duchess of
Manorhamilton. (He guffaws again.) Christ, wouldn't it make a
|15|aManx
Siamesea|15| cat laugh?
BLOOM
|5(Her hands and features working.)5| It was Gerald converted me to be a true corsetlover when I was female impersonator in the High School play Vice Versa. It was dear Gerald. He got that kink, fascinated by sister's stays. Now |12dearest12| Gerald |15uses |apinkya| greasepaint and15| gilds his eyelids. Cult of the beautiful.
BELLO
(With wicked glee.) Beautiful! Give us a breather! When you took your seat with womanish care, lifting your billowy flounces, on the smoothworn throne.
BLOOM
Science. To compare the various joys we each enjoy.º (Earnestly.) Andº really it's better the position|15 …15| because often I used to wet …
BELLO
(Sternly.)
|5No
insubordination!º5|
The sawdust is there in the corner
{u21, 594}
for you.
|12I
gave you strict instructions, didn't
I?12|
|6Do
it
standing|7.,
sir! I'll teach
you to behave like a
jinkleman!7|6|
If I catch a trace |15on your
swaddles15|.
Aha! |15By the ass of the
Doransº15|
|7|15You'll
you'll15| find
I'm a
martinet.7|
The sins of your past are rising against you. Many. Hundreds.
THE SINS OF THE PAST
(In a medley of voices.) He
went through a form
of
|5clandestine5|
marriage
with at least one
woman in the shadow of the
Black Church.
Unspeakable messages
he telephoned
|16mentally16|
to Miss
|7Parker
Dunn7|
|5of
at an address
in5| D'Olier
streetº
|errmentallyerr|
while he presented himself indecently to the instrument
|5in the
callbox5|.
|5By word and deed he
|a|~frankly~|a|
encouragedº a
|amidnight
nocturnala|
strumpet to deposit fecal and other matter
in an unsanitary
outhouse attached to
|aunoccupied
emptya|
premises.5|
In five
|5urinals
public
conveniences5|
he wrote pencilled
messages offering his
|s5nuptual
nuptials5| partner
to all
|16strong
strongmembered16|
males. And by the
|7offensively
smelling7|
vitriol works
did he not pass night
after night by loving
|7courting7|
couples to see if
|16and what
{u22, 504}
and how much16|
he could see?
Did he not lie in
bed, the
|16hog
|agrossa|
boar16|,
gloating over a
|6nauseous6|
fragment of wellused toilet paper presented to him by a
|5nasty5|
harlot|5, stimulated by
gingerbread and a
postal order5|?
BELLO
|7(Whistles loudly.)7| |12Say, Say!12| |12what What12|º was the most revolting piece of obscenity in |5all5| your career of crime? |12Go the whole hog.12| Puke it out!º |7Be candid for once.7|
(Mute inhuman faces throng forward, leering, vanishing, gibbering, Booloohoom,º Poldy Kock, Bootlaces a penny,º Cassidy's hag, blind stripling, Larry rhinocerosº, the girl, the woman, the whore, the other|6,6| the|~5, lane the …º~|5|)
BLOOM
Don't
ask me!º
Our mutual faith.
|7Pleasants
street.7| I only
thought the half of the …
|5I
swear
|6I
on my sacred
oath6| …5|
{u21, 595}
BELLO
(Peremptorily.) Answer. Repugnant wretch! |5I insist |7upon it on knowing7|.5| |7Tell me something to amuse me, |15smut or a bloody good ghoststory or a |16bit lineº16| of poetry,15| quick, quick, quick! Where? How? What time? With how many?7| |15I give you just three seconds. One! Two …! Thr …º15|
BLOOM
(|5Docile,5| gurgles.) I |7repugnosed in repugnant rererepugnosed in rerererepugnant7| …
BELLO
(Imperiously.) |5|aGet O,º geta| out|12!,12|5| |7you skunk!7| Hold your tongue! |7Speak when you're spoken to.7|
BLOOM
(Bows.) Master! Mistress! Mantamer!
(He lifts his arms. His bangle bracelets fall.)
BELLO
(Satirically.) By day you will souse and bat our smelling underclothes|5|~,º~|5| also when we |7ladies7| are unwell|12,12| and swab out our latrines with dress pinned up |7and a dishclout tied to your tail7|.º |7Won't that be nice?7| |15(He places a ruby ring on her finger.) And there now! With this ring I thee own.15| |12Say, thank you, mistressº.
BLOOM
Thank you, mistress.
{u22, 505}
BELLO
12|
You will make the
beds, get my tub
ready, empty the
pisspots in the
different rooms, including old Mrs Keogh's the
cook's|12,12|
|6a
sandy one6|. Ay,
and rinse the seven of
them well, mind, or lap it up like champagne.
{u21, 596}
Drink me
|5piping5|
hot. Hop!
Youº will dance attendance or I'll
lecture you on your
misdeeds|5|~,º~|
Miss Ruby|7, and
spank
|15you
your
|16bare16|
bot15| right well,
miss, with the
hairbrush7|5|.
|12You'll be
taught the error of
your ways.12| At
night your wellcreamed
(errbraceletted
braceletedºerr)
hands will wear
|15twentybutton
fortythreebutton15|
gloves
|12new
powdered
newpowdered12|
with talc and
having delicately scented fingertips. For such favours knights of old laid down
their
lives(err.ºerr)
(He chuckles.)
My boys will be no end
charmed to see you so
ladylike|s5,s5|
the
colonel|s5,s5|
aboveº all,
whenº they come here the night before the
wedding |7to
|atry
fondlea|
my new
attraction in
gilded
heels7|.
Firstº I'll have a go at you myself.
A man I know on the
turf named Charles
|6Albert
Alberta6|
Marsh
|15(I
was in bed with him just now and another gentleman
|16out of the
Hanaper and Petty
Bag
office16|)15|
is on the lookout for a maid of all work at a short knock. Swell the bust.
Smile. Droop shoulders.
What offers?
|5(He points.)
For that
|7lot7|.º5|
|7|aTrained
by kindness
Trainedº
by owner to fetch
and carry,
basket in
moutha|.7|
|7(He
bares his arm and plunges it
|16up
to the elbow
elbowdeep16|
in Bloom's vulva.) There's fine depth for you! What,
boys?7|
|15That give you a
|awet
deck
hardona|?
(He shoves his arm in a
bidder's
face.) Here,º
|awet
the deck anda|
wipe it
round!15|
A BIDDER
A florin.
|12(Dillon's lacquey rings his handbell.)12|
|12THE LACQUEY
Barang!º12|
A VOICE
One and eightpence too much.º
CHARLES |12ALBERT ALBERTA12| MARSHº
Must
be
|16a16|
virgin. Good breath. Clean.
{u21, 597}
BELLO
|15(Gives
a rap with his
gavel.)15|
|7Two bar.
Rockbottom
price figure and
cheap at the
price. Fourteen
hands high.7|
Touch and
examine shis points.
Handle hrim.
This downy skin, these soft muscles, this tender flesh. If I had only my gold
piercer|~5.
And here
|15and!
And15|~|5|
quiteº easy to milk.
Three
|5newlaid5|
gallons a day.
|6A pure
{u22, 506}
stockgetter|7,
due to lay
within the
hour7|.6|
|5His
sire's milk record was a thousand
|12gallons
of whole milk12|
in forty
weeks.5|
|12Whoa, my jewel! Beg up!
Whoa! (He brands
his initial
|15C15|
on Bloom's
croup.) So! Warranted
Cohen!12| What advance
on two
bob|s5,s5|
gentlemen?
A DARKVISAGED MAN
(In disguised accent.) |5Hundred pounds |7Hundred |12Hunderd |16Hundert Hoondert16|12|7| |12pound |15pount punt15|12| |7sterling sterlink7|5|.
VOICES
(Subdued.) For the Caliph.º Haroun Al Raschid.
BELLO
(Gaily.) Right. Let them all come. The scanty|12,12| |6daringly short6| skirt|12,12| riding up at the knee to show a peep of white (errpantelette pantaletteº19)|12,12| is a potent weapon and transparent stockings|5|~,~|5| emeraldgartered|5|~,º~|5| with the long straight seam trailing up beyond the knee|12,12| appeal to the better instincts of the |15blasé blasé15| man about town. Learn the smooth |~5tapstep~|5| |6mincing6| walkº on four inch Louis |~5Quinze XVº~|5| heels, the Grecian bend with provoking croup, the thighs fluescent, knees modestly kissing. Bring all your powersº of fascination to bear on them. |15Pander to their |16Gomorrahan16| vices.15|
BLOOM
(Bends his blushing face into his armpit and simpers |5with forefinger in mouth5|.) O, I know what you're hinting at now!º
BELLO
What else are you good for, an
impotent
thing like you? (He stoops
{u21, 598}
and, peering, pokes with his fan rudely under the
|5fatfolds
fat suet
folds5| of
Bloom's haunches.) Up! Up!
Manx cat!
|7What
have we here?7|
Where's your
curly teapot
gone to or who docked
it on you|15,
cockyolly15|?
|7Sing,
|12birdie
birdy12|,
sing.7| It's
as limp
(errasºerr)
a boy of six's doing his pooly behind a
cart|15. Buy a bucket or sell
your pump.15|
(Loudly.) Can you do a man's job?
BLOOMº
Eccles streetº …
BELLO
(Sarcastically.)
I wouldn't hurt
your feelings for the world but there's a man of brawn in possession
there.
|7The
tables are
turned|14.,
my gay young
fellow!14|7| He is
something like a
|14fullgrown
outdoor14|
man.
|14Well
for you, you
muff, if you had
that weapon |15with knobs
|aand lumps and
wartsa|
all over
it15|.14|
He shot his
{u22, 507}
bolt|14.,
I can tell you!
|15Foot to foot, knee to
knee, belly to belly, bubs to
breast!15|14|
He's no eunuch.
|14A
shock of red hair he has sticking out of him behind like a furzebush!
|aWait
for nine months, my lad!
|bIt's
Holy ginger,
it'sb|
kicking and coughing
up and down in her guts
already!a|14|
That makes you wild,
don't it?
Touches the spot?
(He spits in contempt.) Spittoon!
BLOOM
I was indecently treated, I … |5Informº the police. Hundred pounds. Unmentionable. I …5|
BELLO
Would if you could|15, lame duck15|. A downpour we wantº not your drizzle.
BLOOM
To
drive me mad! Moll! I forgot! Forgive!
Moll …º We … Still …
{u21, 599}
BELLO
(Ruthlessly.) No, Leopold Bloom, all is changed by woman's will since you slept horizontal in Sleepy Hollow your night of twenty years. Return and see.
(Old Sleepy Hollow calls over the wold.)
SLEEPY HOLLOW
Rip van Wink! Rip vanº Winkle!
BLOOM
(In tattered (errmocassins moccasinsºerr) with a rusty fowlingpiece, (errtiptoing tiptoeingºerr), fingertipping, his haggard bony bearded face peering through the diamond panes, cries out.) I see her! It's she! The first night at Mat Dillon's|6.!6| But |14that dress, the green! And14| her hair is dyed gold and he …
BELLOº
(Laughs mockingly.) That's your daughter, you owl, with a Mullingar student.
(Milly Bloom, fairhaired, |16greenvested,16| slimsandalled, her blue scarf in the seawind simply swirling|15,15| breaks from the arms of her lover and calls, her young eyes wonderwide.)
MILLY
My! It's Papli! But,
O|14,14|
Papli, how old you've grown!
{u22, 508}
BELLO
Changed, eh? Our whatnot, our
writingtableº where we never wrote,
auntº Hegarty's armchair, our
classic reprints of old masters. A man and his menfriends are
living there in
clover. |15The
|aLoafer's
Rest
|16Cuckoos'
Rest Cuckoos'
Rest16|a|!15|
Why not? How many women had you,
|14eh
say14|?
|5Followingº
them up dark
streets,º
|14flatfoot,14|
exciting them by your smothered grunts.
Whatº |a,
{u21, 600}
you male
prostitutea|? Blameless
dames with parcels of
groceries.5| Turn
about. Sauce for the goose, my
gander|5,5|
O.
BLOOM
They … |15I …15|
BELLO
(Cuttingly.) Their heelmarks will stamp the Brusselette carpet you bought at Wren's auction. In their horseplay |14with Moll the romp to funread find the |15buck15| flea in her |adrawers breechesa|14| they will deface the little statue you carried home in the rain for art for art'º sake. They will violate the secrets of your bottom drawer. Pages will be torn from your handbook of astronomy to make them pipespills. And they will spit in your tenshillingº brass fender from Hampton Leedom's.
BLOOM
Ten and six. The act of |14low14| scoundrels. Let me go. I will return. I will prove …
|14A VOICE
Swear!14|
(|15He Bloom15| clenches his fists and crawls forward, a bowieknifeº between his teeth.)
BELLO
As a paying guest or a kept man? Too late. You have made |14a your14| secondbest bed and others must lie in it. Your epitaph is written. You are down and out and don't you forget it, old bean.
BLOOM
Justice! All Ireland versus one! Has nobody …?
(Heº bites his thumb.)
{u21, 601}
BELLO
Die and be damned to you if you have any sense of decency
|7or
grace
{u22, 509}
about you7|.
I can give you a rare old wine
|14that'll send you
skipping to hell and
back14|.
Sign a will and
leave us any coin you
have|v5!.v5|
If you have none see you
|15damn
well15| get it,
steal it, rob
it|6.!6|
We'll bury you in our
shrubbery
jakes where
you'll be dead and dirty with old
|15Cuck15|
Cohen|s5,s5|
|5the
cousin my
stepnephew5|
I married, the
bloody old gouty
procurator
|14and
sodomite14|
|7with a
crick in his
neck7|, and my
other |7ten
|15or
eleven15|7|
husbands|16,16|
|14whatever the buggers'
names were,14|
suffocated in the
one cesspool.
(He explodes in a loud
phlegmy
laugh.)
We'll manure
you, Mr
Flower|14!14|
(He pipes scoffingly.) Byby, Poldy! Byby,º Papli!
BLOOM
(Clasps his head.) My willpower!º Memory! I have sinned|14.!14| I have suff … (Heº weeps tearlessly.)
BELLO
(Sneers.) Crybabby! Crocodile tears!
(Bloom, broken, |15closely veiled for the sacrifice,15| sobs, his face to the earth. |14The passing bell is heard.14| |14Dark shawled Darkshawled14| figures of the circumcised, in sackcloth and ashes, stand by the wailing wall,º M. Shulomowitz, Joseph Goldwater, Moses Herzog, Harris Rosenberg, M. Moisel, J. Citron, Minnie Watchman, P.º Mastiansky, the reverendº Leopold Abramovitz, chazenº. With swaying arms they wail |15in pneuma15| over the recreant Bloom.)
THE CIRCUMCISED
(Inº dark
guttural chant |15as
they cast dead sea
fruit upon him,
no
flowers15|.)
|14Shema
Israel Adonai Elohenu Adonai Echad Shema Israel Adonai Elohenu
Adonai Echad14|.
{u21, 602}
VOICES
(Sighing.) So he's gone. Ah yes. Yes, indeed. |7Bloom? Never heard of him. No?7| Queer kind of chap. There's the widow. That so? Ah, yes.
(|15From the |asutteea| pyre the flame of gum camphire ascends. The pall of incense smoke screens and disperses.15| Out of her oakframeº a nymph with hair unbound, lightly clad in teabrown artcoloursº , descends from her grotto and passing under interlacing yewsº stands over Bloom.)
THE YEWS
(Their
leaves whispering.) Sister. Our sister. Ssh!º
{u22, 510}
THE NYMPH
(Softly.) Mortal! (Kindly.) Nay, dost not |14weep weepest14|!
BLOOM
(Crawls jellily forward under the boughsº , streaked by sunlight|14:,14| with dignity.) This position. I felt it was expected of me. Force of habit.
THE NYMPH
Mortal! You found me in evil company, highkickers, coster picnicmakersº, pugilists, popular generals, immoral panto boys in fleshtightsº and the nifty shimmy dancers, La Amoraº and Karini, |7musical act,7| the hit of the century. I was |16on hidden in16| cheap pink paper that smelt of rock oil. I was surrounded by the stale smut of clubmen, stories to disturb callow youth, ads forº transparencies, truedup dice and bustpads, proprietary articles and |7trusses for ruptures why wear a truss with testimonial from ruptured gentleman7|. Useful hints to the married.
BLOOM
(Lifts
a turtle
head towards her
lap.) We have met before. On another star.
{u21, 603}
THE NYMPH
(Sadly.) Rubber goods. Neverripº brandº as supplied to the aristocracy. Corsets for men. I cure fits or money refunded. Unsolicited testimonials for Professor Waldmann's wonderful chest exuber. My bust developed four inches in three weeks, reports Mrs Gus Rublin with photo.
BLOOM
You mean Photo Bits?
THE NYMPH
I do. You bore me away, framed me in oak and tinsel, set me above your marriage couch. Unseen, one summer eve, you kissed me in four places. And with loving pencil you shaded my eyes, my bosom and my shame.
BLOOM
(Humbly kisses her long hair.) Your classic curves, |s5Beautiful beautifuls5| immortal,º I was glad to look on you, to praise you, |14a thing of beauty,14| almost to pray.
THE NYMPH
During dark nights I heard your praise.
{u22, 511}
BLOOM
(Quickly.) Yes, yes.
|14You
mean that
I …14|
Sleep reveals the
worst side of everyone, children perhaps excepted. I know
I fell out
ofº
bed or rather
was pushed. Steel wine is said to cure snoring. For the rest there is that
English invention, pamphlet of which I received some days
ago|14, incorrectly
addressed14|. It
claims to afford a noiseless,º
inoffensive vent. (He sighs.) 'Twas ever thus. Frailty, thy name is marriage.
{u21, 604}
THE NYMPH
(Her fingers in her ears.) And words. They are not in my dictionary.
BLOOM
You understood them?
THE YEWS
Ssh!º
THE NYMPH
(Covers her face with her handsº.) What have I not seen in that chamber? What must my eyes look down on?
BLOOM
(Apologetically.) I know. Soiled personal linenº wrong side up with care. The quoits are loose. From Gibraltar by long seaº long ago.
THE NYMPH
(Bends her head.) Worse, worse!º
BLOOM
(Reflects precautiously.) That antiquated commode. It wasn't her weight. She scaled just eleven stone nine. She put on nine pounds after weaning. It was a crack and want of glue. Eh? And that absurd orangekeyed utensil which has only one handle.
(The sound of a waterfall is heard in bright cascade.)
THE WATERFALL
Poulaphouca Poulaphouca
Poulaphouca Poulaphouca.
{u21, 605}
THE YEWS
(Mingling their boughs.) Listen. Whisper. She is right,
our sister. We grew by
Poulaphouca
waterfall. We gave shade on
|16langourous
languorous16| summer days.
{u22, 512}
JOHN WYSE NOLAN
(In the background, in Irish National Forester's uniform, doffs his plumed hat.) Prosper|14.!14| Give shade on languorous days, trees of Ireland|14.!14|
THE YEWS
(Murmuring.) Who came to Poulaphouca with the High Schoolº excursion? Who left his nutquesting classmates to seek our shade?
|~5BLOOM~|5|
|~5(Scared.) High School of Poula? Mnemo? Not in full possession of faculties. Concussion. Run over by tram.~|5|
|~5THE ECHO~|5|
|~5Sham!~|5|
BLOOMº
(Pigeonbreasted, bottleshouldered, padded, in nondescript juvenile grey and black striped suit, too small for him, white tennis shoes, bordered stockings |5with turnover topsº5| and a red schoolcapº with badge.) I was in my teensº, a growing boy. A little then sufficed, a jolting car, the mingling odours of the ladies' cloakroom |5and lavatory5|, the throng penned tight on the old Royal stairs,º |14(for forº14| they love crushes, instinct of the herd|16,16| and the dark sexsmelling theatre unbridles |14vice) vice.º14| |14even Evenº14| a pricelist of their hosiery. And then the heat. There were sunspots that summer. End of school. And tipsycake. Halcyon days.
(|s5Halcon Halcyons5| Days, High Schoolº boys in blue and white football jerseys and shorts,º Master Donald Turnbull, Master Abraham Chatterton, Master Owen Goldberg, Master Jack Meredith, Master Percy Apjohn, stand in a clearing of the trees and shout to Master Leopold Bloom.)
Mackerel!
Live us again.
|16Hooray!
Hurray!16| (They cheer.)
{u21, 606}
BLOOM
(Hobbledehoy, warmgloved, mammamufflered|5,5| starredº with spent snowballs, struggles to rise.) Again! I feel sixteen! What a lark! Let's ring |5all5| the bells in Montague streetº. (He cheers feebly.) |16Hooray Hurray16| for the High School!
THE ECHO
Fool!
THE YEWS
(Rustling.) She is right, our sister. Whisper.
(Whispered kisses are heard in all the wood. Faces of hamadryads peep out
from the boles and among the leaves and
break,º blossoming into bloom.) Who profaned our silent shade?
{u22, 513}
THE NYMPH
(Coyly,º through parting fingers.) There?º In the open air?
THE YEWS
(Sweeping downward.) Sister, yes. And on our virgin sward.
THE WATERFALL
Poulaphouca Poulaphouca
Phoucaphouca Phoucaphouca.º
THE NYMPH
(With wide fingers.) O, infamy!º
BLOOM
I was precocious. Youth. The
faunaº.
|14I sacrificed to the god of
the forest.14| The
flowers that bloom in the spring. It was
pairing time.
Capillary
attraction is a natural phenomenon. Lotty Clarke,
{u21, 607}
flaxenhaired, I saw at her night toilette
throughº illclosed
curtainsº with poor papa's
operaglasses|~5:.º~|5|
The wanton
ate grass
wildly|s5.s5|
She rolled downhill at Rialto bridgeº to
tempt me with her
flow of animal
spirits. She
climbed their crooked tree and
I|~5. …~|5|
A saint
couldn't resist it. The demon
possessed me.
Besides|5|~,º~|5|
who saw?
(Staggering Bob, a whitepolledº calf, thrusts a ruminating head with humid nostrils through the foliage.)
STAGGERING BOB
Me.º Me see.
BLOOM
Simply satisfying a need. (16I16)º (With pathos.) No girl would |5when I went girling5|. Too ugly. They wouldn't play …
(High on Ben Howth through rhododendrons a nannygoatº passes, plumpuddered, buttytailed, dropping currants.)
THE NANNYGOAT
(Bleats.) |14Megegoaggegg! Megegaggegg!14| Nannannanny!
BLOOM
(Hatless,
flushed,º covered with burrs of
thistledown
and
|5gorsepine
gorsespineº5|.)
Regularly
{u22, 514}
engaged. Circumstances alter cases.º
(He gazes intently downwards on the water.)
Thirtytwo
head over heels
per second.
Press
|14Nightmare
nightmare14|.
Giddy
Elijah. Fall
from cliff. Sad end of
|14Government
government14| printer's clerk.
(Throughº
silversilent summer air the dummy of Bloom, rolled in a mummy, rolls
rotatinglyº from the Lion's
Head cliff into the purple waiting waters.)
{u21, 608}
THE DUMMYMUMMY
(Far out in the bay between Bailey and Kish lights the Erin's King sails, sending a broadening plume of coalsmoke from her funnel towards the land.)
COUNCILLOR NANNETTI
(Alone on deck, in dark alpaca, yellowkitefacedº , his hand in his waistcoatº opening, |14declaiming declaims14|.) When my country takes her place among the nations of the earth, then, and not till then, let my epitaph be written. I have …
BLOOM
Done. Prff!
THE NYMPH
(Loftily.) We immortals, as you saw today,º have not such a place and no hair there either. We are stonecold and pure. We eat electric light.º (She arches her body in lascivious crispation,º placing her forefinger in her mouth.) Spoke to me. Heard from behind. How then could you …?
BLOOM
(Pawingº the heather abjectly.) O, I have been a perfect pig. Enemas too Iº have administered. One third of a pint of infusion ofº quassia(err,ºerr) to which add a tablespoonful of rocksalt. Up the fundament. With Hamilton Long's syringe, the ladies' friend.
THE NYMPH
In my presence. The
powderpuff.
(She blushes and
makes a
knee.) And the rest!º
{u21, 609}
BLOOM
(Dejected.) Yes.
Peccavi|14.!14|
I have paid homage on that living altar where
{u22, 515}
the back changes name.º (With
sudden fervour.) For why should the dainty scented jewelled hand, the hand
that rules …?º
|14(Figures wind serpenting in slow woodland pattern around the treestems, cooeeing.)14|
THE VOICE OF KITTY
(In the thicket.) Show us one of them cushions.
THE VOICE OF |14FLORRIE FLORRY14|
Here.
(A grouse wings clumsily through the underwood.)
THE VOICE OF LYNCH
(In the thicket.) Whew! Piping hot!
THE VOICE OF ZOE
(Inº the thicket.) Came from a hot place.
THE VOICE OF VIRAG
(A birdchief, bluestreaked and feathered in war panoply with his assegai, striding through a crackling canebrake over beechmast and acorns.) Hot! Hot! Ware Sitting Bull!
BLOOM
It overpowers me.
The warm impress of
her warm form.
Even to sit where a
woman has sat, especially with divaricated thighs,
(7as though
to grant the last
favours,7) most
especially with previously well uplifted white
sateen coatpans. So womanly full. It fills me full.
{u21, 610}
THE WATERFALL
Phillaphulla|14.14|
Poulaphouca|14.14|
Poulaphouca|14.14|
Poulaphouca.º
THE YEWS
Ssh! Sister, speak|14.!14|
THE NYMPH
(Eyeless, in nun's white habit, coif and
hugewingedº wimple, softly, with remote
{u22, 516}
eyes.)
(7tranquilla
Tranquilla7) convent.
Sister Agatha.
Mount Carmel. Theº
apparitions of
Knock and
Lourdes. No more
desire(7.7)
(She reclines her head, sighing.)
Onlyº the ethereal. Where dreamy creamy gull waves o'er the waters dull.
(Bloom half rises. His back trouserbuttonº snaps.)
THE BUTTON
Bip!
(Two sluts of the Coombe dance rainily by, shawled, yelling flatly.º)
THE SLUTS
O Leopold lost the pin of his drawers
He didn't know what to do,
To keep it up,
To keep it up.
BLOOM
(Coldly.) You have
broken the
spell. The last
straw. If there were only ethereal where would you
|15all15|
be|15,
postulants and
novices15|?
Shy but
willing(err,ºerr)
like an ass pissing.
{u21, 611}
THE YEWS
(Their silverfoil of leaves precipitating, their skinny arms (erraging ageingºerr) and swaying.) Deciduously|v14.!ºv14|
THE NYMPHº
|~5(Her features hardening, gropes in the folds of her habit.)~|5| Sacrilege!º To attempt my virtue! (A large moist stain appears on her robe.) Sully my innocence! You are not fit to touch the garment of a pure woman.º (She clutches |15again15| in her robe.) Wait. Satan, you'llº sing no more lovesongs!º |15Amen. Amen. Amen. Amen. (She draws a poniard |aand, clad in the sheathmail of an elected knight of nine, strikes at his loinsa|.) Nekum!15|
BLOOM
(Starts
up, seizes her hand.) Hoy!
|15Nebrakada!15|
Cat
o'º
nine lives! Fair
play, madam. No pruningknifeº. The fox
and the grapes, is it? What do youº lack
with your barbed
wire? Crucifix not
thick enough? (He clutches her veil.) A
holy abbot you
want or Brophy, the
lame gardener,
or the spoutless statue of the
watercarrier|~5,~|5|
or good motherº Alphonsus, eh
Reynard?
{u22, 517}
THE NYMPH
(With a cryº flees from him unveiled, her plaster cast cracking, a cloud of stench escaping from the cracks.) Poli …!
BLOOM
(Calls after her.) As if you didn't get it on the double yourselves. No jerks and multiple mucosities all over you. I tried it. Your strength our weakness. What's our studfee? What will you pay on the nail? You fee mendancersº on the Riviera,º I read.º (The fleeing nymph raises a keen.) Eh? I have sixteen years of black slave labour behind me. And would a jury give me five shillings alimony tomorrowº, eh? Fool someone else, not me. (He sniffs.) Rut.º Onions. Stale. Sulphur.º Grease.
(Theº figure of Bella Cohen stands before him.)
{u21, 612}
BELLA
You'll know me the next time.
BLOOM
(Composed, regards her.) |14Passée. Passée. Mutton dressed as lamb.14| Long in the tooth and superfluousº hair. A raw onion the last thing at night would benefit your complexion. And take some double chin drill. Your eyes are as vapid as the glasseyesº of your stuffed fox. They have the dimensions of your other features, that's all. I'm not a triple screw propeller.
BELLA
(Contemptuously.) You're not game, in fact. (Her |15cunt sowcunt15| barks.) Fbhracht!º
BLOOM
(Contemptuously.) Clean your nailless middle finger first, the cold spunk of your bully is dripping from your cockscomb. Take a handful of hay and wipe yourself.
BELLA
I know you, canvasser! Dead cod!
BLOOM
I saw him, kipkeeper!
|5Pox
and gleet vendor!5|
{u22, 518}
BELLA
(Turns to the piano.) Which of you was playing theº dead march from Saul?
ZOEº
Me.
Mind your
cornflowers. (She darts to the piano and bangs chordsº
{u21, 613}
on it with crossed arms.)
The cat's
ramblesº
through the slag.
(She glances back.) Eh? Who's
making love to my
sweeties? (She darts back to the table.) What's yours is mine
and what's mine is my own.
(Kitty, disconcerted,º coats her teeth with the silver paper. Bloom approaches Zoe.)
BLOOM
(Gently.) Give me back that potato, will you?
ZOE
Forfeits, a fine thing and a superfine thing.
BLOOM
(With feeling.) It is nothing(err,ºerr) but still,º a relic of poor mamma.
ZOE
Give a thing and take it back
God'll ask you where is
that?º
You'll say you don'tº
know
God'll send you down below.
BLOOM
There is a memory attached to it. I should like to have it.
STEPHEN
To have or not to have,º that is the question.
ZOE
Here. (She hauls up a reef of her slip, revealing her bare
thigh and unrolls the potato from the top of her stocking.)
Those that hides knows where to find.
{u21, 614}
{u22, 519}
BELLA
(Frowns.) |s5There Heres5|.º This isn't a musical peepshow.º And don't you smash that piano. Who's paying here?
(She goes to the pianola. Stephen fumbles in his pocket and|14,14| taking out a banknote by its corner|14,14| hands it to her.)
STEPHEN
(With exaggeratedº politeness.) This silken purse I made out of the sow's ear of the public. Madam, excuse me. If you allow me|5|~.~|5| (He indicates vaguely Lynch and Bloom.) We are all in the same sweepstake|14, Kinch and Lynch14|. Dans ce bordel où tenons nostre état.
LYNCH
(Calls from the hearth.) Dedalus! Give her your blessing for me.
STEPHEN
(Hands Bella a coin.) Gold. She has it.
BELLA
(Looks at the money, then at Stephen,º then at Zoe, (errFlorrie Florryºerr) and Kitty.) Do you want three girls? |14Its It's14| ten shillings here.
STEPHEN
(Delightedly.) A hundred thousand apologies|5|~.~|5| (He fumbles again and takes out and hands her two crowns.) Permit, |6brevi manu brevi manu6|, my sight is somewhat troubled.
(Bella goes to the table to count the money while Stephen
talks to himself
in monosyllablesº. Zoe bends
overº the table. Kitty leans over
Zoe's neck.º Lynch gets up,
rights his cap
and(err,ºerr)
clasping Kitty's waist, adds his head to the group.)
{u21, 615}
|14FLORRIE FLORRY14|
(Strives heavily to rise.) Ow! My foot's asleep. (She limps over to the table. Bloom approaches.)
BELLA, ZOE, KITTY, LYNCH, BLOOM
(Chattering
and squabbling.) The gentleman … ten shillings …
|14Paying
paying14| for the
three …
|14Allow
allow14| me a
moment …
|14This
this14| gentleman pays
separate …
|14Who's
who's14| touching
it? …
|14Ow! …
ow …º14|
|14Mind
mind14| who
you're pinching …
|14Are
are14| you staying the night or a
{u22, 520}
short time? …
|14Who
who14|
did? …
|14You're
you're14| a liar,
excuse me … the gentleman paid down like a gentleman …
|14Drink
drink14| …
|~5Its
|14It's
it's14|~|5| long after eleven.
STEPHEN
(At the pianola, making a gesture of abhorrence.) No bottles! What, eleven? A riddle!º
ZOE
(Lifting up her pettigown and folding a half sovereign into the top of her stocking.) Hard earned on the flat of my back.
LYNCH
(Lifting Kitty from the table.) Come!
KITTY
Wait. (She clutches |s5her thes5| two crowns.)
|14FLORRIE FLORRY14|
And me?
LYNCH
Hoopla!
(He lifts her,
carries her and bumps her down on the sofa.)
{u21, 616}
STEPHEN
The fox crew, the cocks
flew|15,15|
|~5the
Theº~|5|
bells in heaven
Were striking
eleven|15.15|
'Tis time for her poor soul
To
|14go
to get out of14| heaven.
BLOOM
(Quietly lays a half sovereign on the table between Bella and |15Florrie Florry15|.) So. Allow me.º (He takes up the poundnote.) |14three times three Three times ten14|. We're square.
BELLA
(Admiringly.)
You're such a
slyboots,
old
|14cockey
cocky14|. I could kiss you.
{u22, 521}
ZOE
(Points.) Him?º Deep as a |14draw well drawwell14|.
(Lynchº bends Kitty back over the sofa and kisses her. Bloom goes with the poundnote to Stephen.)
BLOOM
This is yours.
STEPHEN
How is that? |14Le distrait Le distrait14| or absentminded beggar. (He fumbles again in his pocket and draws out a handful of coins. An object falls.) That fell.
BLOOM
(Stooping, picks up and hands a box of matches.) This.
{u21, 617}
STEPHEN
Lucifer. Thanks.
BLOOM
(Quietly.) You had better hand over that cash to me to take care of. Why pay more?
STEPHEN
(Hands him all his coins.) Be just before you are generous.
BLOOM
I will|14,14| but is it wise? (He counts.) One|14. Seven (Eleven), seven, eleven,14| and five. Six. Eleven. I don'tº answer for what you may have lost.
STEPHEN
Why striking eleven? Proparoxyton. Moment before the next Lessing says. Thirsty fox.º (He laughs loudly.) Burying his grandmother. Probably he killed her.
BLOOM
That is one poundº six and eleven. One pound seven, say.
STEPHEN
Doesn't matter a rambling damn.
BLOOM
No, but …
{u22, 522}
STEPHEN
(Comes to the table.) Cigarette, please.
|14(Lynch tosses a
cigarette from the sofa to the
table.)14| And so Georgina Johnson is dead and married.
{u21, 618}
(|14Lynch
tosses a
A14|
cigarette
|14from
the sofa to
appears
on14| the
table.º Stephen looks at it.)
Wonder
|14—.14|
Parlour magic. Married. Hm. (He strikes a match and proceeds to light the
cigarette with enigmatic melancholy.)
LYNCH
(Watching him.) You would have a better chance of lighting it if you held the match nearer.
STEPHEN
(Brings the match nearº his eye.) Lynx eyeº. Must get glasses. Broke them yesterday. Sixteen years ago. Distance. The eye seesº all flat.º (He draws the match away. It goes out.) Brain thinks. Near: far.º Ineluctable modality of the visible. (He frowns mysteriouslyº.) Hm. |15Sphinx. The beast that has two backs at midnight.15| Married.
ZOE
It was a commercial traveller married her and took her away with him.
|15FLORRIE FLORRY15|
(Nods.) Mr Lambe from London.
STEPHEN
Lamb of London|5,5| who takest away the sins of |14the our14| world.
LYNCH
(Embracing Kitty on the sofa, chants deeply.) Dona nobis pacem.
(The cigarette slips from Stephen's fingers. Bloom
picks it up and throws it inº the
grateº.)
{u21, 619}
BLOOM
Don't smoke. You ought to eat. Cursed dog I met. (To Zoe.) You have nothing?
ZOE
Is he hungry?
{u22, 523}
STEPHEN
(Extends his hand to her smiling and chants to the air of the bloodoath in Theº Dusk of the Gods.)
Hangendeº
Hunger|14,14|
Fragende
Frau|14,14|
Macht uns alle
|14Kaput
kaput14|.
ZOE
(Tragically.) Hamlet|15:,15| I am thy father's gimlet|15:!15| (She takes his hand.) Blue eyes beauty|14?14|(err,ºerr) I'll read your hand. (She points to his forehead.) No wit, no wrinkles(err.ºerr) (She counts.) Twoº, three.º Mars, that's courage. (Stephen shakes his head.) No kid.
LYNCH
Sheet lightning courage|15.15| The youth who could not shiver and shake.º (To Zoe.) Who taught you palmistry?
ZOE
(Turns.) Ask my ballocks that I haven't got. (To Stephen.) I see it in your face. The eye, like that. (She frowns with lowered head.)
LYNCH
(Laughing, slaps Kitty behind twice.) Like
that.º Pandybatº.
{u21, 620}
(Twice loudly a pandybat cracks, the coffin of the pianola flies open, the bald littleº round jack-in-the-box head of Father Dolan springs up.)
FATHER DOLAN
Any boy want flogging? Broke his glasses? Lazyº idle little schemer. See it in your eye.
(Mild, benign, rectorial, reproving, the head of Donº John Conmeeº rises from the pianola coffin.)
DON JOHN CONMEEº
Now, Father Dolan! Now. I'mº sure that Stephen is a very good little boy!º
ZOE
(Examining Stephen's palm.) Woman's hand.
{u22, 524}
STEPHEN
(Murmurs.) Continue. Lie. Hold me. Caress. I never could read |14his His14| handwriting except |14his His14| criminal thumbprint on the haddock.
ZOE
What day were you born?
STEPHEN
Thursday. Today.
ZOE
Thursday's
child has far to go. (She traces lines on his hand.)
Line of
|14Fate
fate14|. Influential friends.
{u21, 621}
|14FLORRIE FLORRY14|
(Pointing.) Imagination.
ZOE
Mount of the moon. You'll meet with a … (She peers at his hand:º abruptly.) I won't tell you what's not good for you. Or do you want to know?
BLOOM
(Detaches her fingers and offers his palm.) More harm than good. Here. Read mine.
BELLA
Show. (She turns up Bloom's hand.) I thought so|5|~.~|5| Knobby knucklesº for the women.
ZOE
(Peering at Bloom's palm.) Gridiron. Travels beyond the sea and marry money.
BLOOM
Wrong.
ZOE
(Quickly.) O, I see. Short little finger. Henpecked husband. That wrong?
(Blackº Liz, a
huge rooster
hatching in a chalked
circle, rises, stretches her wings and clucks.)
{u22, 525}
BLACK LIZ
Gara. Klook. Klook. Klook.
{u21, 622}
(Sheº sidles from her newlaid egg and waddles off.)
BLOOM
(Points to his hand.) That weal there isº an accident. Fell and cut it twentytwo years agoº. I was sixteen.
ZOE
I see, says the blind man. Tell us news.
STEPHEN
See? Moves to one great goal. I am (5twentytwo. Sixteen years ago he was5)º |14twenty two twentytwo14| too. Sixteen years ago I |14twenty two twentytwo14| tumbled|14.,º14| |14Twenty two twentytwoº14| years ago he sixteen fell off his hobbyhorse(err.ºerr) (He winces.) Hurt my hand somewhere. Must see a dentist. Money?
(Zoe whispers to |14Florrie Florry14|. They giggle. Bloom releases his hand and writes idly on the table in backhand|s5, pencillings5| |s5with finals5| slow curves.)
|14FLORRIE FLORRY14|
What?
(A hackneycar, number |5blank, three hundred and twentyfour,5| with a gallantbuttockedº mare, driven by James Barton, Harmony avenueº , Donnybrook, trots past. Blazes Boylan and Lenehan sprawl swaying on the sideseats. The Ormond boots crouches behind on the axle. Sadly over the crossblind Lydia Douce and Mina Kennedy gaze.)
THE BOOTS
(Jogging, mocks them with thumb and wriggling wormfingers.) Hawº haw|5,5| have you the horn?
(Bronze by gold they whisper.)º
{u21, 623}
ZOE
(To |14Florrie Florry14|.) Whisper.
|15⇒15| (|v5She whispers They whisperv5| again.)
(Over the well of the car
Blazes Boylan
leans, his
(7strawhat
boater
strawº7)
set sideways, a red flower in his mouth.
Lenehan(5,5)
in
(5a5)
yachtsman's cap and
{u22, 526}
white
shoes(5,5)
officiously detaches a long hair from Blazes Boylan's
|v5coatv5|
shoulder.)
LENEHAN
Ho! What do I here behold? Were you brushing the cobwebs off a few quims?
BOYLAN
(Sated, smiles.) Plucking a turkey.
LENEHAN
BOYLAN
(Holding up four thick |5ungulated bluntungulated5| fingers, winks.) Blazes Kate! Up to sample or your money back(7.7) (He holds out a forefinger.) Smell that.
LENEHAN
(Smells gleefully.) Ah! Lobster and mayonnaise. Ah!
ZOE AND |14FLORRIE FLORRY14|
(Laugh together.) Ha ha ha ha.
BOYLAN
(Jumps surely from the car and calls loudly for all to
hear.) Hello,
Bloom|6.!6|
Mrs Bloom
dressedº
yet?
{u21, 624}
BLOOM
(In |5flunkey'sº5| |v5prune plumºv5| plush coat and kneebreeches, buff stockings and powdered wig.) I'm afraid not, |v5sir. The sir, theºv5| last articles …
BOYLAN
(Tosses him sixpence.) Here(7, to buy yourself a gin and splash7). |14(He hangs his hat smartly on a peg of Bloom's antleredº head.)14| Show me in. I have a little private business with your wife|v5, you. Youv5| understand?
BLOOMº
Thank you, sir. Yes,
sir.º
|14Madame
Madam14|
Tweedy is in her
bath|5,
sir5|.
{u22, 527}
MARION
He ought to feel himself highly honoured|5|~.~|5| (She plops splashing out of the water.) Raoulº darling, come and dry me. I'm in my pelt. Only my new hat and a |15muff carriage sponge15|.
BOYLAN
(A merry twinkle in his eye.) Topping!
BELLA
What? What is it?
(Zoe whispers to her.)
MARION
Let him look, the pishogue! Pimp! |5And scourge himself! I'll write to a powerful prostitute |15or |aBartholomona,a| the bearded woman|a,a|15| to raise weals |14out14| on him |15an inch thick15| |7and make him bring me back a signed |15and stamped15| receipt7|.5|
|v5BOYLANv5|
|v5(clasps
himself) Here, I
can't hold this
little lot much longer. (he strides off on
stiff cavalry
legs)v5|
{u21, 625}
BELLA
(Laughing.) Ho ho ho ho.
BOYLAN
(To Bloom, over his shoulder.) You can apply your eye to the keyhole |7and play with yourself |15while I |ajusta| go through |ahera| a few times15|7|.
BLOOM
Thank you, sir. I will, sir. |7May I bring two men chums to |14witness |15it the deed15| and14| |asee take a snapshota|?7| (He holds outº an ointment jar.) Vaseline|7, sir7|? |15She!15| Orangeflower|15?15| … Lukewarm water|15?15| …
KITTY
(From the sofa.) Tell us, |14Florrie Florry14|. Tell us. What …
(|15Florrie Florry15| whispers to her. Whispering lovewords murmur,º liplapping loudly, poppysmic plopslop.)
MINA KENNEDY
(Her eyes upturned.) O, it must be like the scent of
geraniums and lovely peaches! O,
he simply
idolises
|15every
bit of15|
her!
|7Stuck
together|14.!14|7|
Covered with kisses!
{u22, 528}
LYDIA DOUCE
(Her mouth opening.) Yumyum. |7O, he's carrying her round the room doing it|14.!14| Ride a cock horse.7| You could hear them in Paris and New York. Like mouthfuls of strawberries and cream.
KITTYº
(Laughing.) Hee hee hee.
{u21, 626}
BOYLAN'S VOICE
(Sweetly, hoarsely, in the pit of his stomach.) Ah! Godblazegrukbrukarchkhrasht!º
MARION'S VOICE
(Hoarsely, sweetly,º rising to her throat.) O! Weeshwashtkissinapooisthnapoohuck!º
BLOOM
(His eyes wildly dilated, clasps himself.) Show! Hide! Show! |7Plough her!7| More! |7Shoot!7|
BELLA, ZOE, |14FLORRIE, FLORRY,14| KITTY
LYNCH
(Points.) The mirror up to nature|s5.s5| (He laughs.) Hu hu hu hu hu!º
(Stephen |v5& andv5| Bloom gaze in the mirror. The face of William Shakespeare, beardless, appears there, rigid in facial paralysis, crowned by the reflection of the reindeer antlered hatrack in the hall.)
SHAKESPEARE
(In dignified ventriloquy.) 'Tis the loud laugh bespeaks the vacant mind|5|~.º~|5| (To Bloom.) |14You thought you were Thou thoughtest as how thou wastest14| invisible. Gaze. |15(He crows with a |ablacka| capon's laugh.) Iagogo! |aWhy How mya| Oldfellow chokit his Thursdaymornunº. Iagogogo!15|
BLOOM
(Smiles yellowly at the
|v5threev5|
whoresº.) When will I hear the joke?
{u21, 627}
{u22, 529}
ZOE
Before you're twice married and once a widower.
BLOOM
Lapses are condoned. Even the great Napoleon|s5,s5| when measurements were taken nextº the skin after his death …
(|14The Mrs Dignam,14| widow |v5Dignam womanv5|, her snubnose and cheeks flushed with deathtalk, tearsº and (errTunny's Tunney'sºerr) tawny sherry, hurries by in her weeds, her bonnet awry|15, |16rouging and powdering her cheeks, lips and nose|err,º19|16| |aa pena| chivvying her brood of cygnets15|. Beneath her skirt appear her late husband's everydayº trousers and turnedup boots, large eights. She holds a Scottish Widows'º insurance policy and aº large marquee umbrellaº under which her brood runº with her, Patsy(err,err)º hopping on one shodº foot, his collar loose, a hank of porksteaks dangling, Freddy(err,err)º whimpering, Susy with a crying cod'sº mouth, Aliceº struggling with the baby. She cuffs them on, her streamers flaunting aloft.)
FREDDY
Ah, ma, you're dragging me along!
SUSY
Mamma, the beeftea is fizzing over!
SHAKESPEARE
(With paralytic rage.) Weda seca whokilla farst.
(The face of Martin Cunningham, bearded, refeatures
Shakespeare's beardless face. The marquee
umbrellaº sways drunkenly, the
children run aside. Under the umbrella appears Mrs Cunningham in merry
widowº hat and kimono gown. She
glides sidling
and bowing, twirlingº japanesily.)
{u21, 628}
MRS CUNNINGHAM
(Sings.)
And they call me the |14Jewel jewel14| of Asia!º
MARTIN CUNNINGHAM
(Gazes on her,º
impassive.)
Immense|14.!14|
Most bloody awful demirep!
{u22, 530}
STEPHEN
|14Et exaltabuntur cornua iusti Et exaltabuntur cornua iusti14|. Queens lay with prize bulls|s5.s5| |14|aRemember Pasiphae for whose lust my grandoldgrossfather made the first confessionbox.a| Forget not Madam Grissel Steevens nor the suine scions of the house of Lambert. And Noah was drunk with wine. And his ark was open.14|
BELLA
None of that here. Come to the wrong shop.
LYNCH
Let him alone. He's back from Paris.
ZOE
(Runs to Stephen and links him.) O go on! Give us some |~5parley voo |14parley vous parleyvoo14|~|5|.
(Stephen claps hat on head and leaps over to the fireplaceº where he stands with shrugged shoulders, finny hands outspread, a painted smile on his face.)
LYNCH
(Pommelling on the sofa.) Rmm Rmm Rmm Rrrrrrmmmmº.
STEPHEN
(Gabbles|s5,s5|
with marionette jerks.) Thousand places of entertainment
{u21, 629}
to
|v5expense
expensesv5| your
evenings with lovely ladies saling gloves and other things perhaps
hersº heart beerchops perfect fashionable
house very eccentric where lots cocottes beautiful dressed much about princesses
like are dancing cancan and walking
there|14,14|
parisian clowneries extra foolish for bachelors
foreigns|14.
The
the14| same if talking
a poor english how much smart they are on things love and sensations voluptuous.
Misters very selects for is pleasure must to visit heaven and hell show with
mortuary candles and they tears silver which occur every night. Perfectly
shocking terrific of religion's things mockery seen in universal world. All
chic womans
|5|14who
which14|
arrive full of
modesty then disrobe
and5| squeal loud to
see vampire man debauch nun very fresh young with
|16dessous
troublants dessous
troublants16|.º
(He clacks his tongue loudly.)
|14Ho,
là là. Ce pif qu'il a. Ho, là
là!º Ce pif qu'il
a!º14|
LYNCH
|14Vive
le vampire! Vive le vampire!14|
{u22, 531}
THE WHORES
Bravo! Parleyvoo!
STEPHEN
(Grimacingº
with head
back, laughs loudly, clapping himself.) Great success of
laughing. Angels much prostitutes like and holy apostles big damn ruffians.
|14Demimondaines
Demimondaines14|
nicely handsome sparkling of diamonds very amiable costumed. Or do you are fond
better what belongs they
moderns pleasure
|5turpitude
of old mans5|?
(He points about him with grotesque gestures which Lynch and the whores reply
to.)
Caoutchouc
statue woman reversible or lifesize
|14tompeeptom
of
tompeeptomsº14|
virgins nudities very lesbic the kiss five ten times.
Enter|s5,
gentleman,
gentlemen|15,15|s5|
to see in
|v5mirror
mirrorsv5| every
positions trapezes
all that machine
there besides also if desire act awfully bestial
|5butcher's
boy pollutes in warm veal liver
or5|
|16omlet
(erromlette
omeletteº19)16|
on the belly
|14pièce
de Shakespeare pièce de
Shakespeare14|.
{u21, 630}
BELLA
(Clapping her belly(err,ºerr) sinks back on the sofa|v5,v5| with a shout of laughter.) An omelette on the … Ho! ho! ho! ho! … |~7omelette Omeletteº~|7| on the …
STEPHEN
(Mincingly.) I love you, sirº darling. Speak you englishman tongue for |16double entente cordiale double entente cordiale16|. O yes, |14mon loup mon loup14||s5.s5| How much cost? Waterloo. Watercloset. (He ceases suddenly and holds up a forefinger.)
BELLA
(Laughing.) Omelette …
THE WHORES
(Laughing.) Encore! Encore!
STEPHEN
Mark me. I dreamt of a watermelon.
ZOE
Go abroad and love a foreign lady.
LYNCH
Across the world for a wife.
{u22, 532}
|14FLORRIE FLORRY14|
STEPHEN
(|v5Extends
Extendingºv5|
his arms.) It was here. Street of harlots. In
Serpentine
avenueº Beelzebub showed me
her|14,14|
a fubsy widow. Where's the red carpet spread?
{u21, 631}
BLOOM
(Approaching Stephen.) Look …
STEPHEN
No, I flew.º My foes beneath me. And ever shall be. World without end|5|~.~|5| (He cries.) |14Pater! Pater!14| Free!
BLOOM
I say, look …
STEPHEN
Break my spirit, will he? |14O merde alors! O merde alors!14| (He cries, his vulture talons sharpened.) Holà!º Hillyho!
(Simon Dedalus' voice hilloes in answer, somewhat sleepy but ready.)
SIMON
That's all right. (He swoops uncertainly through the air|14,14| wheeling|s5,s5| uttering cries of heartening,º on strong ponderous |14buzzard14| wings.) Ho, boy! Are you going to win? Hoop! Pschatt! Stable with those halfcastes. Wouldn't let them within the bawl of an ass|s5.s5| |14Head up!14| Keep our flag flying! An eagle gules volant in a field argent displayed. |5Ulster |14King king14| at arms!5| Haihoop!º (He makes the beagle's callº giving tongue.) Bulbul! Burblblburblbl!º Hai, boy!
(The
fronds and spaces of the
wallpaperº
file rapidly
crosscountryº.
|14The
A
stout14|
fox,º
|14drawn
from
covert,14|
brush pointed,
|14having buried his
grandmother,14|
runs swift
|14forº
the
open14|,º
brighteyed,
|14seeking
badger
earth,14|
under the leaves.
|14The
pack
|aof
staghoundsa|
follows|a,
nose to the
ground,a| sniffing
their
quarry,
beaglebaying,
burblbrbling to be blooded.
Ward Union
huntsmen and huntswomen live with them, hot for
a kill. From
Six Mile Point,
Flathouse,
Nine Mile Stone
follow the
footpeople with
knotty sticks, hayforks,º
salmongaffs, lassos,
{u21, 632}
|aflockmasters
with stockwhips,a|
{u22, 533}
bearbaiters
with tomtoms, toreadors with bullswords, grey negroes waving
torches.14| The
crowd bawls of dicers, crown and anchor players, thimbleriggers, broadsmen,
crows and welshers, touts andº
hoarse bookies in high wizard hats clamour deafeningly.)
THE CROWD
Card of the races. Racing card!
Ten to one the field!
Tommy on the clay here! Tommy on the clay!
Ten to one bar one! Ten to one bar one!º
Try your luck on spinning Jenny!
Tenº to one bar one!
Sell the monkey, boys! Sell the monkey!
I'll give ten to one!
Ten to one bar one!
(A dark horse,º riderless, bolts like a phantom past the winningpost, his mane moonfoaming, his eyeballs stars. The field follows, a bunch of bucking mounts. Skeleton horses:º Sceptre, Maximum the Second,º Zinfandel, the dukeº of Westminster's Shotover, Repulse, the dukeº of Beaufort's Ceylon, prix de Paris. Dwarfs ride them (5rustyarmoured,, rusty armoured, leaping,5) leaping in their, in their saddles. Last in a drizzle of rainº on a brokenwinded isabelle nag,º (7cock of the north, Cock of the North, the favourite,7) honey cap, green jacket, orange sleeves, Garrett Deasy up, gripping the reins, a hockeystickº at the ready. His (5nag on spavined |14blank blank nag, stumbling on14|5) whitegaitered feet(5,5) jogs along the rocky road.)
THE |14CROWD ORANGE LODGES14|
(Jeering.) Get down and push, mister.
Last lap! You'll be home the night!
{u21, 633}
(Bolt upright,º his nailscraped face plastered with postagestampsº , brandishes his hockeystick, his blue eyes flashing in the prism of the chandelier as his mount lopes by at schooling gallop.)
|14⇒14| |14Per vias rectas! Perº vias rectas!14|
(A
yoke of buckets
|7empties
leopards7|
all over him and his
rearing
nagº a torrent of
mutton broth with
dancing coins of carrots, barley, onions, turnips, potatoes.)
{u22, 534}
THE |14CROWD GREEN LODGES14|
Soft day, sir John! Soft day, your honour!
(Private Carr, Private Compton and Cissy Caffrey pass beneath the windows, singing in discord.)
STEPHEN
Hark! Our friend|5|~,~|5| noise in the street|~5.!~|5|
ZOE
(Holds up her hand.) Stop|5|~!~|5|
PRIVATE CARR, PRIVATE COMPTON ANDº CISSY CAFFREY
Yet I've a sort ofº a
Yorkshire relish for …
ZOE
That's me|s16.s16| (She claps her hands.) Dance! Dance! (She runs to the pianola.) Who has twopence?
BLOOM
Who'll …?º
{u21, 634}
LYNCH
(Handing her coins.) Here.
STEPHEN
(Cracking his fingers impatiently.) Quick! Quick! Where's my augur's rod? (He runs to the piano and takes his ashplant|s5,s5| beating his foot in tripudium.)
ZOE
(Turns the drumhandle.) There.
(She drops two pennies in the slot.
Gold,º pink and violet lights
start forth. The drum turns purring
|14in low
hesitation
waltz14|.
Professor
Goodwin, in a bowknotted
periwig,
in court
dress|s5,s5|
wearing a stained
Invernessº
cape,
bent in two from incredible age, totters across the room, his hands
fluttering. He sits tinily on the
pianostoolº and lifts and beats
handless sticks of arms on the keyboard, nodding with damsel's grace, his bowknot bobbing.)
{u22, 535}
ZOE
(Twirls roundº herself, heeltapping.) Dance. |14Anybody here for there?14| Who'll dance? |v5Clear the tablev5|
(The pianolaº
with changing lights plays in waltz time the prelude of My Girl's a
Yorkshire Girl.
Stephen throws
his ashplant on the table and seizes Zoe
roundº
the
waist.
|14Florrie
Florry14|
and Bella push the table towards the fireplace. Stephen, arming Zoe with
exaggerated grace, begins to waltz her
roundº the room.
|v5Bloom
stands
aside.v5|
Her
sleeve|s5,s5|
falling from gracing
arms|14,14|
reveals a white fleshflower of
vaccination.
|v5Bloom stands
aside.v5|
Between the
curtains|s5,s5|
Professor
|14Maghinni
Maginni14|
inserts a leg on the toepoint of which spins a silk hat. With a deft
kickº he sends it spinning to his
crown and jauntyhatted
|14enters
skates
in14|. He wears
a slate frockcoatº with claret
silk lapels, a gorget of cream tulle, a green lowcut waistcoat, stock collar
with white kerchief, tight lavender trousers, patent pumps
{u21, 635}
and canary gloves. In his buttonhole is an
immenseº dahlia. He twirls in
reversed directions a clouded
cane|5|~,~|5|
then wedges it tight in his oxter. He places a hand
lightlyº on his breastbone,
bows,º and fondles his flower and buttons.)
|14MAGHINNI MAGINNI14|
The poetry of motion, art of calisthenics. No connection withº Madam Legget Byrne's or Levenston'sº. Fancy dress balls arranged. Deportment. The Katty Lanner stepº. So. Watch me! My terpsichorean abilities.º (He minuets forward three pacesº on tripping bee's feet.) |14Tout le monde en avant! Reverence! Tout le monde en place! Tout le monde en avant! (errReverence! Révérence!ºerr) Tout le monde en place!14|
(The prelude ceases. Professor Goodwin, beating vague arms, shrivels, sinksº , his live cape falling about the stool. The air|5|~,~|5| in firmer waltz time|5|~,~|5| soundsº. Stephen and Zoe circle freely. The lights change, glow, fade|s5,s5| gold|14,14| |v5rosy rose|14,º14|v5| violet.)
THE PIANOLA
Two young fellows were talking about their girls, girls, girls,
Sweethearts they'd left behind …
(From a corner the morning hours run out, goldhaired,
slimsandalledº , in girlish blue,
waspwaisted,
with innocent
hands. Nimbly they
dance|s5,s5|
twirling their
skipping ropes.
The hours of noon follow in amber gold.
Laughing,º
{u22, 536}
linked, high haircombs
flashing|s5,s5|
they catch
the sun in mocking mirrors, lifting their arms.)
|14MAGHINNI MAGINNI14|
(Clipclaps glovesilent hands.) |7Carré! Avant deux! Balancé! Carré! Avant deux! |16Breathe evenly!16| Balancé!º7| |16Breathe evenly!16|
(The morning and noon hours waltz in their places,
turning,º
advancing to
each other, shaping their curves, bowing
(errvisavis
vis à
visºerr).
Cavaliers
{u21, 636}
behind them arch and suspend their arms, with hands
|14on
descending to, touching, rising
from14| their shoulders.)
HOURS
You may touch my|5|~ …º~|5|
CAVALIERS
May I touch your?
HOURS
CAVALIERS
O, so lightly!
THE PIANOLA
My little shy little lass has a waist.
(Zoe and Stephen turn boldly with looser swing. The twilight hours advanceº |14from long landshadows,14| dispersed, lagging, languideyed, their cheeks delicate with cipria and false faint bloom. They are in grey gauze with dark bat sleeves that flutter in the landbreezeº.)
|16MAGHINNI MAGINNI16|
|7Avant huit! Traversé! Salut! Cours de mains! Croisé! Avant huit! Traversé! Salut! Cours de mains! Croisé!7|
(The night hours|v5, one by one,v5|º steal to the last place. Morning, noon and twilight hours retreat before them. They are masked, with daggered hair and bracelets of dull bells. Weary|s5,s5| they curchycurchy under veils.)
THE BRACELETS
Heigho! Heigho!
{u21, 637}
{u22, 537}
ZOE
(Twirlingº , her hand to her brow.) O!
|14MAGHINNI MAGINNI14|
|7Les Tiroirs! Chaine de dames! La corbeille! Dos a Dos! Les tiroirs!º Chaîneº de dames! La corbeille! Dos ຠdos!º7|
(Arabesquing wearily|5|~,~|5| they weave a pattern on the floor, weaving, unweaving, curtseying, twirling,º simply swirling.)
ZOE
(She frees herself, droops on a chair.º Stephen seizes |14Florrie Florry14| and turns with her.)
|14MAGHINNI MAGINNI14|º
|7Boulangère! Les Ronds! Les Ponts! Chevaux de bois! Escargots! Boulangère! Les |14Ronds ronds14|! Les |14Points ponts14|! Chevaux de bois! Escargots!7|
(Twining, receding, with interchanging hands,º the night hours link each eachº with arching armsº in a mosaic of movements.º Stephen and |14Florrie Florry14| turn cumbrously.)
|14MAGHINNI MAGINNI14|
|7Dansez avec vos dames! Changez de dames! Donnez le petit bouquet à votre dame! Remerciez! Dansez avec vos dames! Changez de dames! Donnez le petit bouquet à votre dame! Remerciez!7|
THE PIANOLA
Best, best of all,
Baraabum!
KITTY
(Jumps up.)
O(5,5)
they played that on the hobbyhorses at the
|14Mirus14|
bazaar!
{u21, 638}
(She runs to Stephen. He leaves |14Florrie Florry14| brusquely and seizes Kitty. A screaming bittern's harsh high whistle shrieks. Groangrousegurgling Toft's cumbersome whirligig turns slowly the room right roundabout the room.)
THE PIANOLA
My girl's a Yorkshire girl.
{u22, 538}
ZOE
Yorkshire through and through.
|16⇒16| Come on all!
(She seizes |14Florrie Florry14| and waltzes her.)
STEPHEN
(7Pas seul! Pas seul!º7)
(He wheels Kitty into Lynch's arms (5and,5) snatches up his ashplant from the table (5and takes the floor5). All wheel(5,5) whirl(5,5) waltz(5,5) twirl(5,º5) Bloombella(5,5) Kittylynch(5,5) |14Florriezoe Florryzoe, jujuby women14|(5.5) Stephen with hat ashplant frogsplits in middle highkicks with skykicking mouth shut hand clasp part under thigh. Withº clang tinkle boomhammer tallyho hornblower blue green yellow flashes Toft's cumbersome turns with hobbyhorse riders from gilded snakes dangled|14, bowels fandango leaping spurn soil foot and fall again14|.)
THE PIANOLA
Though she's a factory lass
And wears no fancy clothes.
(Closeclutched swift swifter with glareblareflare scudding
they scootlootshootº lumbering by. Baraabum!)
{u21, 639}
TUTTI
Encore! Bis! Bravo! Encore!
SIMONº
Think of your mother's people!
STEPHEN
(Bang fresh barang bang of lacquey's bell, horse, nag, steer, piglings,º Conmee on Christass,º lame crutch and leg sailor in cockboat armfolded ropepulling hitching stamp hornpipe through and through.º Baraabum! On nags hogs bellhorsesº Gadarene swineº Corny in coffin steelº shark stone onehandled Nelsonº two trickies Frauenzimmer plumstained from pram falling bawling. Gumº he's a champion. Fuseblue peer from barrel rev. evensong Love on hackney jaunt Blazes blind coddoubled bicyclers Dilly with snowcake no fancy clothes. Then in last switchbackº lumbering up and down bump mashtub sort of viceroy and reine relish for tublumber bumpshire rose. Baraabum!|5|~)~|5|
|14(14|The couples fall aside. Stephen whirls giddily|5, stops5|. Room whirls back. Eyes closedº he totters. Red rails fly spacewards. Stars all around suns turn roundabout. Bright midges dance on wallsº. |5He stops dead.|14)14|5|
|5STEPHEN
Ho!5|
|5|~(~|5|Stephen's
mother, emaciated, rises stark through the
floor,º in leper grey with a
wreath of faded
orangeblossomsº
and a torn
bridal veil, her face worn and
(7noseless,7)
green with gravemould.º Her
hair is scant and lank. She fixes her bluecircled hollow eyesockets on Stephen
and opens her
toothless mouth uttering a silent word. A choir of virgins and confessors sing voicelessly.)
{u21, 640}
THE CHOIR
Liliata
rutilantium te confessorum …
(errJubilantium
Iubilantiumºerr)
te virginum …
(From the top of a tower Buck Mulligan|s5,s5| in particoloured jester's dress of puce and yellow and clown's cap with curling bell, stands gaping at her, a smoking |14buttered split14| scone in his hand.|s5)s5|
BUCK MULLIGAN
(7She's beastly dead.7) The pity of it|5.!5| Mulligan meets the afflicted mother|16.16| (He upturns his eyes.) Mercurial Malachi!º
(With the subtle smile of death's madness.) I was once the beautiful May Goulding. I am dead.
STEPHEN
(Horrorstruck.) Lemur! Who are you? No!º What bogeyman's trick is this?
BUCK MULLIGAN
(Shakes his curling capbell.)
The mockery of
it|14.!14|
Kinch killed her dogsbody
{u22, 540}
bitchbody.º She kicked the
bucket|16.16|
(Tears of
molten butter fall from his eyes on
toº the scone.) Our great
sweet mother!
|~7Epi
oinopa ponton Epi oinopa
pontonº~|7|.
THE MOTHER
(Comes nearer, breathing upon him softly her breath of
wetted ashes.) All must go through it, Stephen.
More women than men
in the world. You too. Time will come.
{u21, 641}
STEPHEN
(Choking with fright, remorse and horror.) They sayº I killed you, mother. He offended your memory. Cancer did it, not I. Destiny.
THE MOTHER
(A green rill of bile trickling from a side of her mouth.) You sang that song to me. |16Love's bitter mystery. Love's bitter mystery.16|
STEPHEN
(Eagerly.) Tell me the word,º mother, if you know now. The word known to all men.
THE MOTHER
Who saved you the night you jumped into the train at Dalkey with Paddy Lee? Who had pity for you when you were sad among the strangers? Prayer is allpowerfulº. Prayer for the suffering souls in the Ursuline manualº and forty (errdays days'ºerr) indulgence. Repent, Stephen.
STEPHEN
The ghoul! Hyena!
THE MOTHER
I pray for you in my other world. Get Dilly to make you that boiled rice every night after your brainworkº. Years and years I loved you, O my |v5firstbornv5| son, |5|6my6| firstborn|err,19|5| when you lay in my womb.
ZOE
(Fanning herself with the gratefanº.) I'm melting!
|14FLORRIE FLORRY14|
(Points to Stephen.) Look! He's white.
{u21, 642}
{u22, 541}
BLOOM
(Goes to the window to open it |16more16|.) Giddy.
THE MOTHER
(With smouldering eyes.) Repent! O, the fire of hell!
STEPHEN
(Panting.) |v5His noncorrosive sublimate!v5| Theº corpsechewer|5.!5| Raw head and bloody bones.º
THE MOTHER
(Her face drawing near and nearer, sending out an ashen breath.) Beware! (She raises her blackenedº withered right arm slowly towards Stephen's breast with outstretched fingerº.) Bewareº God's hand!
(Aº green crab with malignant red eyes sticks deep its grinning claws in Stephen's heart.)
STEPHEN
(Strangled with rage.|v5) Shite! (v5|His features |14grow14| drawn and grey and old.) |v5Shite!v5|
BLOOM
(At the window.) What?
STEPHEN
|~7Ah non, par exemple! Ah non, par exemple!º~|7| The intellectual imagination! With me all or not at all. |~7Non serviam! Non serviam!º~|7|
|14FLORRIE FLORRY14|
Give him some cold water.
Wait|5|~.~|5|
(She rushes out.)
{u21, 643}
THE MOTHER
(Wrings her hands slowly, moaning desperately.) O Sacred Heart of Jesus, have mercy on him! Save him from hell, O divineº Sacred Heart!
STEPHEN
No! No! No! Break my spirit,º all of you,º if you can! I'll bring you all to heel!
THE MOTHER
(In the agony of her
deathrattle.) Have mercy on Stephen, Lord, for my
{u22, 542}
sake! Inexpressible was my anguish when expiring with love, grief and agony on Mount Calvary.
STEPHEN
|14Nothung! Nothung!14|
(He lifts his ashplant high with both hands and smashes the chandelier. Time's livid final flame leaps and|14,14| in the following darkness|14,14| ruin of all space, shattered glass and toppling masonry.)
THE GASJET
Pwfungg!
BLOOM
Stop!
LYNCH
(Rushes forward and seizes Stephen's hand.) Here! Hold on! Don't run amok!
BELLA
Police!
{u21, 644}
(Stephen, abandoning his ashplant, his head and arms thrown back stark, beats the ground and fliesº from the room,º past the whores at the door.)
BELLA
(Screams.) After him!
(The two whores rush to the halldoorº. Lynch and Kitty and Zoe stampede from the room. They talk excitedly. Bloom follows, returns.)
THE WHORES
(Jammed in the doorway|s5,s5| pointing.) Down there.
ZOE
(Pointing.) There. There's something up.
BELLA
Who pays for the lamp? (She seizes Bloom's
coattail.) Here, youº were with him. The lamp's broken.
{u22, 543}
BLOOM
(Rushes to the hall, rushes back.) What lamp, woman?
A WHORE
BELLA
(|v5pointsv5|
Her eyes hard with anger and
cupidity|5|~,~|5|
|v5pointsv5|.)
Who's to pay for that? Ten shillings. You're a witness.
{u21, 645}
BLOOM
(Snatches up Stephen's ashplant.) Me? Ten shillings? |5Have Haven't5| you lifted enough off him? Didn't he …?º
BELLA
(Loudly.) Here, none of your tall talk. This isn't a brothel. A tenshillingº house.
BLOOM
(His headº under the lamp, pulls the chain. Pulingº , the gasjet lights up a crushed mauve purple shade. He raises the ashplant.) Only the chimney's broken. Here is all he …
BELLA
(Warding off a blow,º shrinksº back and screams.) Jesus! Don't!
BLOOM
Toº show you how he hit the paper. There's not |v5|16a16|v5| sixpenceworthº of damage done. Ten shillings!
|14FLORRIE FLORRY14|
(With a glass of water,º enters.) Where is he?
BELLA
Do you want me to call the police?
BLOOM
O, I know. Bulldog on the premises. But he's a Trinity
student. Patrons of your
establishment|s5.s5|
Gentlemen that pay the rent. (He makes a masonic
{u22, 544}
sign.) Know what I mean? Nephew of the vicechancellor. You don't want a scandal.
{u21, 646}
BELLA
(Angrily.) (errTrinity. Trinity!ºerr) Coming down here ragging after the |5boatrace boatracesº5| and paying nothing. Are you theº commander here orº? Where is he? I'll charge him! Disgrace him, I will!º (She shouts.) Zoe! Zoe!
BLOOM
(Urgently.) And if it were your own son in Oxford?º (Warningly.) I know.
BELLA
(Almost speechless.) Who areº |14incog! you incog?º14|
ZOE
(In the doorway.) There's a row on.
BLOOM
What?º Where? (He throws a shilling on the table and startsº.) That's for the chimney. Where? I need mountain air.
(He hurries
|14out14|
through the hall. The whores point.
|14Florrie
Florry14|
follows, spilling water from her tilted tumbler. On the doorstep all the
whores clustered talk volubly, pointing
|14to
the14| right
where the fog has
cleared off. From the left arrives a jingling hackney car. It slows to in
front of the house. Bloom at the halldoor perceives Corny Kelleher who is about
to dismount from
the car with two silent lechers. He
averts his face.
Bella from within the hall urges on her whores. They blow ickylickysticky
yumyum kisses. Corny Kelleher replies with a
ghastlyº
lewd smile. The silent lechers turn to pay the jarvey. Zoe and Kitty still
point right. Bloom, parting them swiftly, draws his caliph's hood and
poncho and hurries down the steps with sideways face. Incog
Haroun
(5Al
alº5)
Raschid(5,º5)
he flits behind the silent lechers and hastens on by the railings with fleet
step of a pard
|7strewing
the drag behind him, torn envelopes drenched in
{u21, 647}
aniseed7|.
The ashplant marks his stride. A pack of
bloodhounds(err,ºerr)
|7led by Hornblower of
Trinity
|14in
tallyho cap, brandishing a dogwhip brandishing a
dogwhip,º in tallyho
capº14|
and an old pair of grey
trousers,7|
(5follow
followsº5)
from far,
|7picking
up the
scent,7|
nearer, baying, panting,
|7at
fault, breaking
away,7|
throwing their
tongues, biting his heels, leaping at his tail. He walks, runs,
zigzags,
{u22, 545}
gallops, lugs laid back. He is
pelted with
gravel,
cabbagestumps, biscuitboxes, eggs, potatoes, dead codfish, woman's
slipperslappers. After
him(5,5)
freshfound(5,º5)
the hue and cry
zigzag gallops in
hot pursuit
|14of
follow my
leader14|:
65
C,º 66
C,º night watch, John Henry
Menton, Wisdom Hely,
(5VB
V.B.º5)
Dillon, Councillor Nannetti, Alexander Keyes, Larry O'Rourke, Joe Cuffe,
Mrs O'Dowd, Pisser Burke, theº
Nameless One, Mrs Riordan, theº
Citizen,
Garryowen,
|16Whodoyoucallhim
Whatdoyoucallhim16|,
Strangeface, Fellowthatsolikeº
, Sawhimbefore,
Chapwithawenº
,
Chris Callinan, sir Charles Cameron, Benjamin Dollard, Lenehan, Bartell
d'Arcy, Joe
Hynes, red
Murray, editor
Brayden,
T.M. Healy,
Mr Justice
Fitzgibbon, John
Howard Parnell, the reverend Tinned Salmon, Professor Joly, Mrs Breen, Denis
Breen, Theodore
Purefoy, Mina Purefoy, theº
Westland Row postmistress, C.P. M'Coy, friend of Lyons,
Hoppy
Holohan,
(5maninthestreet,
othermaninthestreet, man in the street, other man in the
street,º5)
Footballboots, pugnosed driver,
rich protestant
lady, Davy
Byrne, Mrs Ellen M'Guinness, Mrs Joe Gallaher,
George Lidwell,
Jimmy Henry on
corns,
(5superintendant
|16Superintendant
Superintendent16|5)
Laracy,
Father Cowley,
Crofton out of
the Collector-general's,º Dan
Dawson, dental surgeon Bloom with tweezers, Mrs Bob Doran, Mrs Kennefick, Mrs
Wyse Nolan, John Wyse Nolan,
handsomemarriedwomanrubbedagainstwidebehindinClonskeatramº
, the
bookseller of Sweets of Sin,º
Miss Dubedatandshedidbedad, Mesdames Gerald and Stanislaus Moran of
Roebuck, the
managing clerk of Drimmie's,
Wetherup,º colonel Hayes,
Mastiansky, Citron, Penrose,
|14Aaron
Figatner, Moses Herzog, Michael
E|17.17|
Geraghty, Inspector
Troy,14|
Mrs Galbraith, the constable off Eccles
streetº corner, old doctor Brady
with stethoscope, the mystery man on the beach, a retriever, Mrs
Miriam Dandrade and all her lovers.)
{u21, 648}
THE HUE AND CRY
(Helterskelterpelterwelter.) He's Bloom! Stop Bloom! Stopabloom! Stopperrobber! Hi! Hi! Stophimº on the corner!
(At the corner of Beaver streetº |16beneath the scaffolding16| Bloom panting stops on the fringe of the noisy quarrellingº knot, a lot not knowing a jot what hi! hi! row and wrangle round the whowhat brawlaltogether.)
STEPHEN
(With elaborate gestures, breathing deeply and slowly.) You are my guests.
{u22, 546}
Uninvitedº. By virtue of
|14George
the. Seventh the fifth of
Georgeº
and
seventh14| of
Edward.
History to blame.
Fabled by
(5mother
mothersº5)
of memory.
PRIVATE CARR
(To Cissy Caffrey.) Was he insulting you?
STEPHEN
Addressed her in vocative feminine. Probably neuter. Ungenitive.
VOICES
No, he didn't. |v5I seen him. The girl there. |16Free him. The girl lies. The girl's telling lies.º16|v5| He was in Mrs Cohen's. What's up? |v5Soldier and civilian Soldiers and civiliansºv5|.
CISSY CAFFREY
I was in company with the soldiers and they left me to do(5,5) |14—14| you know|14,14| and the young man runº up behind me. But I'm faithful to the man that's treating me though I'm only a shilling whore.
VOICES
Shesfaithfultheman.º
{u21, 649}
STEPHEN
(Catches sight of (5Lynch's and Kitty's Kitty's and Lynch'sº5) (5head heads5).) Hail, Sisyphus. (He points to himself and the others.) Poetic. Uropoetic.º
CISSY CAFFREY
Yes, to go with him. And me with a soldier friend.
PRIVATE COMPTON
He doesn't half want a thick ear, the blighter. Biff him one, Harry.
PRIVATE CARR
(To Cissy.) Was he insulting you while me and him was having a piss?
LORD TENNYSON
((5Gentleman poet5) Inº Union Jack blazer and cricket flannels, bareheaded, flowingbearded.) |14Their's Theirsº14| not to reason why.
PRIVATE COMPTON
Biff him, Harry.
{u22, 547}
STEPHEN
(To (5private Privateº5) Compton.) I don't know your name but you are quite right. Doctor Swift says one man in armour will beat ten men in their shirts. Shirt is synechdoche. Part for the whole.
CISSY CAFFREY
(Toº the crowd.) No|s5,s5| I was with the privatesº.
STEPHEN
(Amiably.) Why not? The bold soldier boy. In my opinion every lady for example …
{u21, 650}
(His cap awry, advancesº to Stephen.) Say, how would it be, governor, if I was to bash in your jaw?
STEPHEN
(Looks up toº the sky.) How? Very unpleasant. Noble art of selfpretence. Personally, I detest action. (He waves his hand.) Hand hurts me slightly. (7Enfin, Enfin,º7) (7ce sont vos oignons ce sont vos oignonsº7). (To Cissy Caffrey.) Some trouble is on here. What is itº precisely?
DOLLY GRAY
(From her balcony waves her handkerchief|14, giving the sign of the heroine of Jericho14|.) |14Rahab.14| Cook's son, goodbye. Safe home to Dolly. Dream of the girl you left behind and she will dream of you.
(The soldiers turn their swimming eyes.)
BLOOM
(Elbowing through the crowd, plucks Stephen's sleeve vigorously.) Come now, professor, that carman is waiting.
STEPHEN
(Turns.) Eh? (He disengages himself.) Why should I not speak to him or to any human being who walks upright upon this oblate orange? (He points his finger.) I'm not afraid of what I can talk to if I see his eye. Retaining the perpendicular.
|17⇒17|
(He staggers a pace back.)
{u22, 548}
BLOOM
(Propping him.) Retain your own.
{u21, 651}
STEPHEN
(Laughs emptily.) My centre of gravity is displaced. I have forgotten the trick. Let us sit down somewhere and discuss. Struggle for life is the law of existence butº humanº philirenists|s5,s5| notably the |14Czar tsar14| and the |14King king14| of England|14,14| have invented arbitration. (He taps his brow.) But in here it is I must kill the priest and the king.
BIDDY THE CLAP
Did you hear what the professor said? He's a professor out of the college.º
CUNTY KATE
I did. I heard that.
BIDDY THE CLAP
He expresses himself with suchº marked refinement of phraseology.
CUNTY KATE
|14Yes. Indeed, yes.14| And at the same time with such apposite trenchancy.
PRIVATE CARR
(Pulls himself free and comes forward.) What's that you're saying about my king?
(Edward the Seventh appears in an archway. He wears a white
jersey on which an image of the Sacred Heart is
stitched|5|~,~|
with the insignia
of Garter and Thistle, Golden Fleece, Elephant of Denmark,
Skinner's and Probyn's horse, Lincoln's
(errInns'
Innºerr)
bencher and ancient and honourable artillery company of
(errMassachussets
Massachusettsºerr).5|
|5and
He5| sucks a
red jujube. He
is robed as a
|5grand5|
|17master
elect perfect and
sublime17|
mason with trowel and
apron,
marked made in Germany. In his left hand he holds a plasterer's
bucket on which is
printed|s5:s5|
|s5Defense
Défenses5|
d'uriner.
|5A
roar of welcome greets him.5|)
{u21, 652}
(Slowly, solemnly but indistinctly.)
Peace, perfect
peace. For
|v5indentification
identificationv5|,º
bucket in my hand. Cheerio,
boys|s5.s5|
(He turns to his subjects.) We have come
{u22, 549}
here to witness a clean straight fight and we
|5heartily5|
wish both men the best of good
luck|14.14|
|17Mahak
makar a
bakº.17|
|14⇒14| (He shakes hands with Private Carr, Private Compton, Stephen, Bloom and Lynch.|14) (14| General applause. Edward the Seventh lifts |v5his thev5| bucket graciously in acknowledgmentº.)
PRIVATE CARR
(To Stephen.) Say it again.
STEPHEN
(Nervous, friendly, pulls himself up.) I understand your point of view though I have no king myself |16for the moment16|. This is the age of patent medicinesº. A discussion is difficult down here. But this is the point. You die for your country(18. Suppose, suppose.º18) (He places his arm on |v5private Privatev5| Carr's sleeve.) Not that I wish it for you. But I say: Let my country die for me. Up to the present it has done so. I didn'tº want it to die. Damn death. Long live life!
EDWARD THE SEVENTH
(Levitates over heaps of slain|v5,v5| in the garb and with the halo of |16joking Joking16| Jesus, a white jujube in his phosphorescent face.)
My methods are new and are causing
surprise|s5.s5|
To make the blind see I throw dust in their eyes.
STEPHEN
Kings and unicorns! (He falls back a pace.) Come
somewhere and we'll … What was that girl saying …?º
{u21, 653}
PRIVATE COMPTON
Eh, Harry, give him a kick in the knackers. Stick one into Jerry.
BLOOM
(To the privates, softly.) He doesn't know what he's saying. Takenº a little more than is good for him. |5Absinthe. Greeneyed Absinthe, the greeneyed5| monster. I know him. He's a gentleman, a poet. It's all right.
STEPHEN
(Nods, smiling and laughing.)
Gentleman, patriot, scholar and judge of impostors.
{u22, 550}
PRIVATE CARR
I don't give a bugger who he is.
PRIVATE COMPTON
We don't give a bugger who he is.
STEPHEN
I seem to annoy them. Green rag to a bull.
(Kevin Egan of Paris in black Spanish tasselled shirt and peep-o'-day boy's hat signs to Stephen.)
KEVIN EGAN
|v5Hlò! H'lo!v5| (7Bonjour! Bonjour!º7) The vieille ogresse with the dents jaunes.
(Patrice Egan peeps from behind, his rabbitfaceº nibbling a |5quince5| leaf.)
PATRICE
Socialiste!
{u21, 654}
|17DON EMILE PATRIZIO FRANZ RUPERT POPE HENNESSY
(In medieval hauberk, two wild geese volantº on his helm, with noble indignation points a mailed hand against the privates.) Werf those eykes to footboden, big grand porcos of johnyellows todos covered of gravy!17|
BLOOM
(To Stephen.) Come home. You'll get into trouble.
STEPHEN
(Swaying.) I don't avoid it. He provokes my intelligence.
BIDDY THE CLAP
One immediately observes that he is of patrician lineage.
THE VIRAGO
Green above the red, says he. Wolfe Tone.
THE BAWD
The red's as good as the
green|v5.
And,
andv5| better. Up the soldiers! Up King Edward!
{u22, 551}
A ROUGH
(Laughs.) Ay|16.!16| Hands up to |14de De14| Wet.
THE CITIZEN
(With a huge emerald muffler and shillelagh, calls.)
May the God above
Send down a dove
With teeth as sharp as razors
To slit the throatsº
{u21, 655}
Of the English dogs
That hanged our Irish leaders.
THE CROPPY BOY
(The ropenooseº round his neck, gripes in his issuing bowels with both hands.)
I bear no hate to a living
thing|s5,s5|
But I love my country beyond the king.
(|16Accompanied by two blackmasked assistants,16| advances withº gladstone bag which he opens.) Ladies and gents, cleaver purchased by Mrs Pearcy to slay Mogg. Knife with which Voisin dismembered the wife of a compatriot and hid remains |14in a sheet14| in |14a the14| cellar|16, the unfortunate young female's throat being cut from ear to ear16|. Phial containing arsenic retrieved fromº body of Miss Barrowº which sent Seddon to the gallows.
(He jerks the rope. Theº |16assistants leap at the victim's legs and drag him downward, grunting: the16| croppy boy's tongue protrudes violently.|14)14|
Horhot ho hray hor hother'sº hest(err.ºerr)14|
|14(14||17He gives up the ghost.17| A violent erection of the hanged sends gouts of sperm spouting through his deathclothesº on to the cobblestones. Mrs Bellingham, Mrs Yelverton Barry and the Honourable Mrs |14Paget Butler Mervynº Talboys14| rush forward with their handkerchiefs to sop it up.)
|16RUMBOLD16|
I'm
near it myself. (He undoes the noose.) Rope which hanged the awful
{u22, 552}
rebel. Ten shillings a time. Asº
suppliedº to
Hisº Royal Highness. (He plunges his
head into the gaping belly of the hanged and draws out
{u21, 656}
his head again clotted with coiled and smoking
entrails.) My
painful duty has now been done. God save the
|14King
king14|!
|17EDWARD THE SEVENTH
(Dances slowly, solemnly|a, rattling his bucketa|,º and sings with soft contentment.)
On coronation day, on coronation day,
O, won't we have a merry time,
Drinking whisky, beer and wine!17|
PRIVATE CARR
Here. What are you saying about my king?
STEPHEN
(Throws up his hands.) O, this is too monotonous! Nothing. He wants my money and my life, though want must be his master, for some brutish empire of his. Money I haven't|s5.s5| (He searches his pockets vaguely.) Gave it to someone.
PRIVATE CARR
Who wants your bleeding money?
STEPHEN
(Tries to move off.) Will someoneº tell me where I am least likely to meet these necessary evils? |s5Ça se voit aussi à Paris Ça se voit aussi à Pariss5|. Not that I … But,º by Saint Patrick …!º
(The women's heads coalesce.
Old Gummy
Grannyº in
sugarloaf hat
appears seated on a
toadstool|14,
the deathflower of
the potato blight on her breast14|.)
{u21, 657}
STEPHEN
Aha! I know you |s5gammer., |17Gammer gammer17|!s5| Hamlet, revenge! The |14old14| sow that eats her farrow!
OLD GUMMY GRANNY
(Rocking
to and fro.)
Ireland's
sweetheart, the
king of Spain's daughter,
alanna.
Strangers inº my
house|17,
bad manners to
them!17|
(She
|14wails
keens14|
with banshee
|6woe6|
{u22, 553}
woe.) Ochone! Ochone!
Silk of the
kine! |14(She
wails.) You met with poor old Ireland and
how does she
stand?14|
STEPHEN
|14How do I stand you?14| The hat trick! Where's the third person of the |17blessed Blessed17| |s5trinity Trinitys5|? Soggarth Aroon? The reverend Carrion Crow.
CISSY CAFFREY
(Shrill.) Stop them from fighting!
A ROUGH
Our men retreated.
PRIVATE CARR
(Tugging at his belt.) I'll wring the neck of any fuckerº says a word against my fucking king.
BLOOM
(Terrified.) He said nothing. Not a word. A pure misunderstanding.º
PRIVATE COMPTON
Go it, Harry. Do him one in the eye. He's a proBoerº.
{u21, 658}
STEPHEN
Did I? When?
BLOOM
(To the redcoats.) We fought for you in South Africa, Irish missile troops. Isn't that history? Royal Dublin Fusiliers. Honoured by our monarch.
THE NAVVY
(Staggering past.) O, yes! Oº God, yes! O, make the kwawr a krowawr! O! Bo!
(Casqued halberdiers in armour thrust forward a pentice
of gutted
spearpointsº.
Major Tweedy,
|17Turkmoustached,
moustached like
Turko the
terrible,17|
in bearskin
{u22, 554}
cap with hackle plume and
accoutrements,
with epaulettesº , gilt
chevrons and
|v5sabretaches
sabretacheº
,v5| his
breast bright with medals, toes the line.
|17He
gives the pilgrim
warrior's
sign of the knights
templars.17|)
MAJOR TWEEDY
(Growls gruffly.) Rorke's Drift! Up, guards, and at them! |17Maharº shalal hashbaz.17|
|16⇒ THE CITIZEN
Erin go bragh!º
(Major Tweedy and the Citizen exhibit to each other medals, decorations, trophies of war, wounds. Both salute with fierce hostility.)º16|
PRIVATE CARR
I'll do him in.
{u21, 659}
PRIVATE COMPTON
(|v5Moves Wavesºv5| the crowd back.) Fair play, here. Make a bleeding butcher's shop of the bugger.
(Massed bands blare Garryowen and God |14Save save14| the |14King king14|.)
CISSY CAFFREY
They're going to fight. For me|14.!14|
CUNTY KATE
The brave and the fair.
BIDDY THE CLAP
Methinks yon sable knight will joust it with the best.
CUNTY KATE
(Blushing deeply.) Nay, madamº. The gules doublet and |14merry14| saintº George for me!
STEPHEN
The harlot's cry from street to street
Shall weave
|v5Old
oldºv5|
Ireland's windingsheet.
PRIVATE CARR
(Loosening his belt, shouts.) I'll wring the neck of any fucking bastard says a word against my bleeding fucking king.
BLOOM
(Shakes Cissy Caffrey's shoulders.) Speak, you! Are you struck dumb? You
{u22, 555}
are the link between nations and generations. Speak, woman, sacred
lifegiverº!
{u21, 660}
CISSY CAFFREY
(Alarmed, seizes |v5private Privatev5| Carr's sleeve.) Amn't I with you? Amn't I your girl? Cissy's your girl.º (She cries.) Police!
|14STEPHEN
(Ecstatically, to Cissy Caffrey.)
White thy fambles, red thy gan
And thy quarrons dainty is.14|
VOICES
Police!
|16DISTANT VOICES
Dublin's burning! Dublin's burning! On fire, on fire!16|
(Brimstone
fires spring up.
Dense clouds roll past. Heavy
Gatling guns boom.
Pandemonium.
Troops deploy.
Gallop of hoofs. Artillery. Hoarse
commands|v5,.v5|
|14Bells clang. Backers
shout. Drunkards bawl.º Whores
screech. Foghorns
hoot.14|
|v5cries
Criesv5| of
valour. Shrieks of dying.
Pikes clash on
cuirasses. |17Thieves
rob the slain.17|
|16Birds of prey, winging
from the sea, rising from marshlands, swooping from eyries, hover screaming,
gannets, cormorants, vultures, goshawks,
climbing
woodcocks,
peregrines,
merlins,
blackgrouse, sea
eagles, gulls, albatrosses, barnacle geese. The midnight sun is darkened. The
earth trembles. The dead of Dublin from Prospect and Mount Jerome in white
sheepskin overcoats and black goatfell cloaks arise and appear to many. A chasm
opens with a noiselessº yawn. Tom
Rochford, winner,º in
athlete's singlet and breeches, arrives at the head of the
|anationala|
hurdle handicap and leaps into the void. He is followed by a race of runners
and leapers. In wild attitudes they spring from the brink. Their bodies
plunge.16|
|14Factory lasses with
fancy clothes toss redhot Yorkshire baraabombs.
|17Society
ladies lift their skirts above their heads to protect themselves. Laughing
{u21, 661}
witches
in red cutty sarks ride through the air
on
broomsticks.17|
Quakerlyster plasters blisters. It rains
dragons'º teeth. Armed heroes
spring up from furrows. They |17exchange in amity
{u22, 556}
the pass of
knights of the red
cross and17|
fight duels with
cavalry sabres:
Wolfe
Toneº
against
|aHenrya|
Grattan,
Smith O'Brien
against Daniel O'Connell, Michael
Davitt against Isaac
Butt, Justin
M'Carthy against Parnell,
Arthur Griffith
against John Redmond, John O'Leary against Lear O'Johnny, Lord
Edward Fitzgerald against Lord Gerald Fitzedward,
The
O'Donoghue of the Glens against The Glens of The
O'Donoghueº.14|
On an eminence|14,
the centre of the
earth,14|
rises
|14a
the14|
|v5fieldaltar
field
altarv5|
|14of Saint
Barbara14|.
Black candles
rise from its gospel and epistle horns.
|14From the high
(errbarbacans
barbicansºerr)
of the tower two shafts of light fall on the smokepalled
altarstone.14|
On the altarstone Mrs Mina
Purefoy|16, goddess of
unreason,16|
lies, naked, fettered,
a chalice resting
on her
swollen
belly. Father
|14Malachi14|
O'Flynn in a laceº
petticoat and reversed chasuble, his
|14two
left14| feet
back to the front, celebrates camp mass. The Reverend Mr Hugh
C.º
|14Haines14|
Love M.A. in a plain cassock and
mortarboard,º his head and
collar back to the
front, holds over the celebrant's head an open umbrella.)
FATHER |17MALACHI17| O'FLYNN
|5Introibo ad altare diaboli Introibo ad altare diaboli.5|
THE REVEREND MR |17HAINES17| LOVE
To the devil which hath made |5joyful glad5| my |14youth young days14|.
FATHER |17MALACHI17| O'FLYNN
(Takes from the chalice and elevates a blooddripping host.) |7Corpus Corpus7| |v5meum |7Meum Meum7|v5|.
THE REVEREND MR |17HAINES17| LOVE
(Raises high behind the celebrant's
petticoatº|16,16|
revealing his grey
bare hairy
buttocks between which a carrot is stuck.) My body.
{u21, 661}
|17THE VOICE OF ALL THE DAMNED
Htengier Tnetopinmoº Dog Drol eth eht rof, Aiulella!17|
|17(From on high the voice of Adonai calls.)
ADONAI
Dooooooooooog!17|
{u22, 557}
|16THE VOICE OF ALL THE BLESSED
Alleluia, for the Lord God Omnipotent reigneth!16|
(From on high the voice of Adonai calls.)
ADONAI
|~5Goooooooood! Goooooooooood!º~|5|
|16(In strident discord peasants and townsmen of Orange and Green factions sing Kick the Pope and Daily, daily sing to Mary.)16|
PRIVATE CARR
(With ferocious articulation.) I'll do him in, so help me fucking Christ|s5!s5| I'll wring the bastard fucker's bleeding blasted fucking windpipe!
(The retriever|16,16| nosing on the fringe of the crowd|16,16| barks noisily.)º
OLD GUMMY GRANNY
(Thrusts a dagger towards Stephen's hand.) Remove him, acushla.º |5At |148.30 a.m. 8.35 a.m.14| you will be in heaven and Ireland will be free. |17(She prays.) O good God, take him!17|5|
BLOOM
(Runs to Lynch.) Can't you get him away?
{u21, 663}
LYNCH
He likes dialectic, the universal language. Kitty! (To Bloom.) Get him away, you. He won't listen to me.
(He drags Kitty away.)
STEPHEN
(Points.) |14Exit Judas. Et laqueo se suspendit. Exit Judas. Et laqueo se suspendit.14|
BLOOM
(Runs to Stephen.) Come along with me now before worse |14happens14|. Here's your stick.
STEPHEN
Stick, no. Reason. |5The This feast of5| pure reason.º
CISSY CAFFREY
(Pulling Private Carr.) Come on, you're boosed.
He insulted me but I forgive him. (Shouting in his ear.) I forgive him for insulting me.
{u22, 558}
BLOOM
(Over Stephen's shoulder.) Yes, go. You see he's incapable.
PRIVATE CARR
(Breaks loose.) I'll insult him.
(He rushes towards Stephen, fistº outstretched, and strikes him in the face. Stephen totters, collapses, falls|v5,v5| stunned. He lies prone, his face to the sky|v5.,v5| his hat rolling to the wall. Bloom follows and picks it up.)
MAJOR TWEEDY
(Loudly.) Carbine in bucket! Cease fire! Salute!
{u21, 664}
THE RETRIEVER
(Barking furiously.) Ute ute ute ute ute ute ute ute.
THE CROWD
Let him up! Don't strike him when he's down! Air! Who? The soldier hit him. He's a professor. Is he hurted? Don't manhandle him! He'sº fainted!º
A HAG
What call had the redcoat to strike the gentleman and he under the influence(err.?ºerr) Let them go and fight the Boers!
THE BAWD
Listen to who's talking! Hasn't the soldier a right to go with his girl? He gave him the coward's blow.
|16(They grab at each other's hair, claw at each other and spit.)16|
THE RETRIEVER
(Barking.) Wow wow wow.
BLOOM
(Shoves them back, loudly.) Get back, stand back!
{u22, 559}
PRIVATE COMPTON
(Tugging his comrade.) Here. Buggerº off, Harry. Here'sº the cops!
(Twoº raincaped watch, tall, stand in the group.)
FIRST WATCH
What's wrong here?
{u21, 664}
PRIVATE COMPTON
We were with this lady. Andº he insulted us. Andº assaulted my chum|s5.s5| (The retriever barks.) Who owns the bleeding tyke?
CISSY CAFFREY
(With expectation.) Is he bleeding?º
A MAN
(Rising from his knees.) No. Gone off. He'll come to all right.
BLOOM
(Glances sharply at the man.) Leave him to me. I can easily …
SECOND WATCH
Who are you? Do you know him?
PRIVATE CARR
(Lurches towards the watch.) He insulted my lady friend.
BLOOM
(Angrily.) You hit him without provocation. I'm a witness. Constable, take his regimental number.
SECOND WATCH
I don't want your instructions in the discharge of my duty.
PRIVATE COMPTON
(Pulling his comrade.) Here, bugger off,
Harry|5.5|
|5or
Or5| Bennett'll
shoveº you in the lockup.
{u21, 666}
{u22, 560}
PRIVATE CARR
(Staggering as he is pulled away.) God fuck old Bennett!º He's a whitearsed bugger. I don't give a |6shite shit6| for him.
FIRST WATCH
(Takesº out his notebook.) What's his name?
BLOOM
(Peering over the crowd.) I just see a car there. If you give me a hand a second, sergeant …
FIRST WATCH
Name and address.
(Corny Kelleher, weepers round his hat, |16a death wreath in his hand,16| appears among the bystanders.)
BLOOM
(Quickly.) O, the very man|14.!14| (He whispers.) Simon Dedalus' son. A bit sprung. Get those policemen to move those loafers back.
SECOND WATCH
Night, Mr Kelleher.
CORNY KELLEHER
(To the watch, with drawling eye.) That's all right. I know him. Won a bit on the races. Gold cup. |14Throwaway Throwawayº|17.17|14| (He laughs.) Twenty to one. Do you follow me?
FIRST WATCH
(Turns to the crowd.) Here, what are you all gaping at?
Move on out of that.
{u21, 667}
(The crowd disperses slowly, muttering, down the lane.)
CORNY KELLEHER
Leave it to me, sergeant. That'll be all right(18.18) (He laughs, shaking his head.) We were often as bad ourselves|16,16| ay or worse. What? Eh, what?
FIRST WATCH
(Laughs.) I suppose so.
{u22, 561}
CORNY KELLEHER
(Nudges the second watch.) Come and wipe your name off the slate. (He lilts|s5,s5| wagging his head.) With my tooraloom tooraloom tooraloom tooraloom. What, eh, do you follow me?
SECOND WATCH
(Genially.) Ah, sure we were too.
CORNY KELLEHER
(Winking.) Boys will be boys. I've a car round there.
SECOND WATCH
All right, Mr Kelleher. Good night.
CORNY KELLEHER
I'll see to that.
BLOOM
(Shakes hands with both of the watch in
|6turns
turn6|.) Thank
you very much|5,
gentlemen5|.
Thankº you. (He
mumbles
confidentially.) We don't want any scandal, you understand. Father is a
|v5wellknown
well
known(16,16)v5|
highly respected citizen. Just a little wild oats, you understand.
{u21, 668}
FIRST WATCH
O|v5.,v5| I understand, sir.
SECOND WATCH
That's all right, sir.
FIRST WATCH
It was only in case of corporal injuries I'd have to report it at the station.
BLOOM
(Nods rapidly.) Naturally. Quite right. Only your bounden duty.
SECOND WATCH
It's our duty.
CORNY KELLEHER
Good night, men.
{u22, 562}
THE WATCH
(Saluting together.) Night, gentlemen.
(Theyº move off with slow heavy tread.)
BLOOM
(Blows.) Providential you came on the scene. You have a car …?º
CORNY KELLEHER
(Laughs, pointing his thumb over his right shoulder
|14to the car brought up
against the
scaffolding14|.)
Two commercials that were standing fizz in
|5Jammets
Jammet's5|. Like
princes, faith. One of them lost two quid on the race. Drowning his grief.
Andº were on for a
|v5time
gov5| with the
|v5jollyv5|
girls. So I
{u21, 669}
landed them up on
|v5Brophy's
Behan'sv5| car and down to nighttown.
BLOOM
I was just going home by Gardiner street when I happened to …
CORNY KELLEHER
(Laughs.) Sure they wanted me to join in with the mots. No, by God, says I|17,.17| |17my dancing days are done.17| Not for old stagers like myself and yourself. (He laughs again and leers with lacklustre eye.) Thanks be to God we have it in the house,º what, eh, do you follow me? Hah, hah, hah!º
BLOOM
(Tries to laugh.) |16Ha He16|, he, he! Yes. Matter of fact I was just visiting an old friend of mine there, Virag, you don't know him (poor fellow,º he's laid up for the past week) and we had a |6liquour (7liqour liquor7)6| together and I was just making my way home …
(The horse neighs.)
THE HORSE
Hohohohohohoh! Hohohohome!
CORNY KELLEHER
Sure it was
|5Brophy
Behan(18,18)5|
our jarvey
there(18,18)
that told me after we left the two commercials in Mrs Cohen's and I told
him to pull up
and got off to see. (He laughs.)
Sober
hearsedrivers a
specialityº. Will I give him a lift
home|16.?16|
Where does he hang out? Somewhere in Cabra, what?
{u22, 563}
BLOOM
No, in Sandycove, I believe, from what he let drop.
(Stephen, prone, breathes to the stars. Corny Kelleher,
asquint, drawls at the horse. Bloom,º in gloom, looms down.)
{u21, 670}
CORNY KELLEHER
(Scratches his nape.) Sandycove! (He bends down and calls to Stephen.) Eh! (He calls again.) Eh! He's covered with shavings anyhow. Take care they didn't lift anything off him.
BLOOM
No, no, no. I have his money and his hat here and stick.
CORNY KELLEHER
Ah,º well,º he'll get over it. No bones broken. Well, I'll |16get shove16| along. (He laughs.) I've a rendezvous in the morning. Burying the dead. Safe home!
THE HORSE
(Neighs.) Hohohohohome.
BLOOM
Good night. I'll just wait and take him along in a few …
(Corny Kelleher returns to the outside car and mounts it. The horseharnessº jingles.)
CORNY KELLEHER
(From the car|14, standing14|.) Night.
BLOOM
Night.
(The jarvey chucks the reins and raises his whip
encouragingly. |16The
car and horse back slowly, awkwardly and
turn.16| Corny
Kelleher on the sideseat sways his head to and fro in sign of mirth at
|6his
Bloom's6|
plight. The jarvey joins in the mute
|16pantomimic16|
merriment nodding from the farther seat. Bloom shakes his head in mute mirthful
{u21, 671}
reply. With thumb and palm Corny Kelleher reassures that the two bobbies
will allow the sleep to continue for what else is to be done. With a slow
{u22, 564}
nod Bloom conveys his gratitude as that is exactly what Stephen needs.
The car jingles
|14tooraloom14|
round the corner of the
|14tooraloom14|
lane. Corny Kelleher again
|14reassures
reassuralooms14|
with his hand. Bloom with his hand
|14assures
assuralooms14|
Corny Kelleher that he is
|14reassured
reassuraloomtay14|.
The tinkling hoofs and jingling harness grow fainter
|14with
their tooralooloo looloo
|16ay
lay16|14|.
Bloom, holding in his hand Stephen's
|5muddied
hat hatº
festooned with
shavings5| and
ashplant, stands irresolute. Then he bends to him and shakes him by the shoulder.)
BLOOM
Eh! Ho! (There is no answer. Heº bends again.) Mr Dedalus! (There is no answer.) The name if you call. (7Sonambulist Somnambulist7). (He bends again and, hesitating, brings his mouth near the face of the prostrate form.) Stephen! (There is no answer. He calls again.) Stephen!
STEPHEN
(Frowns.º) Who? Black panther. Vampireº. (He sighs and stretches himself, then murmurs thickly with prolonged vowels.)
Who|14 …14|
drive|14 …14|
Fergus nowº
And
pierce|14 …14|
wood's woven shade …?º
(He turns on his left side, sighing, doubling himself together.)
BLOOM
Poetry. Well educated.
Pity(18.18)
(He bends again and undoes the buttons of Stephen's waistcoat.) To
breathe. (He brushes the woodshavings from Stephen's clothes with light
handº and fingers.) One pound
seven. Not hurt
anyhow|18.18|
(He listens.) What?º
{u21, 672}
STEPHEN
(Murmurs.)
|14…14|
|v5Shadows
shadows|14 …14|v5|
the woodsº
|16…16|
|16White
white16|
breast|14 …14|
dim sea.º
(He stretches out his arms, sighs again and curls his body.
Bloom,º holding
theº
|5muddied5|
hat and ashplant,º stands
erect. A dog barks in the distance. Bloom tightens and loosens his grip on the
ashplant. He looks down on Stephen's face and form.)
{u22, 565}
BLOOM
|5(Communes with the night.)5| Face reminds |5me5| of his poor mother. In the shady wood. The deep white breast. Ferguson, I think I caught. A girl. Some girl. Best thing could happen him.º |17|a(He murmurs.)a| … swear that I will always hail, ever conceal, never reveal, any part or parts, art or arts … (He murmurs.) … in the rough sands of the sea … a cabletow's length from the shore … where the tide ebbs … and flows …17|
(Silent, thoughtful, alert|s5,s5| he stands on guard|17, his fingers at his lips in the attitude of secret master17|. Against the dark wall a figure appears slowly, a |16fairy16| boy of eleven|16, a changeling, kidnapped,16| |17dressed17| in an Eton suit |17with glass shoes and a little bronze helmet17|, holding a book in his hand. He reads |16from right to left16| inaudibly, smiling|17, kissing the page17|.)
BLOOM
(Wonderstruck, calls inaudibly.) |5Rudy!5|
(|v5Gazes,
unseeing, in to Gazes unseeing
intov5|
Bloom's eyes and goes on reading,
|17kissing,17|
smiling. |17He has
a delicate mauve face. On his
suit17|
|17He
he17| has diamond
{u21, 673}
and ruby buttons.
|16In his free
|alefta|
hand he holds a slim ivory cane with a violet
bowknot.16| A
white lambkinº peeps out of his waistcoat pocket.)